This book takes a fascinating look at rock art through the lens of archeology and anthropology, offering an innovative model of Fremont society, politics, and worldview.
“Fascinating . . . A tragic saga, but at the same time it often reads like a thriller filled with acts of extraordinary courage, descriptions of dangerous journeys and a series of secret identities.”—Chicago Tribune “To this day, I don't even know what my mother's real name is.” Helen Fremont was raised as a Roman Catholic. It wasn't until she was an adult, practicing law in Boston, that she discovered her parents were Jewish—Holocaust survivors living invented lives. Not even their names were their own. In this powerful memoir, Helen Fremont delves into the secrets that held her family in a bond of silence for more than four decades, recounting with heartbreaking clarity a remarkable tale of survival, as vivid as fiction but with the resonance of truth. Driven to uncover their roots, Fremont and her sister pieced together an astonishing story: of Siberian Gulags and Italian royalty, of concentration camps and buried lives. After Long Silence is about the devastating price of hiding the truth; about families; about the steps we take, foolish or wise, to protect ourselves and our loved ones. No one who reads this book can be unmoved, or fail to understand the seductive, damaging power of secrets. Praise for After Long Silence “Poignant . . . affecting . . . part detective story, part literary memoir, part imagined past.”—The New York Times Book Review “Riveting . . . painfully authentic . . . a poignant memoir, a labor of love for the parents she never really knew.”—The Boston Globe “Mesmerizing . . . Fremont has accomplished something that seems close to impossible. She has made a fresh and worthy contribution to the vast literature of the Holocaust.”—The Washington Post Book World
Over many centuries, the prehistoric Fremont and Anasazi peoples of present-day Utah left an artistic record in which distinctive styles are readily identifiable. From the Uinta Mountains through the central canyonlands to the Virgin River, Utah's abundant prehistoric rock art offers glimpses of a lost world. The Rock Art of Utah is a rich sample of the many varieties of rock art found in the state. Through nearly two hundred high-quality photographs and drawings from the Donald Scott Collection, all made during the 1920s and 1930s, rock art expert Polly Schaafsma provides a fascinating, comprehensive tour of this unique legacy. From the Uinta Mountains through the central canyonlands to the Virgin River, Utah's abundant prehistoric rock art offers glimpses of a lost world. Over many centuries, the Fremont and Anasazi peoples left an artistic record in which distinctive styles are readily identifiable. The Rock Art of Utah is a guide to the many varieties of rock art found in the state. Through dozens of high-quality photographs and drawings from the Donald Scott Collection, all made during the 1920s and 30s, author Polly Schaafsma provides a fascinating, comprehensive tour of this unique legacy. Now in an updated edition, it will engage anyone with an interest in the ancient peoples of the Colorado Plateau.
An illustrated overview of the rock art of the Colorado Plateau includes 207 color photos, mini-essays for each site, and an introductory essay examining the history of these petroglyphs and pictographs.
Written to appeal to professional archaeologists, students, and the interested public alike, this book is a long overdue introduction to the ancient peoples of the Great Basin and northern Colorado Plateau. Through detailed syntheses, the reader is drawn into the story of the habitation of the Great Basin from the entry of the first Native Americans through the arrival of Europeans. Ancient Peoples is a major contribution to Great Basin archaeology and anthropology, as well as the general study of foraging societies.
At archeological sites throughout Colorado, New Mexico, Arizona and Utah, the ancient inhabitants of the American Southwest have left a rich legacy built and etched in stone - places to witness sheer ingenuity and pay tribute to the roots of Native American culture. With color photographs, maps, and detailed entries, this handsome volume spotlights the most accessible, visitor-friendly sites to explore. Also included are suggested travel routes for those wishing to tour multiple sites.
Steve Inskeep tells the riveting story of John and Jessie Frémont, the husband and wife team who in the 1800s were instrumental in the westward expansion of the United States, and thus became America's first great political couple John C. Frémont, one of the United States’s leading explorers of the nineteenth century, was relatively unknown in 1842, when he commanded the first of his expeditions to the uncharted West. But in only a few years, he was one of the most acclaimed people of the age – known as a wilderness explorer, bestselling writer, gallant army officer, and latter-day conquistador, who in 1846 began the United States’s takeover of California from Mexico. He was not even 40 years old when Americans began naming mountains and towns after him. He had perfect timing, exploring the West just as it captured the nation’s attention. But the most important factor in his fame may have been the person who made it all possible: his wife, Jessie Benton Frémont. Jessie, the daughter of a United States senator who was deeply involved in the West, provided her husband with entrée to the highest levels of government and media, and his career reached new heights only a few months after their elopement. During a time when women were allowed to make few choices for themselves, Jessie – who herself aspired to roles in exploration and politics – threw her skill and passion into promoting her husband. She worked to carefully edit and publicize his accounts of his travels, attracted talented young men to his circle, and lashed out at his enemies. She became her husband’s political adviser, as well as a power player in her own right. In 1856, the famous couple strategized as John became the first-ever presidential nominee of the newly established Republican Party. With rare detail and in consummate style, Steve Inskeep tells the story of a couple whose joint ambitions and talents intertwined with those of the nascent United States itself. Taking advantage of expanding news media, aided by an increasingly literate public, the two linked their names to the three great national movements of the time—westward settlement, women’s rights, and opposition to slavery. Together, John and Jessie Frémont took parts in events that defined the country and gave rise to a new, more global America. Theirs is a surprisingly modern tale of ambition and fame; they lived in a time of social and technological disruption and divisive politics that foreshadowed our own. In Imperfect Union, as Inskeep navigates these deeply transformative years through Jessie and John’s own union, he reveals how the Frémonts’ adventures amount to nothing less than a tour of the early American soul.
Originally published in 1972, this edition of Rock Art in New Mexico was revised and updated in 1992. In it, Poly Schaafsma presents a corpus of rock art, with comment and descriptions, found in north-west New Mexico, southern New Mexico, the Upper Rio Grande, eastern New Mexico and the southern High Plains. Examples of rock art and petroglyophs are cited from prehistoric times to those created by the Anasazi, Apache and, most recently, the Spanish.
This volume investigates the circumstances and conditions under which trade/exchange, direct access, and/or mobility best account for material conveyance across varying distances at different times in the past.