A History of Textile Art. [Illustr.] (1. Publ.)
Author: Agnes Geijer
Publisher:
Published: 1979-01-01
Total Pages: 317
ISBN-13: 9780785528166
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Author: Agnes Geijer
Publisher:
Published: 1979-01-01
Total Pages: 317
ISBN-13: 9780785528166
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Publisher:
Published:
Total Pages: 228
ISBN-13: 9781610595780
DOWNLOAD EBOOKThe ultimate guide to manipulating, coloring, and embellishing fabrics. Discover nearly 50 fabulous techniques for creating one-of-a-kind designer fabrics using your imagination as the guide.
Author: Julia Bryan-Wilson
Publisher: University of Chicago Press
Published: 2021-02
Total Pages: 335
ISBN-13: 0226077829
DOWNLOAD EBOOKIn 1974, women in a feminist consciousness-raising group in Eugene, Oregon, formed a mock organization called the Ladies Sewing Circle and Terrorist Society. Emblazoning its logo onto t-shirts, the group wryly envisioned female collective textile making as a practice that could upend conventions, threaten state structures, and wreak political havoc. Elaborating on this example as a prehistory to the more recent phenomenon of “craftivism”—the politics and social practices associated with handmaking—Fray explores textiles and their role at the forefront of debates about process, materiality, gender, and race in times of economic upheaval. Closely examining how amateurs and fine artists in the United States and Chile turned to sewing, braiding, knotting, and quilting amid the rise of global manufacturing, Julia Bryan-Wilson argues that textiles unravel the high/low divide and urges us to think flexibly about what the politics of textiles might be. Her case studies from the 1970s through the 1990s—including the improvised costumes of the theater troupe the Cockettes, the braided rag rugs of US artist Harmony Hammond, the thread-based sculptures of Chilean artist Cecilia Vicuña, the small hand-sewn tapestries depicting Pinochet’s torture, and the NAMES Project AIDS Memorial Quilt—are often taken as evidence of the inherently progressive nature of handcrafted textiles. Fray, however, shows that such methods are recruited to often ambivalent ends, leaving textiles very much “in the fray” of debates about feminized labor, protest cultures, and queer identities; the malleability of cloth and fiber means that textiles can be activated, or stretched, in many ideological directions. The first contemporary art history book to discuss both fine art and amateur registers of handmaking at such an expansive scale, Fray unveils crucial insights into how textiles inhabit the broad space between artistic and political poles—high and low, untrained and highly skilled, conformist and disobedient, craft and art.
Author: Kax Wilson
Publisher: Routledge
Published: 2021-11-28
Total Pages: 438
ISBN-13: 0429716192
DOWNLOAD EBOOKOriginally published in 1979, this volume acts as a reference for the history textiles. It asks questions on the effect of technology on textiles, how did particular historical periods and locations expand or limit the possibilities for the manufacture of fabrics and how the textile history related to politics and economics, sociology and psychology, art and engineering, anthropology and archaeology, chemistry and physics. Addressing these questions, the author surveys the development of the technical components of fabrics and discusses the textiles of selected places and times. She uses prose, drawings and more than 130 photographs to show how each era of textile production reflects its age. This book is designed to serve as a college text and as a reference work for museum researchers. With sections including illustrations and diagrams; key terminology; spinning wool; spinning and raw materials; single ply and cord and fabric construction.
Author:
Publisher:
Published:
Total Pages: 244
ISBN-13: 1610596196
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Publisher:
Published: 1925
Total Pages: 208
ISBN-13:
DOWNLOAD EBOOK"Museum publications [Jan. 1929]": v. 2, p. 28-32.
Author: Eleri Lynn
Publisher: Yale University Press
Published: 2020-04-03
Total Pages: 210
ISBN-13: 0300244126
DOWNLOAD EBOOKA detailed study of Tudor textiles, highlighting their extravagant beauty and their impact on the royal court, fashion, and taste At the Tudor Court, textiles were ubiquitous in decor and ceremony. Tapestries, embroideries, carpets, and hangings were more highly esteemed than paintings and other forms of decorative art. Indeed, in 16th-century Europe, fine textiles were so costly that they were out of reach for average citizens, and even for many nobles. This spectacularly illustrated book tells the story of textiles during the long Tudor century, from the ascendance of Henry VII in 1485 to the death of his granddaughter Elizabeth I in 1603. It places elaborate tapestries, imported carpets, lavish embroidery, and more within the context of religious and political upheavals of the Tudor court, as well as the expanding world of global trade, including previously unstudied encounters between the New World and the Elizabethan court. Special attention is paid to the Field of the Cloth of Gold, a magnificent two-week festival—and unsurpassed display of golden textiles—held in 1520. Even half a millennium later, such extraordinary works remain Tudor society’s strongest projection of wealth, taste, and ultimately power.
Author: Newark Public Library
Publisher:
Published: 1925
Total Pages: 216
ISBN-13:
DOWNLOAD EBOOKIncludes the Report of the public library for 1918-