Winner of the Nobel Prize in Literature Winner of the Pulitzer Prize From Pulitzer Prize-winning poet Louise Glück, a stunningly beautiful collection of poems that encompasses the natural, human, and spiritual realms Bound together by the universal themes of time and mortality and with clarity and sureness of craft, Louise Glück's poetry questions, explores, and finally celebrates the ordeal of being alive.
Lucy Drake and Brendan Caine have only one thing in common… And it's likely to tear them apart. Because it was Brendan's late wife, Jessie—and Lucy's best friend—who'd brought them together in the first place. And since Jessie's passing, Brendan's been distracted by his two little ones…and the memory of an explosive kiss with Lucy years before his marriage. Still, he'll steer clear of her. She's always been trouble with a capital T. Lucy couldn't wait to shed her small-town roots for the big city. But now that she's back in Hope's Crossing to take care of the Queen Anne home her late aunt has left her, she figures seeing Brendan Caine again is no big deal. After all, she'd managed to resist the handsome fire chief once before, but clearly the embers of their attraction are still smoldering….
Glck's poetry resists collection. With each successive book her drive to leave behind what came before has grown more fierce. She invented a form to accommodate this need, the book-length sequence of poems.
It is wonderful to have a big sister with whom the narrator can play games. That is until his sister goes off with her best friend and forgets all about her brother.
From the New York Times bestselling author of The Nature of Witches comes an immersive, enemies-to-lovers contemporary fantasy standalone. After a night of magic turns deadly, Iris Gray vows to never let another person learn she's a witch. It doesn't matter that the Witches' Council found her innocent or that her magic was once viewed as a marvel—that night on the lake changed everything. Now settled in Washington, Iris hides who she really is and vents her frustrations by writing curses she never intends to cast. And while she loves working at the wildlife refuge she runs with her mother, she loathes Pike Alder, the witch-hating aspiring ornithologist who interns with them. When Pike makes a particularly hurtful comment, Iris concocts a cruel curse for him. But just as she's about to dispel it, an owl swoops down and steals the curse before flying far away from the refuge. The owl is a powerful amplifier, and if it dies, Iris's dark spell will be unleashed not only on Pike but on everyone in the region. Forced to work together, Iris and Pike trek through the wilderness in search of the bird that could cost Pike his life. But Pike doesn't know the truth, and as more dangers arise in the woods, Iris must decide how far she's willing to go to keep her secrets safe.
A New York Times Book Review Summer Reading Selection “Delves into not only what we eat around the world, but what we once ate and what we have lost since then.”—The New York Times Book Review Two centuries ago, nearly half the North American diet was foraged, hunted, or caught in the wild. Today, so-called “wild foods” are becoming expensive luxuries, served to the wealthy in top restaurants. Meanwhile, people who depend on wild foods for survival and sustenance find their lives forever changed as new markets and roads invade the world’s last untamed landscapes. In Feasting Wild, geographer and anthropologist Gina Rae La Cerva embarks on a global culinary adventure to trace our relationship to wild foods. Throughout her travels, La Cerva reflects on how colonialism and the extinction crisis have impacted wild spaces, and reveals what we sacrifice when we domesticate our foods —including biodiversity, Indigenous and women’s knowledge, a vital connection to nature, and delicious flavors. In the Democratic Republic of the Congo, La Cerva investigates the violent “bush meat” trade, tracking elicit delicacies from the rainforests of the Congo Basin to the dinner tables of Europe. In a Danish cemetery, she forages for wild onions with the esteemed staff of Noma. In Sweden––after saying goodbye to a man known only as The Hunter––La Cerva smuggles freshly-caught game meat home to New York in her suitcase, for a feast of “heartbreak moose.” Thoughtful, ambitious, and wide-ranging, Feasting Wild challenges us to take a closer look at the way we eat today, and introduces an exciting new voice in food journalism. “A memorable, genre-defying work that blends anthropology and adventure.”—Elizabeth Kolbert, New York Times-bestselling author of The Sixth Extinction “A food book with a truly original take.”—Mark Kurlansky, New York Times bestselling author of Salt: A World History “An intense and illuminating travelogue... offer[ing] a corrective to the patriarchal white gaze promoted by globetrotting eaters like Anthony Bourdain and Andrew Zimmern. La Cerva combines environmental history with feminist memoir to craft a narrative that's more in tune with recent works by Robin Wall Kimmerer, Helen Macdonald and Elizabeth Rush.”—The Wall Street Journal
In 1953 eleven Canadian Abstract Expressionist artists banded together to break through the barricades of traditional art at a time when landscapes were about the only paintings collectors were buying. Hungry for recognition, raging against the art establishment that was shutting them out, they decided to form a collective, expecting they would gain more attention as a group than as solo artists. In 1954, The Painters Eleven--Jack Bush, Oscar Cahén, Hortense Gordon, Tom Hodgson, Alexandra Luke, Jock Macdonald, Ray Mead, Kazuo Nakamura, William Ronald, Harold Town and Walter Yarwood--held their first exhibition in Toronto. Initially the public response echoed the worldwide sentiments toward Abstract Expressionism --mockery and bewilderment. Nevertheless, the exhibition attracted wide public interest and criticism faded into acclaim from critics and collectors alike. A successful 1956 exhibition at the Riverside Gallery in New York even elicited praise from the influential critic Clement Greenberg. Packed with gorgeous full color reproductions, this highly detailed account reveals the influences of the indivudual artists on the group's dynamic art and uncovers why the Painters Eleven had such a struggle for recognition, and why they acheived it so masterfully.
It only took one moment of weakness for Laney Keating's world to fall apart. One stupid gesture for a hopeless crush.. Then the rumors began. Slut, they called her. Queer. Psycho. Mentally ill, messed up, so messed up even her own mother decided she wasn't worth sticking around for. If Laney could erase that whole yeas, she would. College is her chance to start with a clean slate.
"It would be hard to imagine a more knowledgeable group of writers, illustrators, and photographers than the dream team assembled to create this book. It is truly a celebration of the beauty of our native flora and encourages us to incorporate elements of it in our gardens to establish a firm sense of place.... I've waited twenty-five years for this book! It was worth the wait."--Richard G. Turner, Jr., editor, Pacific Horticulture "With clarity and a deep knowing that could only come from firsthand experiences, the authors share their horticultural wisdom and obvious affection for California's garden-worthy monocots. From Agave to Zigadenus, over 250 species of native grasses, irises, geophytes, and their botanical brethren are described in this long-awaited, beautifully illustrated book."--Carol Bornstein, Director of Horticulture, Santa Barbara Botanic Garden
“Uprooted reveals how a late-life uprooting changed Dickey as a gardener.” —The Wall Street Journal When Page Dickey moved away from her celebrated garden at Duck Hill, she left a landscape she had spent thirty-four years making, nurturing, and loving. She found her next chapter in northwestern Connecticut, on 17 acres of rolling fields and woodland around a former Methodist church. In Uprooted, Dickey reflects on this transition and on what it means for a gardener to start again. In these pages, follow her journey: searching for a new home, discovering the ins and outs of the landscape surrounding her new garden, establishing the garden, and learning how to be a different kind of gardener. The surprise at the heart of the book? Although Dickey was sad to leave her beloved garden, she found herself thrilled to begin a new garden in a wilder, larger landscape. Written with humor and elegance, Uprooted is an endearing story about transitions—and the satisfaction and joy that new horizons can bring.
