Band Scale Expansion Studies for Trumpet is designed to help school trumpet students to master their band scales. Band directors often have scale tests, sometimes for grades, sometimes for chair placement in the band. Before you buy this book, please confirm that the band scales for your band are the same as the ones targeted by Band Scale Expansion Studies for Trumpet. Do your band scales begin with quarter-notes, ascend one or two octaves in eighth-notes, peak on a quarter-note in the top octave, then descend in eighth notes to the first note? If those are your band scales, then the Band Scale Expansion Studies for Trumpet will work for you. Simply follow the directions in the book and you will be mastering your scales in no time.
Trumpet players! Do you need to improve your range, endurance, flexibility or sound? Daily Routines is a proven approach which has helped thousands of trumpet players grow in strength without having to resort to annoying high note methods. Daily Routines is NOT a high note method. Yet, most of its users have greater range than people who call themselves "screamers". The difference is that Daily Routines does not work on range separately from other aspects of trumpet playing. Range is a by-product of strength, and strength comes from very specific daily practice habits. With the Daily Routines book, you can play higher with greater endurance AND produce a quality sound. The systematic design of the routines makes the progress automatic. There is no need to stress over physical mechanics. The book is designed so that playing the exercises in the correct order automatically leads to proper physical technique.
Tuning, Timbre, Spectrum, Scale focuses on perceptions of consonance and dissonance, and how these are dependent on timbre. This also relates to musical scale: certain timbres sound more consonant in some scales than others. Sensory consonance and the ability to measure it have important implications for the design of audio devices and for musical theory and analysis. Applications include methods of adapting sounds for arbitrary scales, ways to specify scales for nonharmonic sounds, and techniques of sound manipulation based on maximizing (or minimizing) consonance. Special consideration is given here to a new method of adaptive tuning that can automatically adjust the tuning of a piece based its timbral character so as to minimize dissonance. Audio examples illustrating the ideas presented are provided on an accompanying CD. This unique analysis of sound and scale will be of interest to physicists and engineers working in acoustics, as well as to musicians and psychologists.
Some thirty-two experts from fifteen countries join three of the world's leading authorities on the design, manufacture, performance and history of brass musical instruments in this first major encyclopedia on the subject. It includes over one hundred illustrations, and gives attention to every brass instrument which has been regularly used, with information about the way they are played, the uses to which they have been put, and the importance they have had in classical music, sacred rituals, popular music, jazz, brass bands and the bands of the military. There are specialist entries covering every inhabited region of the globe and essays on the methods that experts have used to study and understand brass instruments. The encyclopedia spans the entire period from antiquity to modern times, with new and unfamiliar material that takes advantage of the latest research. From Abblasen to Zorsi Trombetta da Modon, this is the definitive guide for students, academics, musicians and music lovers.
More than fifteen years since the death of lead guitarist and singer Jerry Garcia, the Grateful Dead stand as a symbol of the unresolved cultural clashes of the 1960s. The band's thirty-year odyssey is a testament to the American imagination, with thousands of live concert recordings by fans and the band itself, preserved alongside an impressive array of images, artwork, and paraphernalia. Most recently, the Grateful Dead have released from their vault their entire 1972 European tour, one of the largest boxed sets of live music--seventy-three compact discs--ever released. This publicly available archive of recorded music lays the groundwork for David Malvinni's exploration of the band's musical signature as the ultimate jam band in Grateful Dead and the Art of Rock Improvisation. Malvinni considers a select group of songs from the Dead's early repertoire, from its unique covers of "Viola Lee Blues," "Midnight Hour," and "Love Light" to original masterpieces like "Dark Star." Marrying basic music analysis to philosophical frames offered by improvisatory musings of Heidegger, Derrida, and Deleuze, Malvinni presents the core aesthetic underlying the Dead's musical styling. In tracing the evolution of the band's unique jam style, Malvinni outlines the Dead's gift as gatherers and inventors of old and new soundscapes in their multifaceted improvisations. Like no other band, the Dead brought together a variety of styles from roots and folk to country and modal jazz to postmodern European art music. Devoted Deadheads reveled in the band's polyglot, risk-filled approach to playing live and the joint band-audience quest to reach a type of sonic cosmic ecstasy, commonly described as the "X factor." Although fans and scholars alike recognize the Grateful Dead as icons of psychedelic music, the band's improvisatory approach still remains an enigma to the uninitiated. In Grateful Dead and the Art of Rock Improvisation, Malvinni unravels this mystery, walking readers through the band's musical decision-making process. Written for rock music fans with little to no background in music theory, as well as scholars and students of popular music culture, the book reveals the method behind the seeming chaos of America's greatest jam band.
The most comprehensive reference on voice care and science ever published! Substantially revised and updated since the previous edition published in 2005, Professional Voice: The Science and Art of Clinical Care, Fourth Edition provides the latest advances in the field of voice care and science. In three volumes, it covers basic science, clinical assessment, nonsurgical treatments, and surgical management. Twenty new chapters have been added. These include an in-depth chapter on pediatric voice disorders, chapters detailing how hormonal contraception, autoimmune disorders, and thyroid disorders affect the voice, as well as chapters on the evolution of technology in the voice care field, and advances in imaging of the voice production system. The appendices also have been updated. They include a summary of the phonetic alphabet in five languages, clinical history and examination forms, a special history form translated into 15 languages, sample reports from a clinical voice evaluation, voice therapy exercise lists, and others. The multidisciplinary glossary remains an invaluable resource. Key Features With contributions from a Who's Who of voice across multiple disciplines120 chapters covering all aspects of voice science and clinical careFeatures case examples plus practical appendices including multi-lingual forms and sample reports and exercise listsComprehensive indexMultidisciplinary glossary What's New Available in print or electronic format20 new chaptersExtensively revised and reorganized chaptersMany more color photographs, illustrations, and case examplesFully updated comprehensive glossaryMajor revisions with extensive new information and illustrations, especially on voice surgery, reflux, and structural abnormalities New Chapters 1. Formation of the Larynx: From Hox Genes to Critical Periods 2. High-Speed Digital Imaging 3. Evolution of Technology 4. Magnetic Resonance Imaging of the Voice Production System 5. Pediatric Voice Disorders 6. The Vocal Effects of Thyroid Disorders and Their Treatment 7. The Effects of Hormonal Contraception on the Voice 8. Cough and the Unified Airway 9. Autoimmune Disorders 10. Respiratory Behaviors and Vocal Tract Issues in Wind Instrumentalists 11. Amateur and Professional Child Singers: Pedagogy and Related Issues 12. Safety of Laryngology Procedures Commonly Performed in the Office 13. The Professional Voice Practice 14. Medical-Legal Implications of Professional Voice Care 15. The Physician as Expert Witness 16. Laryngeal Neurophysiology 17. The Academic Practice of Medicine 18. Teamwork 19. Medical Evaluation Prior to Voice Lessons 20. Why Study Music? Intended Audiences Individuals While written primarily for physicians and surgeons, this comprehensive work is also designed to be used by (and written in language accessible to) speech-language pathologists, singing voice specialists, acting voice specialists, voice teachers, voice/singing performers, nurses, nurse practitioners, physician assistants, and others involved in the care and maintenance of the human voice. Libraries It is a must-have reference for medical and academic libraries at institutions with otolaryngology, speech-language pathology, music, nursing and other programs related to the human voice.
