Hesketh Prichard, a popular Edwardian-era English travel writer, sailed to Haiti in 1899 to survey the conditions on the island, the first-ever Black-ruled republic. At the time, it was believed no white man had ventured in that mysterious and closed-off part of the world since 1803, after General Jean-Jacques Dessalines ordered the massacre of all the whites in what was then known as San Domingue. Prichard had opportunity to venture deep into Haiti's interior, unknown at the time, and was first to witness the practice of vaudoux (voodoo). He also narrowly escaped with his life, after an attempt was made to poison him. Prichard's observations, narrated in an exquisitely understated tone, cover every aspect of Haitian society in 1899, ranging from the grotesque to the tragi-comical—indeed, the reader will experience just about every emotion in the human spectrum as he devours this immensely entertaining book. More importantly, Prichard's account explains why Haiti, once one of the most prosperous colonies in the New World, is so profoundly dysfunctional today. It also implicitly explains why the current 'development' paradigm is so profoundly flawed. This annotated 2012 edition comes complete with all the original photographs, an expanded index, and a 50-page introductory essay.
In 1899, this British author was the first white man to cross the interior of the black island republic since 1803. This incredible book describes in excruciating, horrifying and sometimes amusing detail how, after nearly 100 years of independence, the black rulers of Haiti had turned this once-prosperous white-ruled colony into an unimaginable hell. The last chapter of the book is called "Can the Negro Rule Himself?" Prichard answered this question as follows: "We may say that, considered in the mass at any rate, he has shown no signs whatever which could fairly entitle him to the benefit of the doubt that has for so long hung about the question." This is a hand edited edition which contains none of the OCR errors which mar other versions.
This early work by H. Hesketh Prichard was originally published in 1900 and we are now republishing it with a brand new introductory biography. 'Where Black Rules White - A Journey Across and About Hayti' is a vivid account of the author's travels into the uncharted interior of Haiti. Hesketh Vernon Hesketh-Prichard was born on 17th November 1876 in Jhansi, India. Hesketh-Prichard's first published work was 'Tammer's Duel' in 1896, which he sold to Pall Mall Magazine for a guinea. He often wrote with his mother under the pseudonyms "H. Heron" and "E. Heron," and together they created a popular psychic detective series around a character named "Flaxman Low."
The triumphant story of how an all-Black Broadway cast and crew changed musical theatre—and the world—forever. "This musical introduced Black excellence to the Great White Way. Broadway was forever changed and we, who stand on the shoulders of our brilliant ancestors, are charged with the very often elusive task of carrying that torch into our present."—Billy Porter, Tony, Grammy, and Emmy Award-winning actor If Hamilton, Rent, or West Side Story captured your heart, you'll love this in-depth look into the rise of the 1921 Broadway hit, Shuffle Along, the first all-Black musical to succeed on Broadway. No one was sure if America was ready for a show featuring nuanced, thoughtful portrayals of Black characters—and the potential fallout was terrifying. But from the first jazzy, syncopated beats of composers Noble Sissle and Eubie Blake, New York audiences fell head over heels. Footnotes is the story of how Sissle and Blake, along with comedians Flournoy Miller and Aubrey Lyles, overcame poverty, racism, and violence to harness the energy of the Harlem Renaissance and produce a runaway Broadway hit that launched the careers of many of the twentieth century's most beloved Black performers. Born in the shadow of slavery and establishing their careers at a time of increasing demands for racial justice and representation for people of color, they broke down innumerable barriers between Black and white communities at a crucial point in our history. Author and pop culture expert Caseen Gaines leads readers through the glitz and glamour of New York City during the Roaring Twenties to reveal the revolutionary impact one show had on generations of Americans, and how its legacy continues to resonate today. Praise for Footnotes: "A major contribution to culture."—Brian Jay Jones, New York Times bestselling author of Jim Henson: The Biography "With meticulous research and smooth storytelling, Caseen Gaines significantly deepens our understanding of one of the key cultural events that launched the Harlem Renaissance."—A Lelia Bundles, New York Times bestselling author of On Her Own Ground: The Life and Times of Madam C.J. Walker "Absorbing..."—The Wall Street Journal
This wide-reaching survey of race relations in America over the past 50 years takes a controversial stance: that the perception of serious race divisions in this country is outdated--and dangerous.
George Schuyler, a renowned and controversial black journalist of the Harlem Renaissance, and Josephine Cogdell, a blond, blue-eyed Texas heiress and granddaughter of slave owners, believed that intermarriage would "invigorate" the races, thereby producing extraordinary offspring. Their daughter, Philippa Duke Schuyler, became the embodiment of this theory, and they hoped she would prove that interracial children represented the final solution to America's race problems. Able to read and write at the age of two and a half, a pianist at four, and a composer by five, Philippa was often compared to Mozart. During the 1930s and 40s she graced the pages of Time and Look magazines, the New York Herald Tribune, and The New Yorker. Philippa grew up under the adoring and inquisitive eyes of an entire nation and soon became the role model and inspiration for a generation of African-American children. But as an adult she mysteriously dropped out of sight, leaving America to wonder what had happened to the "little Harlem genius." Suffering the double sting of racism and gender bias, Philippa had been rejected by the elite classical music milieu in the United States and forced to find an audience abroad, where she flourished as a world-class performer and composer. She traveled throughout South America, Europe, Africa, and Asia performing for kings, queens, and presidents. By then Philippa had added a second career as an author and foreign correspondent reporting on events around the globe--from Albert Schweitzer's leper colony in Lamberéné to the turbulent Asian theater of the 1960s. She would give a command performance for Queen Elisabeth of Belgium one day, and hide from the Viet Cong among the ancient graves of the Annam kings another. But behind the scrim of adventure, glamour, and intrigue was an American outcast, a woman constantly searching for home and self. "I am a beauty--but I'm half colored...so I'm always destined to be an outsider," she wrote in her diary. Philippa tried to define herself through love affairs, but found only disappointment and scandal. In a last attempt to reclaim an identity, she began to "pass" as Caucasian. Adopting an Iberian-American heritage, she reinvented herself as Felipa Monterro, an ultra-right conservative who wrote and lectured for the John Birch Society. Her experiment failed, as had her parents' dream of smashing America's racial barriers. But at the age of thirty five, Philippa finally began to embark on a racial catharsis: She was just beginning to find herself when on May 9, 1967, while on an unauthorized mission of mercy, her life was cut short in a helicopter crash over the waters of war-torn Vietnam. The first authorized biography of Philippa Schuyler, Composition in Black and White draws on previously unpublished letters and diaries to reveal an extraordinary and complex personality. Extensive research and personal interviews from around the world make this book not only the definitive chronicle of Schuyler's restless and haunting life, but also a vivid history of the tumultuous times she lived through, from the Great Depression, through the Civil Rights movement, to the Vietnam war. Talalay has created a highly perceptive and provocative portrait of a fascinating woman.
Containing a wealth of new scholarship and rare primary documents, The Black Jacobins Reader provides a comprehensive analysis of C. L. R. James's classic history of the Haitian Revolution. In addition to considering the book's literary qualities and its role in James's emergence as a writer and thinker, the contributors discuss its production, context, and enduring importance in relation to debates about decolonization, globalization, postcolonialism, and the emergence of neocolonial modernity. The Reader also includes the reflections of activists and novelists on the book's influence and a transcript of James's 1970 interview with Studs Terkel. Contributors. Mumia Abu-Jamal, David Austin, Madison Smartt Bell, Anthony Bogues, John H. Bracey Jr., Rachel Douglas, Laurent Dubois, Claudius K. Fergus, Carolyn E. Fick, Charles Forsdick, Dan Georgakas, Robert A. Hill, Christian Høgsbjerg, Selma James, Pierre Naville, Nick Nesbitt, Aldon Lynn Nielsen, Matthew Quest, David M. Rudder, Bill Schwarz, David Scott, Russell Maroon Shoatz, Matthew J. Smith, Studs Terkel
What does it take to overcome adversity and achieve success against the odds?Best-selling author and award-winning physician, Dale Okorodudu MD, answers this question in his book, Black Men In White Coats: 100 Rules for Success. Dr. Dale shares experiences and lessons learned from the first 20 guests on his podcast, Black Men In White Coats. From battling depression to surviving gang infested neighborhoods, these doctors have seen it all. In this book, Dr. Dale outlines 100 concrete rules for success based on stories from these doctor's lives. This book will inspire you to pursue greatness beyond your imagination! It will empower you to fight for your dreams and to never give up!
An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library. The world-historical significance of the Haitian Revolution is now firmly established in mainstream history. Yet Haiti’s nineteenth-century has yet to receive its due, this despite independent Haiti’s vital importance as the first nation to permanently ban slavery and its ongoing struggle for sovereignty in the Atlantic World. Louis-Joseph Janvier (1855–1911) is one of the foremost Haitian intellectuals and diplomats of the late-nineteenth and early twentieth centuries. His prolific oeuvre offered enduring challenges to racist slanders of Haiti and critiques of the global inequalities that arose from European colonialism and the Transatlantic Slave Trade. Through his writings, Janvier influenced the international debates about slavery, race, nation, and empire that shaped his era and, in many ways, remain unresolved today. Arguably his most powerful work, Haiti for the Haitians (1884) provides a searing critique of European and U.S. imperialism, predatory finance capitalism, and Haiti’s domestic politics. It offers his vision of Haiti’s future expressed through a remarkable phrase: Haiti for the Haitians. Haiti for the Haitians is the first major English translation of Janvier. Accompanied by an introduction, annotations, and an interdisciplinary collection of critical essays, this volume offers unprecedented access to this vital Haitian thinker and an important contribution to the scholarship on Haiti’s nineteenth century.
