Who Really Killed Claire? re-investigates the brutal yet apparently motiveless murder of 16-year-old Claire Tiltman in Greenhithe, Kent in 1993. It describes how police investigations faltered for almost 20 years until Colin Ash-Smith, due to be released from a long prison sentence for attacks on young women, was belatedly charged with this cold case murder. One of the UK’s very first cases involving ‘bad character’ evidence under a controversial new law. Expertly researched, the book revisits the crime scene, investigation, prosecution, media frenzy and questionable urgency that led to Ash-Smith’s pre-emptive arrest and conviction for murder. Meanwhile, a predatory serial killer was eliminated from the investigation despite ‘hallmarks’ making him a strong suspect. Well placed to raise doubts, ex-cold case investigator Alan Jackaman analyses the wholly circumstantial evidence and explains why he believes police became too preoccupied with the wrong man.
"From the prize-winning biographer--the fascinating, little-known story of a Victorian-era murder that rocked literary London, leading Charles Dickens, William Thackeray, and Queen Victoria herself to wonder: can a novel kill? In May 1840, Lord William Russell, well known in London's highest social circles, was found with his throat cut. The brutal murder had the whole city talking. The police suspected Russell's valet, Courvoisier, but the evidence was weak. And the missing clue lay in the unlikeliest place: what Courvoisier had been reading. In the years just before the murder, new printing methods had made books cheap and abundant, the novel form was on the rise, and suddenly everyone was reading. The best-selling titles were the most sensational true-crime stories. Even Dickens and Thackeray, both at the beginning of their careers, fell under the spell of these tales--Dickens publicly admiring them, Thackeray rejecting them. One such phenomenon was William Harrison Ainsworth's Jack Sheppard, the story of an unrepentant criminal who escaped the gallows time and again. When Courvoisier finally confessed his guilt, he would cite this novel in his defense. Murder By the Book combines the thrilling true-crime story with a illuminating account of the rise of the novel form and the battle for its early soul between the most famous writers of the time. It is a superbly researched, vividly written, fascinating read from first to last"--
ALICE FEENEYS NEW YORK TIMES AND INTERNATIONAL BESTSELLER “Boldly plotted, tightly knotted—a provocative true-or-false thriller that deepens and darkens to its ink-black finale. Marvelous.” —AJ Finn, author of The Woman in the Window My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?
Burch explores the life and death of Rosebud Abigail Denovo, a 19-year-old People's Park activist who was shot and killed by an Oakland police officer on August 25, 1992. The initials of her pseudonym spelled R.A.D. for radical.
Murder is no laughing matter—especially when it comes to marriage. So before Luanne gets in too deep with her new flame, a dentist named Dick, she'd like her best friend to do a background check. Did Dick murder his two previous wives? That's what Arkansas bookseller and amateur sleuth Claire Malloy intends to discover... Everything Claire turns up on this would-be blue-beard keeps leading her down a slippery slope. The police are determined to prove Dick guilty of double homicide, but Claire's not so sure. Something about his story just doesn't add up. But if Dick didn't do the deed, who did? The only thing Claire knows for sure is that Luanne won't have a moment's rest until she finds out...
Records the tragic circumstances which led to one man committing a sequence of vicious sexual assaults through to the murders of Rachel Nickell and Samantha and Jazmine Bisset. It has taken Alan Jackaman over 25 years to come to terms with what he experienced, but he now tells of his part in the downfall of serial killer Robert Napper. Reveals for the first time information not until now in the public domain and tells of the author’s tenacity as a lower-ranking officer in the face of dwindling resources and sometimes disparagement by more senior investigators. A straightforward account of the solving of heinous and complex crimes, it also delves into media fascination with serious offences and shows how the press may latch on to one murder whilst ignoring another, even more horrific, one. The author was an investigator on the Bisset case from day one through to seeing that case linked to London’s Green Chain Walk rapes and the discovery that Napper also killed Rachel Nickell on Wimbledon Common. The book tells for the first time the behind the scenes story of how the misguided targeting of Colin Stagg and rebuffing of the Bisset team’s suspicions allowed Napper to escape justice for 15 years. The book also looks at the mind of Robert Napper, his bizarre behaviour, family history and ‘doodlings’ (some reproduced in this book) and the fact that sheer ‘chance’ allowed him to remain free for so long. By the detective who arrested Napper. Looks at the emergence of criminal profiling. Enters the mind of a psychotic killer. Shows how media ‘obsession’ can hinder justice. Contains previously unpublished material. Extract: ‘To be able to properly investigate the murders of Samantha and Jazmine it was necessary to research the sequence of Green Chain Walk rapes. At first glance the string of offences bore the classic hallmarks of a psychopath who grew ever more cunning, yet reckless, but more importantly ever more violent. Studies of this type of offender clearly show they learn as they progress in their offending…’
An international bestseller and one of The Times’ “Top 50 Novels Published in the 21st Century,” Claire Keegan’s piercing contemporary classic Foster is a heartbreaking story of childhood, loss, and love; now released as a standalone book for the first time ever in the US It is a hot summer in rural Ireland. A child is taken by her father to live with relatives on a farm, not knowing when or if she will be brought home again. In the Kinsellas’ house, she finds an affection and warmth she has not known and slowly, in their care, begins to blossom. But there is something unspoken in this new household—where everything is so well tended to—and this summer must soon come to an end. Winner of the prestigious Davy Byrnes Award and published in an abridged version in the New Yorker, this internationally bestselling contemporary classic is now available for the first time in the US in a full, standalone edition. A story of astonishing emotional depth, Foster showcases Claire Keegan’s great talent and secures her reputation as one of our most important storytellers.
Scream meets Happy Death Day in this terrifying stand-alone horror novel from YA scream queen Danielle Valentine. "This terrifying book reads like a horror movie. No, wait. It has the suspense and shocks and screams of TEN horror movies in one. Great nasty fun!" —R.L. Stine, author of Goosebumps and Fear Street Alice Lawrence is the sole witness in her sister’s murder trial. And in the year since Claire’s death, Alice’s life has completely fallen apart. Her parents have gotten divorced, she’s moved into an apartment that smells like bologna, and she is being forced to face her sister’s killer and a courtroom full of people who doubt what she saw in the corn maze a year prior. Claire was an all-American girl, beautiful and bubbly, and a theater star. Alice was a nerd who dreamed of becoming a forensic pathologist and would rather stay at home to watch her favorite horror movies than party. Despite their differences, they were bonded by sisterhood and were each other’s best friends. Until Claire was taken away from her. On the first day of the murder trial, as Alice prepares to give her testimony, she is knocked out by a Sidney Prescott look-alike in the courthouse bathroom. When she wakes up, it is Halloween night a year earlier, the same day Claire was murdered. Alice has until midnight to save her sister and find the real killer before he claims another victim.
Things can get pretty dark in the City of Light. Claire Baskerville is a sixty-something American who finds herself alone in Paris when her husband is brutally murdered. Reeling from the onslaught of devastating secrets he left behind Claire is stunned to realize she no longer knows who to trust. She only knows she can’t move forward until she finds out the truth behind who killed her husband. In spite of a genetic brain anomaly that makes it impossible for her to remember faces –even ones she’d seen just moments before, and all alone in a foreign city, Claire doggedly collects the clues that will lead her to her husband’s killer. Unfortunately, the closer she gets to the truth, the more determined that killer is to make sure she never leaves Paris alive.
Acclaimed for his intricate, incisive, and often controversial explorations of art, literature, and society, Leo Bersani now addresses homosexuality in America. Hardly a day goes by without the media focusing an often sympathetic beam on gay life--and, with AIDS, on gay death. Gay plays on Broadway, big book awards to authors writing on gay subjects, Hollywood movies with gay themes, gay and lesbian studies at dozens of universities, openly gay columnists and even editors at national mainstream publications, political leaders speaking in favor of gay rights: it seems that straight America has finally begun to listen to homosexual America. Still, Bersani notes, not only has homophobia grown more virulent, but many gay men and lesbians themselves are reluctant to be identified as homosexuals. In Homos, he studies the historical, political, and philosophical grounds for the current distrust, within the gay community, of self-identifying moves, for the paradoxical desire to be invisibly visible. While acknowledging the dangers of any kind of group identification (if you can be singled out, you can be disciplined), Bersani argues for a bolder presentation of what it means to be gay. In their justifiable suspicion of labels, gay men and lesbians have nearly disappeared into their own sophisticated awareness of how they have been socially constructed. By downplaying their sexuality, gays risk self-immolation--they will melt into the stifling culture they had wanted to contest. In his chapters on contemporary queer theory, on Foucault and psychoanalysis, on the politics of sadomasochism, and on the image of "the gay outlaw" in works by Gide, Proust, and Genet, Bersani raises the exciting possibility that same-sex desire by its very nature can disrupt oppressive social orders. His spectacular theory of "homo-ness" will be of interest to straights as well as gays, for it designates a mode of connecting to the world embodied in, but not reducible to, a sexual preference. The gay identity Bersani advocates is more of a force--as such, rather cool to the modest goal of social tolerance for diverse lifestyles--which can lead to a massive redefining of sociality itself, and of what we might expect from human communities.
