" ... provides updated county and town listings within the same overall state-by-state organization ... information on records and holdings for every county in the United States, as well as excellent maps from renowned mapmaker William Dollarhide ... The availability of census records such as federal, state, and territorial census reports is covered in detail ... Vital records are also discussed, including when and where they were kept and how"--Publisher decription.
Billingsley reminds us that, contrary to the accepted notion of rugged individuals heeding the proverbial call of the open spaces, kindred groups accounted for most of the migration to the South's interior and boundary lands. In addition, she discusses how, for antebellum southerners, the religious affiliation of one's parents was the most powerful predictor of one's own spiritual leanings, with marriage being the strongest motivation to change them. Billingsley also looks at the connections between kinship and economic and political power, offering examples of how Keesee family members facilitated and consolidated their influence and wealth through kin ties.
An instant New York Times bestseller! “It literally changed my outlook on the world…incredible.” —Shonda Rhimes "The Barn is serious history and skillful journalism, but with the nuance and wallop of a finely wrought novel… The Barn describes not just the poison of silence and lies, but also the dignity of courage and truth.” — The Washington Post “The most brutal, layered, and absolutely beautiful book about Mississippi, and really how the world conspired with the best and worst parts of Mississippi, I will ever read…Reporting and reckoning can get no better, or more important, than this.” —Kiese Laymon “An incredible history of a crime that changed America.” —John Grisham "With integrity, and soul, Thompson unearths the terrible how and why, carrying us back and forth through time, deep in Mississippi—baring, sweat, soil, and heart all the way through.” —Imani Perry A shocking and revelatory account of the murder of Emmett Till that lays bare how forces from around the world converged on the Mississippi Delta in the long lead-up to the crime, and how the truth was erased for so long Wright Thompson’s family farm in Mississippi is 23 miles from the site of one of the most notorious and consequential killings in American history, yet he had to leave the state for college before he learned the first thing about it. To this day, fundamental truths about the crime are widely unknown, including where it took place and how many people were involved. This is no accident: the cover-up began at once, and it is ongoing. In August 1955, two men, Roy Bryant and J.W. Milam, were charged with the torture and murder of the 14-year-old Emmett Till in Money, Mississippi. After their inevitable acquittal in a mockery of justice, they gave a false confession to a journalist, which was misleading about where the long night of hell took place and who was involved. In fact, Wright Thompson reveals, at least eight people can be placed at the scene, which was inside the barn of one of the killers, on a plot of land within the six-square-mile grid whose official name is Township 22 North, Range 4 West, Section 2, West Half, fabled in the Delta of myth as the birthplace of the blues on nearby Dockery Plantation. Even in the context of the racist caste regime of the time, the four-hour torture and murder of a Black boy barely in his teens for whistling at a young white woman was acutely depraved; Till’s mother Mamie Till-Mobley’s decision to keep the casket open seared the crime indelibly into American consciousness. Wright Thompson has a deep understanding of this story—the world of the families of both Emmett Till and his killers, and all the forces that aligned to place them together on that spot on the map. As he shows, the full horror of the crime was its inevitability, and how much about it we still need to understand. Ultimately this is a story about property, and money, and power, and white supremacy. It implicates all of us. In The Barn, Thompson brings to life the small group of dedicated people who have been engaged in the hard, fearful business of bringing the truth to light. Putting the killing floor of the barn on the map of Township 22 North, Range 4 West, Section 2, West Half, and the Delta, and America, is a way of mapping the road this country must travel if we are to heal our oldest, deepest wound.
James Bruce (d.1819) lived in Pickens County, South Carolina during or before 1784. Descendants lived in South Carolina, Georgia, Mississi- ppi and elsewhere.
Born into poverty in Mississippi at the close of the nineteenth century, Charley Patton and Jimmie Rodgers established themselves among the most influential musicians of their era. In Tune tells the story of the parallel careers of these two pioneering recording artists -- one white, one black -- who moved beyond their humble origins to change the face of American music. At a time when segregation formed impassable lines of demarcation in most areas of southern life, music transcended racial boundaries. Jimmie Rodgers and Charley Patton drew inspiration from musical traditions on both sides of the racial divide, and their songs about hard lives, raising hell, and the hope of better days ahead spoke to white and black audiences alike. Their music reflected the era in which they lived but evoked a range of timeless human emotions. As the invention of the phonograph disseminated traditional forms of music to a wider audience, Jimmie Rodgers gained fame as the "Father of Country Music," while Patton's work eventually earned him the title "King of the Delta Blues." Patton and Rodgers both died young, leaving behind a relatively small number of recordings. Though neither remains well known to mainstream audiences, the impact of their contributions echoes in the songs of today. The first book to compare the careers of these two musicians, In Tune is a vital addition to the history of American music.
