Who was Zuo Xiyan? A professional driving division dealing with all kinds of personal problems, was once a well-known international bandit! However, he did not expect to catch the wrong person in the wrong room on a mission, treating the old warlord of China, the only son, the feared by all, Song Chen, as a mistress! They had faced each other on their first meeting, yet they were defeated by his hands and body. In the end, they were forced to be his nominal lover, and from then on, the path of mutual love and killing unfolded ...
She, who had become the laughingstock of the entire city, left with hatred. After four years of tribulation, she proudly returned. She abused the scum of men and fought against evil, swearing to take back everything she lost. He, an accident, came into contact with her. With a responsible attitude, in the end ... "Yet, he had fallen into deep love." "Wen Shuyue, I feel that one son is enough. If I were to give birth to a few daughters, I wouldn't mind having too many." "He Si Ming, don't go too far. No matter how you look at it, I will still lose." "Then, where's the gift for buying a big one?"
When her husband was cheating, the man he mistakenly provoked was a legend in Banyan City. He had monstrous wealth and power, and his appearance was beauties. She was a man with a special relationship with her ... — She was arranged to go on a blind date. The two little bun cried as they called her: "Dad is hitting us, help!" She rushed over with a head full of sweat. The man was rewarding the two little bun who had performed well ... She angrily said, "Mu Zhan Qian, my blind date has been destroyed by you!" The man said in a low voice, "If you want to remarry, why do you need to go so far? My child father, shouldn't he be the first choice? "
Six years ago, she kidnapped him and forced him to take only one seed before disappearing without a trace. Six years later, she became a famous lawyer overseas and brought her son back to the country. She did not want to be targeted by that wild wolf on the day she returned home. She did everything she could to escape and he chased her! In this battle of emotions, who wins and who loses? Big Blue: I'm too tired. Help me beat my legs. CEO Gao Leng: I'm busy! Big Blue: Alright then... Then I'll look for someone else. CEO Gao Leng: Get the hell back here! Big Blue: Ai ai ai ai, where are you going to touch your hands? I'm going to beat your legs! Beating his legs! CEO Gao Leng: I only do full-body massage. After the massage, Big Blue's entire body was sore... Small Theatre 2: Why do you want to recognize him as your father? Cute Bao replied: Uncle Shuai said he was extremely capable! Everyone had a curious look on their face as they asked Gongbao: "How capable?" Kung Bao replied: Two hours at a time. Everyone: "..."
Presents images, anecdotes, and information about 125 exceptionally adorable animals, from pets like puppies and kittens, to such wild creatures as gorillas and ostriches.
She was a business legend, an all-powerful figure with peerless talent,He died in his sister's conspiracy.After waking up, he had crossed over to another world?She actually caught up with him and gave birth to a child?A strange world, a weak body!In his previous life, he had done everything he could for his little sister.In this life, she only lived for herself.The clan wanted to harm her?She had personally destroyed her family and brought her son into the martial arts world.Cultivation? Simple, six days from red to green, who said she was a vase?No influence? Was the Killer's Organization that caused the martial arts world to tremble counted?
Four years ago, the famous Prince of Teng Clan lost his wife in the business world. Four years later, he picked up his own son. Daddy, Ji Anan had married her childhood sweetheart, but for some reason, her husband's attitude towards her had suddenly changed. When she learned that she was pregnant, she had expected him to change his attitude. But in the end, her heart was broken. She left a divorce agreement and left. Four years later, as a well-known and mysterious artist, she returned to the city, which was full of heartbreaking memories for her, with her three-year-old son. She had thought that she would never have anything to do with him in this life, but it seemed as if fate was playing tricks on her. It was only after they had met again and again that she learned that he had been living a life worse than death for the past four years. Would they be able to resolve the misunderstanding from back then? Will she forgive him?
'The women tell it like it is... So riveting is the narration that it is difficult to put down the book until their stories are finished. For a non-fiction academic work this is no small feat.’ — The Hindu Sharmila Rege’s path breaking study of Dalit women’s writings and lives offers a powerful counter-narrative to the mainstream assumptions about the development of feminism in India in the 20th century. Extensive extracts from eight Dalit women’s writings cover issues such as food and hunger, community, caste, labour, education, violence, resistance and collective struggle. The voices that resound throughout the book, reveal that Dalit feminism, far from being ‘silent’ as so often presumed, is rich, powerful, layered – and highly articulate. Published by Zubaan.
Thomson (independent scholar), writing of The Biographical Dictionary of Film (aka A Biographical Dictionary of the Cinema, 1975 edition), described it as "a personal, opinionated, and obsessive biographical dictionary of the cinema." Thirty-five years and several editions later, that description still holds true of this expanded work. The new dictionary summarizes salient facts about its subjects' lives and discusses their film credits in terms of the quality of the filmmakers' work. In ambition it has competitors, including Leslie Halliwell's various editions of Halliwell's Filmgoers Companion (12th ed., 1997) and Halliwell's Who's Who in the Movies, edited by John Walker (4th ed., rev. and updated, 2006), which cover films and technical terms (categories not included in Thomson's), but whose entries are neutral and exceedingly brief. Additionally, Francophile Richard Roud's edited Cinema: A Critical Dictionary: The Major Filmmakers (2 v., 1980) is as passionate a work as Thomson's, but narrower in scope, with entries written by various experts, rather than only by Roud. Finally, the multivolume magnum opus The International Dictionary of Films and Filmmakers (4th ed., 2000, ed. by T. Pendergast and S. Pendergast; 2nd ed., ed. by N. Thomas, v. 1, CH, May'91; 1st ed., ed. by C. Lyon, v.1-2, CH, Jan'85, v.3, CH, Apr'87, v.4-5, CH, Jun'88) covers everything--films, directors, actors, writers, and production artists--with generous, measured, scholarly entries and lavish illustrations. However, it looms large and heavy, unlike the handy one-volume work by Thomson. Arguably, Thomson's work, for its scope, is the most fun, the most convenient, and the most engaging title. All libraries supporting people interested in film should buy it. It will get lots of use and provide very good value for the money. Summing Up: Highly recommended. Lower-level undergraduates and above; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Professionals/Practitioners. Reviewed by C. Hendershott.
