Whose News?: The Media and Women's Issues (1994) quickly became an international classic which was widely used. The decade that has passed since its publication has witnessed dramatic developments in the media environment across the world. As a consequence, the coverage of gender issues in the media today has to be viewed and evaluated against the background of globalisation in general and media globalisation in particular.
Since Yesterday is Frederick Lewis Allen's sequel to Only Yesterday. Only Yesterday is an informative and popular tell-all history book about American life in the 1920s. Since Yesterday turns this same witty and empathetic energy towards the Great Depression and 1930s America. Excerpt: "Ever since, in Only Yesterday, I tried to tell the story of life in the United States during the nineteen-twenties I have had it in the back of my mind that someday I might make a similar attempt for the nineteen-thirties. I began work on the project late in 1938 and had it three-quarters done by the latter part of the summer of 1939, though I did not yet know how the story would end."
'The Newspaper' is an essay discussing the merits of newspapers as a publication format. To this, the author begins his argument as to why it is important to evaluate its merits through the following passage: "So common an object as a newspaper is seldom the subject of serious reflection. If any one of us should stop to consider what it is and why it is made, it is odds that he would think chiefly of one aspect of it to the general exclusion of the others. The curious man might reflect in surprise on the vast amount of mere reading matter turned out regularly every morning with perhaps only half a dozen literal mistakes, on the variety of typesetting and the amount of printing, often more than sufficient to make a large sized book. The manufacturer would direct his imagination to the efficient machinery necessary to produce perhaps 3,000 copies a minute or to the practiced organization, able to distribute them, as fast as they are printed. The businessman would think chiefly of a newspaper, as a vehicle for prices and a medium for advertising. Cooks, butlers, clerks and governesses look upon it as a daily registry office. The solicitor sells houses and lands through it. Housewives through it sometimes buy their soaps and more often their hats. Actors, singers, authors, artists and musicians each read their special column and wonder when the editor intends to engage someone really acquainted with the only subject worth reading. The politician will read its leading articles with smirking assent or explosive repudiation. Last of all comes the general reader and he asks nothing more of his newspaper than all the news of everywhere, collected at great cost, transcribed with finished skill and presented to him in just the way which pleases and flatters him most. All of them have on their lips the daily threat of giving up the paper, if they are not scrupulously satisfied."
For fans of Everyone Poops, a hilariously fresh take on POO! A trip to the zoo turns into a very silly discussion about poo, as two siblings wonder what sort of poo each and every creature would do. One day, Daddy Rat announces to his baby rats that he'll be taking them to the zoo . . . but only if they're good, which means no talking about poo! And yet, before the family can even leave the house, the two rascally siblings can't help but wonder . . . what sort of poo would an astronaut do? Shiny, silver, space-age poo! Rocket-powered, weightless poo, and it spins round and round like a planet does, too! Head chefs, balloon sellers, blue whales . . . everyone and everything must have a unique poo, and the siblings simply have to stop and imagine each and every one (much to the chagrin of Daddy Rat, who is getting increasingly irritated with all the poo talk). Once the rats finally reach the zoo, things escalate, because of course each and every animal in the zoo must do a special kind of poo! Finally, Daddy Rat has simply had enough, and is forced to sit down and explain the facts to his curious kids. And when he thinks he may have gotten through to his youngsters, he encounters a surprising (and smelly) twist which will have little rats everywhere laughing out loud!
Sanora Babb’s long-hidden novel Whose Names Are Unknown tells an intimate story of the High Plains farmers who fled drought dust storms during the Great Depression. Written with empathy for the farmers’ plight, this powerful narrative is based upon the author’s firsthand experience. This clear-eyed and unsentimental story centers on the fictional Dunne family as they struggle to survive and endure while never losing faith in themselves. In the Oklahoma Panhandle, Milt, Julia, their two little girls, and Milt’s father, Konkie, share a life of cramped circumstances in a one-room dugout with never enough to eat. Yet buried in the drudgery of their everyday life are aspirations, failed dreams, and fleeting moments of hope. The land is their dream. The Dunne family and the farmers around them fight desperately for the land they love, but the droughts of the thirties force them to abandon their fields. When they join the exodus to the irrigated valleys of California, they discover not the promised land, but an abusive labor system arrayed against destitute immigrants. The system labels all farmers like them as worthless “Okies” and earmarks them for beatings and worse when hardworking men and women, such as Milt and Julia, object to wages so low they can’t possibly feed their children. The informal communal relations these dryland farmers knew on the High Plains gradually coalesce into a shared determination to resist. Realizing that a unified community is their best hope for survival, the Dunnes join with their fellow workers and begin the struggle to improve migrant working conditions through democratic organization and collective protest. Babb wrote Whose Names are Unknown in the 1930s while working with refugee farmers in the Farm Security Administration (FSA) camps of California. Originally from the Oklahoma Panhandle are herself, Babb, who had first come to Los Angeles in 1929 as a journalist, joined FSA camp administrator Tom Collins in 1938 to help the uprooted farmers. As Lawrence R. Rodgers notes in his foreword, Babb submitted the manuscript for this book to Random House for consideration in 1939. Editor Bennett Cerf planned to publish this “exceptionally fine” novel but when John Steinbeck’s The Grapes of Wrath swept the nation, Cerf explained that the market could not support two books on the subject. Babb has since shared her manuscript with interested scholars who have deemed it a classic in its own right. In an era when the country was deeply divided on social legislation issues and millions drifted unemployed and homeless, Babb recorded the stories of the people she greatly respected, those “whose names are unknown.” In doing so, she returned to them their identities and dignity, and put a human face on economic disaster and social distress.
Since the Founding, America’s faith in a democratic republic has depended on citizens who could be trusted to be communicators. Vigorous talk about equality, rights, and collaboration fueled the Revolution, the Declaration of Independence, and the Constitution with its amendments. In a republic, the people set the terms for their lives not individually, but in community. The genius of keeping it alive exists in how everyday citizens talk and listen, write and read, for a common good. Dialogue and deliberation—rather than an accumulation of individual preferences—sustains a republic, yet a diminished and scarred institution of journalism jeopardizes citizens’ access to shared and truthful information. A disturbing “what’s in it for me?” attitude has taken over many citizens, and a creeping, autocratic sense of dismissive accusation too often characterizes the political style of elected officials. The basic fuel for democracy is the willingness of informed citizens to take each other seriously as they talk about political choices. Once we begin to clam up, build walls, and dismiss each other, we unravel the threads tying us to the Founders’ vision of a republic. A free press and free speech become meaningless if not supported by sustained listening to multiple positions. There are those who profit by dividing citizens into two camps: a comfortable “us” versus a scary “them.” They make their case with accusations and often with lies. They warp the very meaning of communication, hoping citizens never truly discover each other’s humanity. Democracy’s News discusses today’s problems of public communication in the context of history, law, and interpersonal life. News should not be something to dread, mistrust, or shun. Aided by reliable, factual journalism, citizens can develop a community-based knowledge to cope with social issues great and small. They come to treat neighbors and strangers as more than stereotypes or opponents. They become collaborators with whom to identify and sustain a working republic where news, citizenship, and public discourse merge.
Uncovers the surprising cause behind the recent rise of fake news In an ideal world, journalists act selflessly and in the public interest regardless of the financial consequences. However, in reality, news outlets no longer provide the most important and consequential stories to audiences; instead, news producers adjust news content in response to ratings, audience demographics, and opinion polls. While such criticisms of the news media are widely shared, few can agree on the causes of poor news quality. The People’s News argues that the incentives in the American free market drive news outlets to report news that meets audience demands, rather than democratic ideals. In short, audiences’ opinions drive the content that so often passes off as “the news.” The People’s News looks at news not as a type of media but instead as a commodity bought and sold on the market, comparing unique measures of news content to survey data from a wide variety of sources. Joseph Uscinski’s rigorous analysis shows news firms report certain issues over others—not because audiences need to know them, but rather, because of market demands. Uscinski also demonstrates that the influence of market demands also affects the business of news, prohibiting journalists from exercising independent judgment and determining the structure of entire news markets as well as firm branding. Ultimately, the results of this book indicate profit-motives often trump journalistic and democratic values. The findings also suggest that the media actively responds to audiences, thus giving the public control over their own information environment. Uniting the study of media effects and media content, The People’s News presents a powerful challenge to our ideas of how free market media outlets meet our standards for impartiality and public service.
The roles that media play in the lives of children and adolescents, as well as their potential implications for their cognitive, emotional, social and behavioral development, have attracted growing research attention in a variety of disciplines. The Routledge International Handbook of Children, Adolescents and Media analyses a broad range of complementary areas of study, including children as media consumers, children as active participants in media making, and representations of children in the media. The handbook presents a collection that spans a variety of disciplines including developmental psychology, media studies, public health, education, feminist studies and the sociology of childhood. Essays provide a unique intellectual mapping of current knowledge, exploring the relationship of children and media in local, national, and global contexts. Divided into five parts, each with an introduction explaining the themes and topics covered, the handbook features 57 new contributions from 71 leading academics from 38 countries. Chapters consider vital questions by analyzing texts, audience, and institutions, including: the role of policy and parenting in regulating media for children the relationships between children’s’ on-line and off-line social networks children’s strategies of resistance to persuasive messages in advertising media and the construction of gender and ethnic identities The Handbook’s interdisciplinary approach and comprehensive, international scope make it an authoritative, state of the art guide to the nascent field of Children’s Media Studies. It will be indispensable for media scholars and professionals, policy makers, educators, and parents.
