It was said that Danoa didn't have any luck to go with her beauty. Her birth brought nothing but hardship upon her mother and the woman's entire family. Then just when by a twist of fate things started looking up for her, she got labelled a witch. How Danoa coped with the odds against her forms the plot of Asare Adei's new page-turner. The book was awarded third place in the Burt Book award for Ghana in 2015.
Witchcraft and yoga share many similarities that are, for the first time, explored in combination in this groundbreaking new title from Sarah Robinson, certified yoga instructor and experienced witch.
The study of heresy and heterodoxy and of belief in magic, witchcraft and the devil has in the past 25 years made significant advances in our understanding of art and iconography, ideas, mentality and belief, and ordinary life and popular imagination in the patristic and medieval periods. At the forefront of research into this aspect of medieval intellectual history has been Jeffrey B. Russell, whose numerous books and articles have opened important new paths in the field. To mark his retirement 17 established and emerging scholars from Europe and North America - historians of art, the church, religions, and ideas - have contributed papers on the many areas which Russell has influenced. Topics dealt with include elves, the Christians apocrypha, mysticism, sexuality, heresies and heresiologies, apocalyptic tracts, astrology, hell, and other Christian encounters with non-believers. These essays are offered as tribute to the deep impact that Russel has had on medieval studies. Contributors include: Alan Bernstein, Richard Emmerson, Alberto Ferreiro, Neil Forsyth, Abraham Friessen, Karen Jolly, Henry Ansgar Kelly, Richard Kieckhefer, Beverly M. Kienzle, Garry Macy, Bernard McGinn, Edward Peters, Cheryl Rigs, Larry J. Simon, Laura Smoller, Catherine B. Tkacz, and John Tolan.
An empowering guide for young witches about the kinds of magic they can create for themselves every day. Intended for children between the ages of eight and twelve, who are curious about the possibility of "something more" in their lives, this handbook focuses on three major areas of the witch's life: friendship, personal fulfillment, and family. Each section includes spells, rituals, potions, and other useful information, such as tables about crystals, chakras, and herbs.
The Staging of Witchcraft and a "Spectacle of Strangeness": Witchcraft at Court and the Globe presents a new interest in Continental texts on witchcraft coincided with technological advances in the English stage, which made a variety of dramatic effects possible in the private playhouses, such as flying witches, and the appearance of spirits and deities in Elizabethan plays. This book also evaluates how the technology of the Blackfriars playhouse facilitated the appearance of spirits, devils, witches, magicians, deities and dragons on stage. The study investigates the visual spectacle of witchcraft scenes which intersect with the genre of the plays, and it also presents to what extent changing theatrical tastes affect the way that supernatural characters are shown on stage.
A powerful account of witches, crones, and the societies that make them From the gruesome ogress in Hansel and Gretel to the hags at the sabbath in Faust, the witch has been a powerful figure of the Western imagination. In the sixteenth and seventeenth centuries thousands of women confessed to being witches--of making pacts with the Devil, causing babies to sicken, and killing animals and crops--and were put to death. This book is a gripping account of the pursuit, interrogation, torture, and burning of witches during this period and beyond. Drawing on hundreds of original trial transcripts and other rare sources in four areas of Southern Germany, where most of the witches were executed, Lyndal Roper paints a vivid picture of their lives, families, and tribulations. She also explores the psychology of witch-hunting, explaining why it was mostly older women that were the victims of witch crazes, why they confessed to crimes, and how the depiction of witches in art and literature has influenced the characterization of elderly women in our own culture.
'Do you think that fate controls our lives or that we have the freedom to choose our own path?' For Fleance, the only son of Banquo, Thane of Lochaber, the time has come to make a choice. Since his father's brutal murder ten years ago, he has hidden in the woods of Northern England, keeping his identity a secret from all. Now Fleance must unmask his enemies and discover why he is plagued by his father's ghost. But everything in life has a price. Fleance must sacrifice his love for Rosie and journey back to his homeland if he is to find the answers and fulfil his father's dying wish. The choices he makes will change his life forever while the secrets from his past threaten to bring down the throne of Scotland. An epic tale of love, loss and revenge set amidst the turmoil of Scotland after Macbeth.
This book arose from a conference, supported by the Royal Historical Society, which took place at Institute of Historical Research, University of London. The event was held under the auspices of the Bedford Center for the History of Women, Royal Holloway, University of London.
Based on a true story. —————— Jennet Preston was an ordinary woman, with an extraordinary death. Pursued and vilified by her young lord and master, Thomas Lister, she was accused and tried – twice – for Murder by Witchcraft in 1612. This is the story of her second trial. A friend of the Device family of Malkin Tower, Jennet Preston’s story starts and ends in Yorkshire, yet is inextricably entwined with the most famous witch trial in British history – that of the Pendle Witches. —————— Inspired by the treacherous true events surrounding the Pendle Witch Trials, Murder by Witchcraft is a gripping historical short story, written with honesty and passion. Perfect for fans of Katherine Clements, Stacey Halls, Kiran Millwood Hargrave and Caroline Lea. “The queen of this era, bar none” – Timothy Smith, Amazon reviewer —————— What readers are saying about Karen Perkins: "I love your books!" - Rowan Coleman/Bella Ellis, Sunday Times bestselling author of The Vanished Bride and The Girl at the Window "Love your books so much, have all on Kindle and paperback" - Carole Mortimer, USA Today Bestselling Author of over 260 novels. “Great book!” – Kathleen McGurl, author of The Forgotten Gift “Ms Perkins is a true artist of the spoken word” – JJ Toner, author of The Black Orchestra “Fantastically creepy ghost story” – Lee Franklin, author of Nang Tani
Percy Bysshe Shelley (1792–1822) was one of the major poets of the English Romantic period. This is the final volume of a six-volume edition of The Poems of Shelley, which aims to present all of Shelley’s poems in chronological order and with full annotation. Date and circumstances of composition are provided for each poem and all manuscript and printed sources relevant to establishing an authoritative text are freshly examined and assessed. Headnotes and footnotes furnish the personal, literary, historical and scientific information necessary to an informed reading of Shelley’s varied and allusive verse. Most of the poems in the present volume were composed between late January 1822 and Shelley’s death on 8 July 1822. These include the lyrics to Jane Williams, Fragments of an Unfinished Drama and The Triumph of Life as well as translations from Goethe’s Faust (1822) and Calderón’s El mágico prodigioso. The appendices include editions of Poetical Essay on the Existing State of Things (1811), a poem made publicly accessible by the Bodleian Libraries in 2015 for the first time since its publication, and translations by Shelley from Goethe’s Faust (1815), Aeschylus’ Prometheus Bound (1817) and Homer’s Odyssey (probably 1817). In addition to accompanying commentaries, there are extensive bibliographies to the poems, a chronological table of Shelley’s life and publications, and indexes to titles and first lines. Now completed, this is the most comprehensive edition of Shelley’s poetry available to students and scholars.
