Professor Korshin delineates the development of typology from the theological to the secular sphere through a study of abstracted typology, or types that writers transferred from their customary religious contexts and put into various genres of literature, from poetry and fables to novels and histories. Originally published in 1983. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Despite his fame Paracelsus remains an illusive character. As this volume points out it is somewhat of a paradox that the fascination with Paracelsus and his ideas has remained so widespread when it is born in mind that it is far from clear what exactly he contributed to medicine and natural philosophy. But perhaps it is exactly this enigma which through the ages has made Paracelsus so attractive to such a variety of people who all want to claim him as an advocate for their particular ideas. The first section of this book deals with the historiography surrounding Paracelsus and Paracelsianism and points to the need of reclaiming the man and his ideas in their proper historical context. A further two sections are concerned with the different religious, social and political implications of Paracelsianism and its medical and natural philosophical significance respectively.
Kevin Hart traces the vast literary legacy and reputation of Samuel Johnson. Through detailed analyses of the biographers, critics and epigones who carefully crafted and preserved Johnson's life for posterity, Hart explores the emergence of what came to be called 'The Age of Johnson'. Hart shows how late seventeenth- and early eighteenth-century Britain experienced the emergence and consolidation of a rich and diverse culture of property. In dedicating himself to Johnson's death, Hart argues, James Boswell turned his friend into a monument, a piece of public property. Through subtle analyses of copyright, forgery and heritage in eighteenth-century life, this study traces the emergence of competing forms of cultural property: a Hanoverian politics of property engages a Jacobite politics of land. Kevin Hart places Samuel Johnson within this rich cultural context, demonstrating how Johnson came to occupy a place at the heart of the English literary canon.
Defoe's Writings and Manliness is a timely intervention in Defoe studies and in the study of masculinity in eighteenth-century literature more generally. Arguing that Defoe's writings insistently returned to the issues of manliness and its contrary, effeminacy, this book reveals how he drew upon a complex and diverse range of discourses through which masculinity was discussed in the period. It is for this reason that this book crosses over and moves between modern paradigms for the analysis of eighteenth-century masculinity to assess Defoe's men. A combination of Defoe's clarity of vision, a spirit of contrariness and a streak of moral didacticism resulted in an idiosyncratic and restless testing of the forces surrounding his period's ideas of manliness. Defoe's men are men, but they are never unproblematically so: they display a contrariness which indicates that a failure of manliness is never very far away.
"The present volume [3] is the first to appear of the five that will comprise The Oxford History of Classical Reception in English Literature (henceforth OHCREL). Each volume of OHCREL will have its own editor or team of editors"--Preface.
Drawing on a rich, yet untapped, source of Scottish autobiographical writing, this book provides a fascinating insight into the nature and extent of early-modern religious narratives. Over 80 such personal documents, including diaries and autobiographies, manuscript and published, clerical and lay, feminine and masculine, are examined and placed both within the context of seventeenth-century Scotland, and also early-modern narratives produced elsewhere. In addition to the focus on narrative, the study also revolves around the notion of conversion, which, while a concept known in many times and places, is not universal in its meaning, but must be understood within the peculiarities of a specific context and the needs of writers located in a specific tradition, here, Puritanism and evangelical Presbyterianism. These conversions and the narratives which provide a means of articulation draw deeply from the Bible, including the Psalms and the Song of Solomon. The context must also include an appreciation of the political history, especially during the religious persecutions under Charles II and James VII, and later the changing and unstable conditions experienced after the arrival of William and Mary on her father's throne. Another crucial context in shaping these narratives was the form of religious discourse manifested in sermons and other works of divinity and the work seeks to investigate relations between ministers and their listeners. Through careful analysis of these narratives, viewing them both as individual documents and as part of a wider genre, a fuller picture of seventeenth-century life can be drawn, especially in the context of the family and personal development. Thus the book may be of interest to students in a variety of areas of study, including literary, historical, and theological contexts. It provides for a greater understanding of the motivations behind such personal expressions of early-modern religious faith, whose echoes can still be heard today.
This fascinating interdisciplinary study examines the relationship between literary interest in visionary kinds of experience and medical ideas about hallucination and the nerves in the first half of the nineteenth century, focusing on canonical Romantic authors, the work of women writers influenced by Romanticism, and visual culture.
This collection examines intertextual intersections in the works of Henry Vaughan and John Milton and considers their aesthetic, philosophical, or political implications. The theoretical pluralism of the volume reveals the variety and complexity of textual relations in the words of these early modern authors. Some of the essays focus on the author's conscious creation of intertext, others explore the reader's negotiation of books within books, while still others examine the linguistic effect of textual intersections. The essays not only consider material borrowing, but also explore the absorption of concepts or formal structures from antecedent texts. The volume not only adds to the debate on Milton's iteration, duplication, and renovation of precursor texts, but represents the first collection of original essays on the poetry and prose of Henry Vaughan, essays authored by experts in the field. Donald Dickson is Professor of English at Texas A&M University. Holly Faith Nelson is Assistant Professor of English at Trinity Western University.
