Women and Authorship in Revolutionary America

Women and Authorship in Revolutionary America

Author: Angela Vietto

Publisher: Ashgate Publishing, Ltd.

Published: 2005

Total Pages: 172

ISBN-13: 9780754653387

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In distinct contrast to earlier studies on early US women's authorship, this book argues that women writers in Revolutionary America viewed civic participation as a key component of the social role of authorship, and that they used authorship as a means to contribute publicly to the evolving creation of the new nation's political and social identities.Angela Vietto here analyzes poetry, letters, religious texts, essays and plays by early American writers Mercy Otis Warren, Sarah Osborn and Susanna Anthony, Hannah Adams, Eunice Smith, Jenny Fenno, Sarah Pogson Smith, Judith Sargent Murray and Hannah Griffitts, among others.


American Women Poets of the Nineteenth Century

American Women Poets of the Nineteenth Century

Author: Cheryl Walker

Publisher: Rutgers University Press

Published: 1992

Total Pages: 484

ISBN-13: 9780813517919

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This publication marks the first time in a hundred years that a wide range of nineteenth-century American women's poetry has been accessible to the general public in a single volume. Included are the humorous parodies of Phoebe Cary and Mary Weston Fordham and the stirring abolitionist poems of Lydia Sigourney, Frances Harper, Maria Lowell, and Rose Terry Cooke. Included, too, are haunting reflections on madness, drug use, and suicide of women whose lives, as Cheryl Walker explains, were often as melodramatic as the poems they composed and published. In addition to works by more than two dozen poets, the anthology includes ample headnotes about each author's life and a brief critical evaluation of her work. Walker's introduction to the volume provides valuable contextual material to help readers understand the cultural background, economic necessities, literary conventions, and personal dynamics that governed women's poetic production in the nineteenth century.


Authority and Female Authorship in Colonial America

Authority and Female Authorship in Colonial America

Author: William J. Scheick

Publisher: University Press of Kentucky

Published: 2014-10-17

Total Pages: 164

ISBN-13: 0813158591

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Should women concern themselves with reading other than the Bible? Should women attempt to write at all? Did these activities violate the hierarchy of the universe and men's and women's places in it? Colonial American women relied on the same authorities and traditions as did colonial men, but they encountered special difficulties validating themselves in writing. William Scheick explores logonomic conflict in the works of northeastern colonial women, whose writings often register anxiety not typical of their male contemporaries. This study features the poetry of Mary English and Anne Bradstreet, the letter-journals of Esther Edwards Burr and Sarah Prince, the autobiographical prose of Elizabeth Hanson and Elizabeth Ashbridge, and the political verse of Phyllis Wheatley. These works, along with the writings of other colonial women, provide especially noteworthy instances of bifurcations emanating from American colonial women's conflicted confiscation of male authority. Scheick reveals subtle authorial uneasiness and subtextual tensions caused by the attempt to draw legitimacy from male authorities and traditions.


Romantic Women Poets, 1770-1838

Romantic Women Poets, 1770-1838

Author: Andrew Ashfield

Publisher: Manchester University Press

Published: 1995

Total Pages: 358

ISBN-13: 9780719037894

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Although overshadowed by their male contemporaries, Wordsworth, Coleridge, Keats, Shelley and Byron, the women Romantic poets of the late 18th and early 19th centuries made a significant contribution to Romanticism. Nearly 40 poets are represented in this collection, including Elizabeth Barrett and Anna Seward, providing a comprehensive picture of female poetic activity from the earliest development of Romanticism to the advent of the Victorian era. The volume includes textual and thematic notes.


Phillis Wheatley and the Romantics

Phillis Wheatley and the Romantics

Author: John C. Shields

Publisher: Univ. of Tennessee Press

Published: 2010-07-27

Total Pages: 250

ISBN-13: 1572337125

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Phillis Wheatley was the first African American to publish a book. Born in Gambia in 1753, she came to America aboard a slave ship, the Phillis. From an early age, Wheatley exhibited a profound gift for verse, publishing her first poem in 1767. Her tribute to a famed pastor, “On the Death of the Rev. Mr. George Whitefield,” followed in 1770, catapulting her into the international spotlight, and publication of her 1773 Poems on Various Subjects Religious and Moral in London created her an international star. Despite the attention she received at the time, history has not been kind to Wheatley. Her work has long been neglected or denigrated by literary critics and historians. John C. Shields, a scholar of early American literature, has tried to help change this perception, and Wheatley has begun to take her place among the elite of American writers. In Phillis Wheatley and the Romantic Age, Shields contends that Wheatley was not only a brilliant writer but one whose work made a significant impression on renowned Europeans of the Romantic age, such as Samuel Taylor Coleridge, who borrowed liberally from her works, particularly in his famous distinction between fancy and imagination. Shields shows how certain Wheatley texts, particularly her “Long Poem,” consisting of “On Recollection,” “Thoughts on the Works of Providence,” and “On Imagination,” helped shape the face of Romanticism in the late eighteenth and nineteenth centuries. Phillis Wheatley and the Romantic Age helps demolish the long-held notion that literary culture flowed in only one direction: from Europe to the Americas. Thanks to Wheatley’s influence, Shields argues, the New World was influencing European literary masters far sooner than has been generally understood.


Dictionary of Early American Philosophers

Dictionary of Early American Philosophers

Author: John R. Shook

Publisher: Bloomsbury Publishing USA

Published: 2012-04-05

Total Pages: 1252

ISBN-13: 1441171401

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The Dictionary of Early American Philosophers, which contains over 400 entries by nearly 300 authors, provides an account of philosophical thought in the United States and Canada between 1600 and 1860. The label of "philosopher" has been broadly applied in this Dictionary to intellectuals who have made philosophical contributions regardless of academic career or professional title. Most figures were not academic philosophers, as few such positions existed then, but they did work on philosophical issues and explored philosophical questions involved in such fields as pedagogy, rhetoric, the arts, history, politics, economics, sociology, psychology, medicine, anthropology, religion, metaphysics, and the natural sciences. Each entry begins with biographical and career information, and continues with a discussion of the subject's writings, teaching, and thought. A cross-referencing system refers the reader to other entries. The concluding bibliography lists significant publications by the subject, posthumous editions and collected works, and further reading about the subject.


We Wear the Mask

We Wear the Mask

Author: Rafia Zafar

Publisher: Columbia University Press

Published: 1997

Total Pages: 270

ISBN-13: 9780231080941

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Zafar demonstrates that in doing so, these forerunners of modern black American writers both adapted to and reacted against a milieu of social resistance and cultural antipathy. By the end of Reconstruction, this first century of black writers had paved the way for a distinctive, African American literature.


Only for the Eye of a Friend

Only for the Eye of a Friend

Author: Annis Boudinot Stockton

Publisher: University of Virginia Press

Published: 1995

Total Pages: 366

ISBN-13: 9780813916132

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Known among the Middle Atlantic intelligentsia and literati as a witty and versatile writer, considered by George Washington and the Chevalier de La Luzerne a gracious and elegant host, Annis Boudinot Stockton (1736-1801) wrote over a hundred poems on the most important political and social issues of her day. Only for the Eye of a Friend brings back into public view the works of a poet whose published works and manuscrits earned her, in her day, a wide audience among colonists and international readers alike. The quality and quantity of Stockton's literary output makes her an apt counterpart to he seventeenth-century predecessor Anne Bradstreet and the nineteenth-century poet Emily Dickinson.