Recognizing the absence of a God named Yahweh outside of ancient Israel, this study addresses the related questions of Yahweh's origins and the biblical claim that there were Yahweh-worshipers other than the Israelite people. Beginning with the Hebrew Bible, with an exhaustive survey of ancient Near Eastern literature and inscriptions discovered by archaeology, and using anthropology to reconstruct religious practices and beliefs of ancient Edom and Midian, this study proposes an answer. Yahweh-worshiping Midianites of the Early Iron Age brought their deity along with metallurgy into ancient Palestine and the Israelite people.
This challenging provocative book argues that there was in ancient Israel a considerable degree of overlap between the worship of the sun and of Yahweh-even that Yahweh was worshipped as the sun in some contexts. As an object created not by humankind but by God himself, the sun as an object of veneration lay outside the bounds of the second commandment and was considered by many to be an appropriate 'icon' of Yahweh of Hosts. Through its ivestigation of 'solar Yahwism', this book offers fresh insight into several passages (e.g.Genesis 1;32.23-33; Joshua 10.12-14; 1 Kings 8.12; Ezekiel 8.16-18; Psalms 19;104) and archaeological data regarding the orientations of Yawistic temples, the "lmlk" jar handles ,horse figurines, and the Taanach cult stand. The book argues that the struggle between Yahweh and other deities in ancint Israel took place within the context of the development of Yahwism itself.
In this history of the development of monotheism, the author explains how Israel's religion evolved from a cult of Yahweh as a primary deity among many to a fully defined monotheism with Yahweh as sole god. Repudiating the traditional scholarly premise that Israel was fundamentally different in culture and religion from its Canaanite neighbors, he shows that the two cultures were fundamentally similar.
In the Judeo-Christian tradition, the deity Yahweh is often portrayed as an old man. One of the epithets used of Yahweh in the Hebrew Bible, the Ancient of Days, is a source for this depiction of God as elderly. However, when we look closely at the early traditions of biblical Israel, we see a different picture: God is relatively youthful, a warrior who defends his people. This book is an examination of the question How did God become old? To answer this question, Bembry examines the way that aging and elderly human beings are portrayed in the Hebrew Bible. Then he makes a similar foray into the texts written in Ugaritic (a language quite close to ancient Hebrew), which provide a window into the ancient culture just north of Israel during the Late Bronze Age. He finds that Israel’s God shared attributes with the Ugaritic deities Baal and El. One prominent aspect of the similar attributes was that Yahweh’s depiction as a youthful warrior paralleled the way Baal was portrayed. The transformation from young deity to Ancient of Days took place at the intersection of two trajectories in the traditions of Israel. One trajectory is reflected in the way that apocalyptic traditions found in the book of Daniel recast the old Canaanite mythic imagery seen in the Ugaritic and early biblical texts. This trajectory allows Yahweh to take on qualities, such as old age, that were not associated with him during most of Israel’s history but were associated with El in the Canaanite traditions. The second trajectory, a depiction of Israel’s God as elderly, is connected with the development of the idea of Yahweh as father. The more comfortable the biblical tradents became with portraying Yahweh as a father—a metaphor that was not embraced in the early traditions—the easier it became for the people of Israel to think of Yahweh as occupying a stage of the human life cycle. These two trajectories came together in the 2nd century B.C.E., the chronological backdrop for Daniel 7, and found expression in a new epithet for Yahweh: Ancient of Days.
Yahweh is the proper name of the biblical God. His early character is central to understanding the foundations of Jewish, Christian, and Islamic monotheism. As a deity, the name appears only in connection with the peoples of the Hebrew Bible, but long before Israel, the name is found in an Egyptian list as one group in the land of tent-dwellers, the Shasu. This is the starting-point for Daniel E. Fleming's sharply new approach to the god Yahweh. In his analysis, the Bible's 'people of Yahweh' serve as a clue to how one of the Bronze Age herding peoples of the inland Levant gave its name to a deity, initially outside of any relationship to Israel. For 150 years, the dominant paradigm for Yahweh's origin has envisioned borrowing from peoples of the desert south of Israel. Fleming argues in contrast that Yahweh was not taken from outsiders. Rather, this divine name is evidence for the diverse background of Israel itself.
Who invented God? When, why, and where? Thomas Römer seeks to answer these questions about the deity of the great monotheisms—Yhwh, God, or Allah—by tracing Israelite beliefs and their context from the Bronze Age to the end of the Old Testament period in the third century BCE. That we can address such enigmatic questions at all may come as a surprise. But as Römer makes clear, a wealth of evidence allows us to piece together a reliable account of the origins and evolution of the god of Israel. Römer draws on a long tradition of historical, philological, and exegetical work and on recent discoveries in archaeology and epigraphy to locate the origins of Yhwh in the early Iron Age, when he emerged somewhere in Edom or in the northwest of the Arabian peninsula as a god of the wilderness and of storms and war. He became the sole god of Israel and Jerusalem in fits and starts as other gods, including the mother goddess Asherah, were gradually sidelined. But it was not until a major catastrophe—the destruction of Jerusalem and Judah—that Israelites came to worship Yhwh as the one god of all, creator of heaven and earth, who nevertheless proclaimed a special relationship with Judaism. A masterpiece of detective work and exposition by one of the world’s leading experts on the Hebrew Bible, The Invention of God casts a clear light on profoundly important questions that are too rarely asked, let alone answered.
A twentieth-anniversary reprint of the landmark book that launched the current explosion of social-scientific studies in the biblical field. It sets forth a cultural-material methodology for reconstructing the origins of ancient Israel and offers the hypothesis that Israel emerged as an indigenous social revolutionary peasant movement. In a new preface, written for this edition, Gottwald takes account of the 'sea change' in biblical studies since 1979 as he reviews the impact of his work on church and academy, assesses its merits and limitations, indicates his present thinking on the subject, and points toward future directions in the social-critical study of ancient Israel and the Hebrew Bible.
The Bible says that YHWH alone is God and that there is none like him—but texts and artwork from antiquity show that many gods looked very similar. In this volume, scholars of the Hebrew Bible and its historical contexts address the problem of YHWH’s ancient look-alikes, providing recommendations for how Jews and Christians can think theologically about this challenge. Sooner or later, whether in a religion class or a seminary course, students bump up against the fact that God—the biblical God—was one among other, comparable gods. The ancient world was full of gods, including great gods of conquering empires, dynastic gods of petty kingdoms, goddesses of fertility, and personal spirit guardians. And in various ways, these gods look like the biblical God. Like the God of the Bible, they, too, controlled the fates of nations, chose kings, bestowed fecundity and blessing, and cared for their individual human charges. They spoke and acted. They experienced wrath and delight. They inspired praise. All of this leaves Jews and Christians in a bind: how can they confess that the God named YHWH was (and is) the true and living God, in view of this God’s profound similarities to all these others? The essays in this volume address the theological challenge these parallels create, providing reflections on how Jews and Christians can keep faith in YHWH as God while acknowledging the reality of YHWH’s divine doppelgängers. It will be welcomed by undergraduates studying religion; seminarians and graduate students of Bible, theology, and the ancient world; and adult education classes.
I Am Yahweh offers a formidable combination of the basic thoughts and principles behind Walther Zimmerli’s exegetical and theological work, reflecting the rigorous methods he uses in tracing the development of theological formulae through biblical usage. Zimmerli’s compilation demonstrates a clear, disciplined method and careful exegetical insight. These essays cover: —Old Testament theology —the prophets (with special emphasis on Ezekiel) —the crisis of the exile —the meaning of revelation Zimmerli has the amazing capacity to move from exegesis to hermeneutics. His work is faithful to the text, yet he is very attentive to the theological implications contained therein. This latest work is destined to become a standard resource and text for seminary instruction and continuing education for pastors.