Brooke, who has always had to share everything with her siblings, must now also share use of her pony Foxy, which makes both Brooke and Foxy nervous about their upcoming horse show.
Discusses the placement of over 200,000 orphaned or abandoned children in homes throughout the Midwest from 1854 to 1929 by recounting the story of one boy and his brothers.
On 25 October 1854, during the Crimean War, the Light Brigade of the British Cavalry Division made the most magnificent and most brutal charge in military history. Almost 700 men armed with sabre and lance, charged straight at the muzzles of Russian cannons. This vivid and extraordinarily detailed account of the charge and the bloody mêlée that followed, by an author with unique access to regimental archives, is told largely in the words of the survivors themselves. Terry Brighton takes the reader closer than ever before to the experience of charging down the Valley of Death.
It's the Cowboy Way! tells the full story of the amazing true adventures of group members Ranger Doug, Woody Paul, Too Slim, and Joey "The CowPolka King" for the first time, from their first gigs at "Herr Harry's Phranks 'N' Steins," in Nashville, to their rise to the top of the Grammy heap. Since 1977, Riders In The Sky has faithfully tended a musical tradition kindled by singing cowboy legends, such as Gene Autry and the Sons Of The Pioneers. Throughout its long career, the group has branded the genre with its own mark, crafting a well-balanced mix of both classic and original western songs—smooth harmony, hot licks, and comedy. Over the past quarter of a century, and more than 4,500 shows, 290 national TV appearances, 203 public radio shows, nearly 700 Grand Ole Opry appearances, 2.3 million miles on the road, two Grammy Awards, three television series, and 31 albums down the trail, a group that began with a commitment to carry on an American musical tradition has itself become a national treasure.
First published in 1968, The Bikeriders explores firsthand the stories and characters of the Chicago Outlaws Motorcycle Club. The journal-size title features original black-and-white photographs and transcribed interviews made from 1963 to 1967, when Danny Lyon was a member of the Outlaws gang. Authentic, personal, and uncompromising, Lyon's depiction of individuals on the outskirts of society offers a gritty yet humanistic view that subverts the commercialized image of Americana. Akin to the documentary style of 1960s-era New Journalism, made famous by writers such as Joan Didion, Hunter S. Thompson, and Tom Wolfe, Lyon's work, like theirs, demonstrates humanitarian interests, advocacy, and "saturation reporting." The importance of his work and our interest in the subject is reinforced by Lyon's immersion in his subject.
A reissue of Pam Munoz Ryan's bestselling backlist with a distinctive new author treatment.In this fast-paced, courageous, and inspiring story, readers adventure with Charlotte Parkhurst as she first finds work as a stable hand, becomes a famous stage-coach driver (performing brave feats and outwitting bandits), finds love as a woman but later resumes her identity as a man after the loss of a baby and the tragic death of her husband, and ultimately settles out west on the farm she'd dreamed of having since childhood. It wasn't until after her death that anyone discovered she was a woman.
"A page-turning inferno of a book." -- Stephanie Garber Red Rising meets The Scorpio Races in this epic fantasy following three phoenix horse riders--skilled at alchemy--who must compete at The Races--the modern spectacle that has replaced warfare within their empire. Every year since the Ashlords were gifted phoenix horses by their gods, they've raced them. First into battle, then on great hunts, and finally for the pure sport of seeing who rode the fastest. Centuries of blood and fire carved their competition into a more modern spectacle: The Races. Over the course of a multi-day event, elite riders from clashing cultures vie to be crowned champion. But the modern version of the sport requires more than good riding. Competitors must be skilled at creating and controlling phoenix horses made of ash and alchemy, which are summoned back to life each sunrise with uniquely crafted powers to cover impossible distances and challenges before bursting into flames at sunset. But good alchemy only matters if a rider knows how to defend their phoenix horse at night. Murder is outlawed, but breaking bones and poisoning ashes? That's all legal and encouraged. In this year's Races, eleven riders will compete, but three of them have more to lose than the rest--a champion's daughter, a scholarship entrant, and a revolutionary's son. Who will attain their own dream of glory? Or will they all flame out in defeat?
The past is the future. A young physicist, Sandy Say, is dispatched to a Scottish highland estate to secretly decipher a decrepit manuscript that may hold the key to reinventing the 21st century, devastated by a series of solar storms. There he finds whispers of a reincarnated wizard, a hidden laboratory that is said to be the gate to the Otherworld, and a girl. A Summer in Amber is set in Scotland and England in the not too distant future, after a series of extremely powerful solar storms has laid to waste the modern world of cell phones, computers satellites, and even the power grids. Britain exists as an eclectic mix of the 21st and 19th century, with both steam engines, and pocket computers. A Summer in Amber is a quiet, enchanting novel of adventure and romance, with a unique steampunk air. C. Litka writes old-fashioned novels with modern sensibilities, humor, and romance. His lighthearted novels of adventure, mystery, and travel are set in richly imagined worlds and feature a colorful cast of well drawn characters. If you seek to escape, for a few hours, your everyday life, you will not find better company, nor more wonderful worlds to travel and explore, than in the novels of C. Litka.
In the Americas, debates around issues of citizen's public safety--from debates that erupt after highly publicized events, such as the shootings of Jordan Davis and Trayvon Martin, to those that recurrently dominate the airwaves in Latin America--are dominated by members of the middle and upper-middle classes. However, a cursory count of the victims of urban violence in the Americas reveals that the people suffering the most from violence live, and die, at the lowest of the socio-symbolic order, at the margins of urban societies. The inhabitants of the urban margins are hardly ever heard in discussions about public safety. They live in danger but the discourse about violence and risk belongs to, is manufactured and manipulated by, others--others who are prone to view violence at the urban margins as evidence of a cultural, or racial, defect, rather than question violence's relationship to economic and political marginalization. As a result, the experience of interpersonal violence among the urban poor becomes something unspeakable, and the everyday fear and trauma lived in relegated territories is constantly muted and denied. This edited volume seeks to counteract this pernicious tendency by putting under the ethnographic microscope--and making public--the way in which violence is lived and acted upon in the urban peripheries. It features cutting-edge ethnographic research on the role of violence in the lives of the urban poor in South, Central, and North America, and sheds light on the suffering that violence produces and perpetuates, as well as the individual and collective responses that violence generates, among those living at the urban margins of the Americas.