Jacqui Germain’s poems in When the Ghosts Come Ashore situate St. Louis as the archetypal American city: it’s here she explores the intersections of race, gender, and violence, here she finds the ghosts of those who still hunger for freedom. But Germain still carves out space for love. As Phillip B. Williams writes of these poems, “Placelessness is the place, leaving only the unsafety of flesh as a hideout. Black presences break from the margins and pierce through these hard lyrics.”
"A multilayered, highly informative and insightful book that blends memoir, historical and travel narrative-vivid and meticulously researched."--San Francisco Chronicle
NATIONAL BESTSELLER • Soon to be a Hulu Original series • The internationally acclaimed author of Wild collects the best of The Rumpus's Dear Sugar advice columns plus never-before-published pieces. Rich with humor and insight—and absolute honesty—this "wise and compassionate" (New York Times Book Review) book is a balm for everything life throws our way. Life can be hard: your lover cheats on you; you lose a family member; you can’t pay the bills—and it can be great: you’ve had the hottest sex of your life; you get that plum job; you muster the courage to write your novel. Sugar—the once-anonymous online columnist at The Rumpus, now revealed as Cheryl Strayed, author of the bestselling memoir Wild—is the person thousands turn to for advice.
RITA-nominated author P. J. Alderman’s delightful new mystery series blends haunting ghosts with hunting criminals as therapist Jordan Marsh dives deep into the past to solve a modern murder. A recent transplant to Washington State’s charming seaside town of Port Chatham, Jordan is still getting used to sharing her slightly run-down but historic lodging with ghosts. As if living with the long-deceased isn’t enough of a challenge, she’s just found a corpse: The town’s notorious womanizer Holt Stillwell is lying on the beach with a bullet in his head. Before Jordan can reel in a suspect, another victim surfaces. And this one isn’t taking murder lying down. Holt’s ancestor Michael Seavey, the Pacific Northwest’s most infamous shanghaier, has materialized in Jordan’s house, seeking to solve his own death in a suspicious shipwreck in 1893. With two murders to solve and a killer on the loose, Jordan faces yet another equally terrifying prospect: her growing attraction to the very alive and criminally attractive pub owner Jase Cunningham. From the Paperback edition.
Lewis Carroll's "The Walrus and the Carpenter," Edward Lear's "The Owl and the Pussy-Cat," Eugene Field's "Wynken, Blynken and Nod," Robert Louis Stevenson's "The Swing," many more, all in large, easy-to-read type.
Literature collection of Hawaiian antiquities, legends, traditions, mele, and genealogies that were gathered by Abraham Fornander, S. M. Kamakau, J. Kepelino, S. N. Haleole and others. The original collection of manuscripts was purchased from the Fornander estate following his death in 1887 by Charles R. Bishop for preservation, and became part of the Bishop Musem collection. The papers were published from 1916-1919 as volume IV, V, and VI of the series Memoirs of the Bernice Pauahi Bishop Museum of Polynesian Ethnology and Natural History. The manuscripts were translated, revised and edited by Dr. W. D. Alexander and Thomas G. Thrum.
A collection of original haiku from a preeminent Native American poet and novelist. Favor of Crows is a collection of new and previously published original haiku poems over the past forty years. Gerald Vizenor has earned a wide and devoted audience for his poetry. In the introductory essay the author compares the imagistic poise of haiku with the early dream songs of the Anishinaabe, or Chippewa. Vizenor concentrates on these two artistic traditions, and by intuition he creates a union of vision, perception, and natural motion in concise poems; he creates a sense of presence and at the same time a naturalistic trace of impermanence. The haiku scenes in Favor of Crows are presented in chapters of the four seasons, the natural metaphors of human experience in the tradition of haiku in Japan. Vizenor honors the traditional practice and clever tease of haiku, and conveys his appreciation of Matsuo Basho and Yosa Buson in these two haiku scenes, "calm in the storm / master basho soaks his feet /water striders," and "cold rain / field mice rattle the dishes / buson's koto." Vizenor is inspired by the sway of concise poetic images, natural motion, and by the transient nature of the seasons in native dream songs and haiku. "The heart of haiku is a tease of nature, a concise, intuitive, and an original moment of perception," he declares in the introduction to Favor of Crows. "Haiku is visionary, a timely meditation and an ironic manner of creation. That sense of natural motion in a haiku scene is a wonder, the catch of impermanence in the seasons." Check for the online reader's companion at favorofcrows.site.wesleyan.edu.
With great narrative, Campbell takes readers with him as he travels 1,200 miles up the Amazon, turns left up the Rio Jurua, and continues for another 28 days to the town of Cruzeiro do Sul where he collects three friends and continues further into the rainforest.
