A Dictionary of musical themes
Author: Harold Barlow
Publisher:
Published: 1968
Total Pages: 642
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Harold Barlow
Publisher:
Published: 1968
Total Pages: 642
ISBN-13:
DOWNLOAD EBOOKAuthor: Harold Barlow
Publisher: New York : Crown Publishers
Published: 1948
Total Pages: 662
ISBN-13:
DOWNLOAD EBOOKAuthor: Denys Parsons
Publisher: Cambridge, Eng. : S. Brown
Published: 1975
Total Pages: 304
ISBN-13:
DOWNLOAD EBOOKAuthor: Harold Barlow
Publisher: Faber & Faber
Published: 1976
Total Pages: 547
ISBN-13: 9780571119998
DOWNLOAD EBOOKAuthor: Melvyn J. Willin
Publisher: McFarland
Published: 2022-01-19
Total Pages: 250
ISBN-13: 1476685983
DOWNLOAD EBOOKExploring the paranormal through musical phenomena, this encyclopedia covers a range of anomalies, from musical mediumship to locations throughout the world where music has been heard with no obvious source. Other manifestations, such as the abilities of musical savants and the anesthetic use of music during surgical procedures, are included with a focus on paraphysical aspects. Entries describe examples from earliest history up to the present--interpretation is left to the reader. Broader themes and concepts are discussed in appendices, with additional references provided for further study.
Author: Siobhán Dowling Long
Publisher: Rowman & Littlefield
Published: 2015-09-03
Total Pages: 373
ISBN-13: 0810884526
DOWNLOAD EBOOKThere have been numerous publications in the last decades on the Bible in literature, film, and art. But until now, no reference work has yet appeared on the Bible as it appears in Western music. In The Bible in Music: A Dictionary of Songs, Works, and More, scholars Siobhán Dowling Long and John F. A. Sawyer correct this gap in Biblical reference literature, providing for the first time a convenient guide to musical interpretations of the Bible. Alongside examples of classical music from the Middle Ages through modern times, Dowling Long and Sawyer also bring attention to the Bible’s impact on popular culture with numerous entries on hymns, spirituals, musicals, film music, and contemporary popular music. Each entry contains essential information about the original context of the work (date, composer, etc.) and, where relevant, its afterlife in literature, film, politics, and liturgy. It includes an index of biblical references and an index of biblical names, as well as a detailed timeline that brings to the fore key events, works, and publications, placing them in their historical context. There is also a bibliography, a glossary of technical terms, and an index of artists, authors, and composers. The Bible in Music will fascinate anyone familiar with the Bible, but it is also designed to encourage choirs, musicians, musicologists, lecturers, teachers, and students of music and religious education to discover and perform some less well-known pieces, as well as helping them to listen to familiar music with a fresh awareness of what it is about.
Author: Matthew Bribitzer-Stull
Publisher: Cambridge University Press
Published: 2015-05-14
Total Pages: 357
ISBN-13: 1107098394
DOWNLOAD EBOOKThrough analysis, Matthew Bribitzer-Stull explores the legacy of the leitmotif, from Wagner's Ring cycle to present-day Hollywood film music.
Author: Raymond Knapp
Publisher: Oxford University Press
Published: 2011-11-04
Total Pages: 481
ISBN-13: 0199874727
DOWNLOAD EBOOKThe Oxford Handbook of The American Musical offers new and cutting-edge essays on the most important and compelling issues and topics in the growing, interdisciplinary field of musical-theater and film-musical studies. Taking the form of a "keywords" book, it introduces readers to the concepts and terms that define the history of the musical as a genre and that offer ways to reflect on the specific creative choices that shape musicals and their performance on stage and screen. The handbook offers a cross-section of essays written by leading experts in the field, organized within broad conceptual groups, which together capture the breadth, direction, and tone of musicals studies today. Each essay traces the genealogy of the term or issue it addresses, including related issues and controversies, positions and problematizes those issues within larger bodies of scholarship, and provides specific examples drawn from shows and films. Essays both re-examine traditional topics and introduce underexplored areas. Reflecting the concerns of scholars and students alike, the authors emphasize critical and accessible perspectives, and supplement theory with concrete examples that may be accessed through links to the handbook's website. Taking into account issues of composition, performance, and reception, the book's contributors bring a wide range of practical and theoretical perspectives to bear on their considerations of one of America's most lively, enduring artistic traditions. The Oxford Handbook of The American Musical will engage all readers interested in the form, from students to scholars to fans and aficionados, as it analyses the complex relationships among the creators, performers, and audiences who sustain the genre.
Author: Harold Barlow
Publisher: Read Books
Published: 2008-11
Total Pages: 556
ISBN-13: 1443730181
DOWNLOAD EBOOKMany of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Author: Stephen Davies
Publisher: Clarendon Press
Published: 2003-01-02
Total Pages: 292
ISBN-13: 0191529141
DOWNLOAD EBOOKRepresenting Stephen Davies's best shorter writings, these essays outline developments within the philosophy of music over the last two decades, and summarize the state of play at the beginning of a new century. Including two new and previously unpublished pieces, they address both perennial questions and contemporary controversies, such as that over the 'authentic performance' movement, and the impact of modern technology on the presentation and reception of musical works. Rather than attempting to reduce musical works to a single type, Davies recognizes a great variety of kinds, and a complementary range of possibilities for their rendition. Among the questions that Davies considers are these: How can expressiveness be in a musical work when music experiences nothing? Is music a language of the emotions? How do recorded pop songs and purely electronic pieces differ from works created for live performance? Is John Cage's silent piece, 4'33", music? To what extent is the performer free to create her own interpretation and to what extent is she constrained by the composer's score? Is training in musical technicalities a prerequisite for a full appreciation of musical works and performances? Is an awareness of the socio-historical setting in which a work is created relevant to its appreciation? How does the value of individual musical works go beyond the worth of an interest in music in general? Stimulating and insightful both as individual discussions and as a coherent argument, these essays will be greatly enjoyed by philosophers, aestheticians, art theorists, and musicologists.