Watermarks 1450–1850

Watermarks 1450–1850

Author: Frans Laurentius

Publisher: BRILL

Published: 2023-05-15

Total Pages: 319

ISBN-13: 9004506845

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Watermarks 1450–1850 offers a concise history of the production of paper in Western Europe from the Middle Ages to the nineteenth century. The research is based on watermarks collected from various sources in combination with other elements from the trade, such as decorated paper and ream wrappers. This book includes reproductions of ca. seven hundred watermarks. Frans and Theo Laurentius have published two more books on the topic in this same book series: Italian Watermarks 1750–1860 (2016), and Watermarks in Paper from the South-West of France, 1560–1860 (2018). In 2007/2008 they published Watermarks (1600–1650) Found in the Zeeland Archives and Watermarks (1650–1700) Found in the Zeeland Archives.


Watermarks 1450-1850

Watermarks 1450-1850

Author: Frans Laurentius

Publisher: Library of the Written Word

Published: 2023-06

Total Pages: 0

ISBN-13: 9789004506831

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An insight into the production aspects of paper in Western Europe.


The Russian Graphosphere, 1450-1850

The Russian Graphosphere, 1450-1850

Author: Simon Franklin

Publisher: Cambridge University Press

Published: 2019-05-16

Total Pages: 431

ISBN-13: 1108492576

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Explores a new approach to the history of writing, and a guide to writing in the history of Russia.


A Companion to the English Version of J. Liébault's Treatise on the Diseases of Women

A Companion to the English Version of J. Liébault's Treatise on the Diseases of Women

Author: Soluna Salles Bernal

Publisher: Cambridge Scholars Publishing

Published: 2017-08-21

Total Pages: 464

ISBN-13: 1527500551

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Jean Liébault (1535–1596), a doctor of medicine and an agronomist born in Dijon, contributed to the emergence of modern gynaecology by rescuing the Hippocratic medical tradition that recognized the specificity of the female body. His main work, a comprehensive treatise devoted to describing and treating the diseases of women, was highly influential in French gynaecology, being published several times. This book presents the semi-diplomatic edition of the only known English version of Liébault’s work. The manuscript, entitled Treatise on the Diseases of Women (MS Hunter 303, pp. 1–958), is housed in the Hunterian Collection at Glasgow University Library. The edition is accompanied by a palaeographic and a codicological study, and a linguistic analysis of the text, offering a primary source for the research of the English language, as well as the history of medicine and women’s studies.


Ships, Innovation and Social Change

Ships, Innovation and Social Change

Author: Jonathan Adams

Publisher:

Published: 2003

Total Pages: 272

ISBN-13:

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Ph.D. Dissertation. Partial Contents: Ships & boats as archaeological source material. Reading Ships. Ships as Society. From Medieval to Modern-Ships of State. Hull Structures. Spars & Rigging. Fittings. Ordnance. Guns or Barricas? Shipwrights-status & power. Carvel Building in retrospect. Maritime Material Culture. References. Glossary. Appendices.


Images, Texts, and Marginalia in a "Vows of the Peacock" Manuscript (New York, Pierpont Morgan Library MS G24)

Images, Texts, and Marginalia in a

Author: Domenic Leo

Publisher: BRILL

Published: 2013-08-16

Total Pages: 445

ISBN-13: 9004250832

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The "Vows of the Peacock" - written in 1312 and dedicated to Thibaut de Bar, bishop of Liège - recounts how Alexander the Great comes to the aid of a family of aristocrats threatened by Indians. The poem remained popular throughout the fourteenth century and was soon followed by two sequels. Twenty-six illuminated manuscripts constitute part of a catalogue and concordance of all Peacock manuscripts. One of the most provocative, (PML, MS G24), has twenty-two miniatures which illustrate chivalry and courtly love, as epitomized in the text. An unusually high number of scurrilous marginalia, however, surround them. An interdisciplinary exploration of iconography, reception, image-text-marginalia dynamics, and context reveals their ultimate polysemy as scatological comedians and serious harbingers of sin.