William Blake
William Blake

Author: G.E. Bentley Jnr.

Publisher: Routledge

Published: 2002-09-10

Total Pages: 331

ISBN-13: 1134782365

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The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects. The Collected Critical Heritage set will be available as a set of 68 volumes and the series will also be available in mini sets selected by period (in slipcase boxes) and as individual volumes.

William Blake: Seen in My Visions: A Descriptive Catalogue of Pictures
William Blake: Seen in My Visions: A Descriptive Catalogue of Pictures

Author: William Blake

Publisher: Tate Enterprises Ltd

Published: 2013-09-05

Total Pages: 127

ISBN-13: 1849761361

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In 1809 the little-known artist William Blake held an exhibition of 16 paintings in a private house in Soho in the west end of London. Works inspired by Chaucer's "Canterbury Tales" and John Milton's "Paradise Lost" sat alongside biblical scenes and Arthurian legend. The exhibition was not a success; the only review in the press was extremely unfavourable and few of the public came. One of those who did was the poet Charles Lamb, who later described the pictures as 'hard, dry, yet with grace', and the catalogue that accompanied the show as 'mystical and full of vision'. It is this catalogue that Tate Publishing are once again making available. In it, the scale and range of Blake's ambition are made plain, along with his theories on painting, his unsparing critiques of other artists and some extraordinary insights into the working of his mind. The only detailed writing on art that remains to us by Blake, it throws light on all his subsequent artistic enterprises, including the illuminated books for which he is perhaps most famous. Part commentary and part manifesto, his catalogue is as radical as it is in places eccentric (he claims at one point to have been transported in a "vision" back to the classical world). Fully illustrated in colour with reproductions of surviving works originally in the exhibition, the book includes an illuminating essay by leading authority on British art Martin Myrone, Lead Curator of Pre-1800 Art at Tate Britain, making it an essential purchase for all of those wanting to know more.

Selected Poems: Blake
Selected Poems: Blake

Author: William Blake

Publisher: Penguin UK

Published: 2006-03-30

Total Pages: 525

ISBN-13: 0141963131

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Writer and religious rebel, William Blake ((1757-1827) sowed the seeds for Romanticism in his innovative poems concerning faith and the visions that inspired him throughout his life. Whether describing his own spirituality, the innocence of youth or the corruption caused by mankind, his writings depict a world in which spirits dominate and the mind is the gateway to Heaven. This collection of his greatest works spans his entire poetic life from the early, exquisite lyrics of Poetic Sketches to his Songs of Innocence and Experience - a compelling exploration of good and evil. Together, they illuminate a self-made realm that has fascinated artists and poets as diverse as Wordsworth, Coleridge, Yeats and Ginsberg.

William Blake and the Digital Humanities
William Blake and the Digital Humanities

Author: Roger Whitson

Publisher: Routledge

Published: 2013

Total Pages: 221

ISBN-13: 0415656184

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William Blake's work demonstrates two tendencies that are central to social media: collaboration and participation. Not only does Blake cite and adapt the work of earlier authors and visual artists, but contemporary authors, musicians, and filmmakers feel compelled to use Blake in their own creative acts. This book identifies and examines Blake's work as a social and participatory network, a phenomenon described as zoamorphosis, which encourages -- even demands -- that others take up Blake's creative mission. The authors rexamine the history of the digital humanities in relation to the study and dissemination of Blake's work: from alternatives to traditional forms of archiving embodied by Blake's citation on Twitter and Blakean remixes on YouTube, smartmobs using Blake's name as an inspiration to protest the 2004 Republican National Convention, and students crowdsourcing reading and instruction in digital classrooms to better understand and participate in Blake's world. The book also includes a consideration of Blakean motifs that have created artistic networks in music, literature, and film in the twentieth and the twenty-first centuries, showing how Blake is an ideal exemplar for understanding creativity in the digital age.