Transcultural Poetics and the Concept of the Poet
Transcultural Poetics and the Concept of the Poet

Author: Ranjan Ghosh

Publisher: Routledge

Published: 2016-12-08

Total Pages: 306

ISBN-13: 1317576675

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Critiquing the politics and dynamics of the transcultural poetics of reading literature, this book demonstrates an ambitious understanding of the concept of the poet across a wide range of traditions – Anglo-American, German, French, Arabic, Chinese, Sanskrit, Bengali, Urdu – and philosophies of creativity that are rarely studied side by side. Ghosh carves out unexplored spaces of negotiation and intersections between literature, aesthetics and philosophy. The book demonstrates an original method of ‘global comparison’ that displaces the relatively staid and historicist categories that have underpinned comparative literature approaches so far, since they rarely dare stray beyond issues of influence and schools, or new 'world literature' approaches that affirm cosmopolitanism and transnationalism as overarching themes. Going beyond comparatism and reformulating the chronological patterns of reading, this bold book introduces new methodologies of reading literature to configure the concept of the poet from Philip Sidney to T. S Eliot, reading the notion of the poet through completely new theoretical and epistemic triggers. Commonly known texts and sometimes well-circulated ideas are subjected to refreshing reading in what the author calls the ‘transcultural now’ and (in)fusionised transpoetical matrices. By moving between theories of poetry and literature that come from widely separated times, contexts, and cultures, this book shows the relevance of canonical texts to a theory of the future as marked by post-global concerns.

An Annotated Bibliography of the Alaṃkāraśāstra
An Annotated Bibliography of the Alaṃkāraśāstra

Author: Timothy Cahill

Publisher: BRILL

Published: 2021-10-01

Total Pages: 390

ISBN-13: 9004491295

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This volume contains the most comprehensive collection of scholarly sources on Indian poetics and aesthetics (the Alaṃkāraśāstra ever published in ancient India. Entries are divided into three sections and a detailed index is provided. Reference to primary sources from several languages range from about the 5th to the 19th centuries. Secondary sources in two dozen languages are divided into two sections, viz., books and articles. These begin in the mid-19th century and continue to the present. Annotations are usually brief and descriptive.

The Language of Literature and its Meaning
The Language of Literature and its Meaning

Author: Ashima Shrawan

Publisher: Cambridge Scholars Publishing

Published: 2019-04-23

Total Pages: 184

ISBN-13: 1527533565

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There is a marked awareness about the language of literature and its meaning both in Indian and Western aesthetic thinking. The aestheticians of both schools hold that the language of literature embodies a significant aspect of human experience, and represents a creative pattern of verbal structure to impart meaning effectively. Modern Western aesthetic thinking, which includes theories like formalism, new criticism, stylistics, structuralism, post-structuralism, deconstruction, discourse analysis, semiotics and dialogic criticism, in one way or another emphasizes the study of the language of literature in order to understand its meaning. Similarly, there is a distinct focus on the language of literature and its meaning in Indian literary theories which include the theory of rasa (aesthetic experience), alaṁkāra (the poetic figure), rīti (diction), dhvani (suggestion), vakrokti (oblique expression) and aucitya (propriety). This book explores how the language of literature and its meaning have been dealt with in both Indian and Western aesthetic thinking. In doing so, the study concentrates on Kuntaka’s theory of vakrokti and Ānandavardhana’s theory of dhvani in Indian aesthetic thinking and Russian formalism and deconstruction in Western thinking. The book categorically focuses on the intersection between the theory of vakrokti and Russian formalism and the meeting-point between the theory of dhvani and deconstruction.

The Variegated Plumage
The Variegated Plumage

Author: Narendranath B. Patil

Publisher: Motilal Banarsidass Publ.

Published: 2003

Total Pages: 432

ISBN-13: 9788120819535

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The Variegated Plumage Encounters with Indian Philosophy a commemorative volume dedicated to the memory of Pandit Jankinath Kaul Kamal` is a collection of diverse scholarly articles and research papers contributed by the veterans who are specialists in their respective fields. The present volume adequately covers different aspects of Indian Philosophy and culture. The extensive section will provide impetus to further research in the subject. The second section is a collection of papers dealing with a wide range of issues in Indian Philosophy and culture.

Transcultural Poetics and the Concept of the Poet
Transcultural Poetics and the Concept of the Poet

Author: Ranjan Ghosh

Publisher: Taylor & Francis

Published: 2016-12-08

Total Pages: 209

ISBN-13: 1317576683

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Critiquing the politics and dynamics of the transcultural poetics of reading literature, this book demonstrates an ambitious understanding of the concept of the poet across a wide range of traditions – Anglo-American, German, French, Arabic, Chinese, Sanskrit, Bengali, Urdu – and philosophies of creativity that are rarely studied side by side. Ghosh carves out unexplored spaces of negotiation and intersections between literature, aesthetics and philosophy. The book demonstrates an original method of ‘global comparison’ that displaces the relatively staid and historicist categories that have underpinned comparative literature approaches so far, since they rarely dare stray beyond issues of influence and schools, or new 'world literature' approaches that affirm cosmopolitanism and transnationalism as overarching themes. Going beyond comparatism and reformulating the chronological patterns of reading, this bold book introduces new methodologies of reading literature to configure the concept of the poet from Philip Sidney to T. S Eliot, reading the notion of the poet through completely new theoretical and epistemic triggers. Commonly known texts and sometimes well-circulated ideas are subjected to refreshing reading in what the author calls the ‘transcultural now’ and (in)fusionised transpoetical matrices. By moving between theories of poetry and literature that come from widely separated times, contexts, and cultures, this book shows the relevance of canonical texts to a theory of the future as marked by post-global concerns.

Studying Transcultural Literary History
Studying Transcultural Literary History

Author: Gunilla Lindberg-Wada

Publisher: Walter de Gruyter

Published: 2012-03-12

Total Pages: 328

ISBN-13: 3110920557

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In our globalised world, literature is less and less confined to national spaces. Europe-centred frameworks for literary studies have become insufficient; academics are increasingly called upon to address matters of cultural difference. In this unique volume, leading scholars discuss the critical and methodical challenges that these developments pose to the writing of literary history. What is the object of literary history? What is the meaning of the term “world literature”? How do we compare different cultural systems of genres? How do we account theoretically for literary transculturation? What are the implications of postcolonial studies for the discipline of comparative literature? Ranging in focus from the Persian epic of Majnun Layla and Zulu praise poetry to South Korean novels and Brazilian antropofagismo, the essays offer a concise overview of these and related questions. Their aim is not to reach a consensus on these matters. They show instead what is at stake in the emergent field of global comparatism.