Best known for Jane Eyre and Villette, Charlotte Bronte also left some unfinished novels. Ashworth, The Moores and The Story of Willie Ellin are collected here, along with the first chapters of Emma, Charlotte's last novel, published posthumously in 1860 in the Cornhill Magazine.
Gentleman sleuth Lord Peter Wimsey and his bride Harriet Vane have settled into thier life together in 1930s London when an extra complication arises suddenly.
Assessing a wide variety of particular books, book-like objects, and book collections, and working with millennia of variable and conflicting definitions of the book and its purposes, The Unfinished Book surveys the many things that books have been, and uncovers why the book's grip on the cultural imagination remains so tenacious.
The first detailed study on the subject of Victorian unfinished novels, this book sheds further light on novels by major authors that have been neglected by critical studies and focuses in a new way on critically acclaimed masterpieces, offering a counter-reading of the nineteenth-century literary canon.
Told in alternating timelines, THE THINGS WE LEAVE UNFINISHED examines the risks we take for love, the scars too deep to heal, and the endings we can’t bring ourselves to see coming. Twenty-eight-year-old Georgia Stanton has to start over after she gave up almost everything in a brutal divorce—the New York house, the friends, and her pride. Now back home at her late great-grandmother’s estate in Colorado, she finds herself face-to-face with Noah Harrison, the bestselling author of a million books where the cover is always people nearly kissing. He’s just as arrogant in person as in interviews, and she’ll be damned if the good-looking writer of love stories thinks he’s the one to finish her grandmother’s final novel...even if the publisher swears he’s the perfect fit. Noah is at the pinnacle of his career. With book and movie deals galore, there isn’t much the “golden boy” of modern fiction hasn’t accomplished. But he can’t walk away from what might be the best book of the century—the one his idol, Scarlett Stanton, left unfinished. Coming up with a fitting ending for the legendary author is one thing, but dealing with her beautiful, stubborn, cynical great-granddaughter, Georgia, is quite another. But as they read Scarlett’s words in both the manuscript and her box of letters, they start to realize why Scarlett never finished the book—it’s based on her real-life romance with a World War II pilot, and the ending isn’t a happy one. Georgia knows all too well that love never works out, and while the chemistry and connection between her and Noah is undeniable, she’s as determined as ever to learn from her great-grandmother’s mistakes—even if it means destroying Noah’s career.
For fans of Miss Peregrine's Home for Peculiar Children, Girl, Interrupted, and A.S. King, National Book Award-finalist Adele Griffin tells the fully illustrated story of a brilliant young artist, her mysterious death, and the fandom that won't let her go. From the moment she stepped foot in NYC, Addison Stone’s subversive street art made her someone to watch, and her violent drowning left her fans and critics craving to know more. I conducted interviews with those who knew her best—including close friends, family, teachers, mentors, art dealers, boyfriends, and critics—and retraced the tumultuous path of Addison's life. I hope I can shed new light on what really happened the night of July 28. —Adele Griffin
In this heart-pounding and sharply written thriller from J.A. Jance, the “grand master of the genre” (The Providence Journal), Ali Reynolds’s personal life is thrown into turmoil just as two men show up on the scene—a former employee of her husband’s who has just been released from prison and a serial killer who sets his sights a little too close to home. Mateo Vega, a one-time employee of Ali Reynold’s husband, B. Simpson, has spent the last sixteen years of his life behind bars. According to the courts, he murdered his girlfriend. But Mateo knows that her real killer is still on the loose, and the first thing he’s going to do when he gets a taste of freedom is track him down. After being granted parole, a wary Mateo approaches Stu Ramey of High Noon Enterprises for a reference letter for a job application, but to his surprise, Stu gives him one better: He asks him to come on board and work for B. once again. Just as Mateo starts his new job, though, chaos breaks out at High Noon—a deadbeat tenant who is in arrears has just fled, and tech expert Cami Lee has gone missing. As Ali races to both find a connection between the two disappearances and help Mateo clear his name with the help of PI J.P. Beaumont, tragedy strikes in her personal life, and with lives hanging in the balance, she must thread the needle between good and evil before it’s too late.
As part of an online project on short stories, East of the Web presents the full text of "An Unfinished Story." This short story was written by the American author William Sydney Porter (1862-1910), whose pseudonym was O. Henry.
The first detailed study on the subject of Victorian unfinished novels, this book sheds further light on novels by major authors that have been neglected by critical studies and focuses in a new way on critically acclaimed masterpieces, offering a counter-reading of the nineteenth-century literary canon.
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