"BOUND TO FATE," Part One The end begins here! The Wayward are together at last, but is it too late? The Yokai have prepared a sacrifice that could change everything. This is war, and the battle lines will be drawn in Tokyo. STEVEN CUMMINGS (Legends of the Dark Knight, Dungeons and Dragons) and JIM ZUB (Avengers, Samurai Jack) get ready to close out their modern supernatural spectacle with the same sweeping artwork and gut-wrenching drama that has made this series a fan favorite for the past four years. Get on board and prepare for impact.
THE HOTLY ANTICIPATED SEQUEL TO THE NO. 1 BESTSELLER CARRY ON Simon Snow is back and he's coming to America! The story is supposed to be over. Simon Snow did everything he was supposed to do. He beat the villain. He won the war. He even fell in love. Now comes the good part, right? Now comes the happily ever after... So why can’t Simon Snow get off the couch? What he needs, according to his best friend, is a change of scenery. He just needs to see himself in a new light. That’s how Simon and Penny and Baz end up in a vintage convertible, tearing across the American West. They find trouble, of course. (Dragons, vampires, skunk-headed things with shotguns.) And they get lost. They get so lost, they start to wonder whether they ever knew where they were headed in the first place. With Wayward Son, Rainbow Rowell has written a book for everyone who ever wondered what happened to the Chosen One after he saved the day. And a book for everyone who was ever more curious about the second kiss than the first. It’s another helping of sour cherry scones with an absolutely decadent amount of butter. Come on, Simon Snow. Your hero’s journey might be over – but your life has just begun.
IMAGE'S SUPERNATURAL SENSATION CONCLUDES! The final battle, as the future of magic in our world hangs in the balance. JIM ZUB (Avengers, SKULLKICKERS) and STEVEN CUMMINGS (Dead Shot, Legends of the Dark Knight) conclude the WAYWARD saga with the same high-quality art and storytelling that's swept up tens of thousands of readers in its spell. This volume includes design artwork by artist STEVEN CUMMINGS and essays on mythical creatures by monster scholar ZACK DAVISSON. Collects WAYWARD #26-30
The acclaimed Shopaholic series from #1 New York Times bestselling author Sophie Kinsella follows the hilarious adventures of Becky Bloomwood, a spirited young woman with a taste for the finer things in life—if only she could afford them. From London to Manhattan, from singlehood to motherhood, Becky’s charm, her generous heart, and her ability to rationalize away the most outrageous behavior make her an irresistible heroine! Now the first six novels featuring the loveable Becky are together in one delightful eBook bundle: CONFESSIONS OF A SHOPAHOLIC SHOPAHOLIC TAKES MANHATTAN SHOPAHOLIC TIES THE KNOT SHOPAHOLIC & SISTER SHOPAHOLIC & BABY MINI SHOPAHOLIC Also includes a preview of the highly anticipated new Shopaholic novel, Shopaholic to the Stars! Praise for the Shopaholic novels “[Sophie] Kinsella has a genuine gift for comic writing.”—The Boston Globe “Hilarious . . . hijinks worthy of classic I Love Lucy episodes . . . too good to pass up.”—USA Today “Kinsella’s Bloomwood is plucky and funny. . . . You won’t have to shop around to find a more winning protagonist.”—People
Sports Illustrated, the most respected voice in sports journalism, has covered the NBA for the much of its existence, documenting its expansion from fledgeling league to global force. Curated by editor and bestselling author Chris Ballard, this anthology features the best hoops writing from the SI archives along with new postscripts from nationally renowned basketball journalists including Jackie McMullan, Jack McCallum, Jeff Pearlman, S.L. Price, Lee Jenkins, Frank Deford, and more.
The love of God is perhaps the most essential element in Judaism--but also one of the most confounding. In biblical and rabbinic literature, the obligation to love God appears as a formal commandment. Yet most people today think of love as a feeling. How can an emotion be commanded? How could one ever fulfill such a requirement? The Love of God places these scholarly and existential questions in a new light. Jon Levenson traces the origins of the concept to the ancient institution of covenant, showing how covenantal love is a matter neither of sentiment nor of dry legalism. The love of God is instead a deeply personal two-way relationship that finds expression in God's mysterious love for the people of Israel, who in turn observe God's laws out of profound gratitude for his acts of deliverance. Levenson explores how this bond has survived episodes in which God's love appears to be painfully absent--as in the brutal persecutions of Talmudic times--and describes the intensely erotic portrayals of the relationship by biblical prophets and rabbinic interpreters of the Song of Songs. He examines the love of God as a spiritual discipline in the Middle Ages as well as efforts by two influential modern Jewish thinkers--Martin Buber and Franz Rosenzweig--to recover this vital but endangered aspect of their tradition. A breathtaking work of scholarship and spirituality alike that is certain to provoke debate, The Love of God develops fascinating insights into the foundations of religious life in the classical Jewish tradition. (Publisher).
Alexander the Great, according to Plutarch, carried on his campaigns a copy of the Iliad, kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the Aeneid as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors' side (the Aeneid itself, Camoes's Lusíadas, Tasso's Gerusalemme liberata) and the countervailing epic of the defeated and of republican liberty (Lucan's Pharsalia, Ercilla's Araucana, and d'Aubigné's Les tragiques). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with "romance," the story told of and by the defeated. Quint situates Paradise Lost and Paradise Regained within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein's epic film, Alexander Nevsky. Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, Epic and Empire provides new models for exploring the relationship between ideology and literary form.
Saints, Vol. 2: No Unhallowed Hand covers Church history from 1846 through 1893. Volume 2 narrates the Saints’ expulsion from Nauvoo, their challenges in gathering to the western United States and their efforts to settle Utah's Wasatch Front. The second volume concludes with the dedication of the Salt Lake Temple.
