A History of English Rhythms

A History of English Rhythms

Author: Edwin Guest

Publisher:

Published: 1968

Total Pages: 760

ISBN-13:

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Dr. Guest's great work has long been the convenience storehouse whence many writers upon prosody have drawn their illustrations. This second edition has been carefully revised & corrected by the famous Chaucer scholar & an index has been added.


Style, Rhetoric, and Rhythm

Style, Rhetoric, and Rhythm

Author: Morris W. Croll

Publisher: Princeton University Press

Published: 2015-12-08

Total Pages: 468

ISBN-13: 1400879205

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These essays are, according to Marjorie Nicholson, “the most illuminating articles we have on the important subject of prose style. They were pioneer articles which have remained standard.” Originally published in 1966. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


The Rise and Fall of Meter

The Rise and Fall of Meter

Author: Meredith Martin

Publisher: Princeton University Press

Published: 2012-05-06

Total Pages: 287

ISBN-13: 1400842190

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Why do we often teach English poetic meter by the Greek terms iamb and trochee? How is our understanding of English meter influenced by the history of England's sense of itself in the nineteenth century? Not an old-fashioned approach to poetry, but a dynamic, contested, and inherently nontraditional field, "English meter" concerned issues of personal and national identity, class, education, patriotism, militarism, and the development of English literature as a discipline. The Rise and Fall of Meter tells the unknown story of English meter from the late eighteenth century until just after World War I. Uncovering a vast and unexplored archive in the history of poetics, Meredith Martin shows that the history of prosody is tied to the ways Victorian England argued about its national identity. Gerard Manley Hopkins, Coventry Patmore, and Robert Bridges used meter to negotiate their relationship to England and the English language; George Saintsbury, Matthew Arnold, and Henry Newbolt worried about the rise of one metrical model among multiple competitors. The pressure to conform to a stable model, however, produced reactionary misunderstandings of English meter and the culture it stood for. This unstable relationship to poetic form influenced the prose and poems of Robert Graves, Siegfried Sassoon, Wilfred Owen, W. B. Yeats, Ezra Pound, and Alice Meynell. A significant intervention in literary history, this book argues that our contemporary understanding of the rise of modernist poetic form was crucially bound to narratives of English national culture.