Although Cockney can be considered to be one of the most important non-standard forms of English, there had been little to no scholarly attention on the dialect prior to William Matthews’s 1938 volume Cockney Past and Present. Matthews traced the course of the speech of London from the sixteenth century to the beginning of the twentieth century by gathering information from many sources including plays, novels, music-hall songs, the comments of critics and the speech and recollections of living Cockneys. This book will be of interest to students of language and linguistics.
Although Cockney can be considered to be one of the most important non-standard forms of English, there had been little to no scholarly attention on the dialect prior to William Matthews’s 1938 volume Cockney Past and Present. Matthews traced the course of the speech of London from the sixteenth century to the beginning of the twentieth century by gathering information from many sources including plays, novels, music-hall songs, the comments of critics and the speech and recollections of living Cockneys. This book will be of interest to students of language and linguistics.
An extraordinary city, London grew from a backwater in the Classical Age into an important medieval city and significant Renaissance urban center to a modern colossus--full of a free people ever evolving. Roy Porter touches the pulse of his hometown and makes it our own, capturing London's fortunes, people, and imperial glory with vigor and wit. 58 photos.
'Susie Dent is a national treasure' RICHARD OSMAN 'Susie Dent is a one-off. She breathes life and fun into words and language' PAM AYRES __________________________________________ Would you be bewildered if someone described you as radgy? Do you know how to recognise a tittamatorter? And would you understand if someone called you a culchie? How to Talk Like a Local gathers together hundreds of words from all over the country and digs down to uncover their origins. From dardledumdue, which means daydreamer in East Anglia, through forkin robbins, the Yorkshire term for earwigs, to clemt, a Lancashire word that means hungry, it investigates an astonishingly rich variety of regional expressions, and provides a fascinating insight into the history of the English language. If you're intrigued by colourful words and phrases, if you're interested in how English is really spoken, or if you simply want to find out a bit more about the development of our language, How to Talk Like a Local is irresistible - and enlightening - reading. __________________________________________________ 'Nobody on earth knows more about the English language than Susie Dent and nobody writes about it more entertainingly' GYLES BRANDRETH 'It's an interesting and, at times, hilarious read. One for word-lovers' THE SUN
The phrase "popular music revolution" may instantly bring to mind such twentieth-century musical movements as jazz and rock 'n' roll. In Sounds of the Metropolis, however, Derek Scott argues that the first popular music revolution actually occurred in the nineteenth century, illustrating how a distinct group of popular styles first began to assert their independence and values. He explains the popular music revolution as driven by social changes and the incorporation of music into a system of capitalist enterprise, which ultimately resulted in a polarization between musical entertainment (or "commercial" music) and "serious" art. He focuses on the key genres and styles that precipitated musical change at that time, and that continued to have an impact upon popular music in the next century. By the end of the nineteenth century, popular music could no longer be viewed as watered down or more easily assimilated art music; it had its own characteristic techniques, forms, and devices. As Scott shows, "popular" refers here, for the first time, not only to the music's reception, but also to the presence of these specific features of style. The shift in meaning of "popular" provided critics with tools to condemn music that bore the signs of the popular-which they regarded as fashionable and facile, rather than progressive and serious. A fresh and persuasive consideration of the genesis of popular music on its own terms, Sounds of the Metropolis breaks new ground in the study of music, cultural sociology, and history.
Mabel Constanduros was one of the first British radio comediennes and a beloved star of the early BBC, best known as the creator and performer of the comic Cockney family, the Bugginses. In this, the first significant biography of Constanduros, Jennifer J Purcell explores Constanduros's career and influence on the shaping of popular British entertainment alongside the history of the nascent BBC. Mother of the BBC provides new insights into programming decisions and content on the early BBC, deepening our understanding of the history and evolution of situation comedy and soap opera. Further, Constanduros's biography considers class in the representation of the British people on BBC radio, the gendered experience and performance of radio celebrity, and the intersections between BBC entertainment and other forms of popular media prior to the advent of television. Constanduros's emphasis on the everyday and the family had far-reaching impacts on the shape of sitcom and soap opera in Britain, two popular lenses through which the nation sees itself at home. Her role in developing entertainment on the BBC and the ways in which she cultivated her career make her the Mother of the BBC, but in constructing a popular image of family life she might also be considered the Mother of the Nation.
