Necipoglu demonstrates the palace's role as a vast stage for the enactment of a ceremonial that emphasized the sultan's absolute power and his aloofness from the outside world. In the absence of the monumentality, axiality, and rational geometric planning principles now usually associated with imperial architecture, the author's deciphering of the palace's iconography is all the more revealing.
A guide to the palace of the Ottoman sultans in Istanbul, it takes the reader through all the rooms and gardens which are open to the public - and some that are not. It talks about the thousands who lived in the saray. It gives an understanding of this core of Ottoman life.
Dear Traveler, Welcome to the WanderStories™ tour of Topkapi Palace in Istanbul. We, at WanderStories™, are storytellers. We don’t tell you where to eat or sleep, we don’t intend to replace a typical travel reference guide. Our mission is to be the best local guide that you would wish to have by your side when visiting the sights. So, we meet you at the sight and take you on a tour. WanderStories™ travel guides are unique because our storytelling style puts you alongside the best local guide who tells you fascinating stories and unusual facts recreating the passion and sacrifice that forged the beauty of these places right here in front of you, while a wealth of high quality photos, historic pictures, and illustrations brings your tour vividly to life. Our promise: • when you visit Topkapi Palace with this travel guide you will have the best local guide at your fingertips • when you read this travel guide in the comfort of your armchair you will feel as if you are actually visiting Topkapi Palace with the best local guide Let’s go! Your guide, WanderStories
A visual tour to the most popular historic site in Istanbul, Turkey, this illustrated guide to Topkapi Palace -- the official and primary residence of the Ottoman sultans who ruled a vast transcontinental empire for six centuries -- reveals the historic art pieces and sacred relics contained within and explores Ottoman history as it relates to specific sections of the palace. Ortayli, a famed Turkish historian and scholar, provides an enjoyable background information to almost every picture in the book. Any person interested in the Ottoman history and Middle Eastern history would enjoy reading this book. With an elegantly designed cover and interior, it is a great source for libraries and art museums as potential buyers of this book.
This gorgeous, full-color photographic guide reveals the marvelous collection of the sacred relics at the Topkapi Palace Museum in Istanbul, which houses more than 600 invaluable belongings from prophets such as Abraham, Moses, and Muhammad as well as a number of Muslim saints. Excavated from the most restricted rooms of the palace, the entire selection?including the pieces that are not on exhibit for daily visits?is compiled here for the first time in this fundamental handbook, making it perfect for students interested in Ottoman history, sacred relics of the Ottoman rule, or the broader Islamic heritage.
Since precious few architectural drawings and no theoretical treatises on architecture remain from the premodern Islamic world, the Timurid pattern scroll in the collection of the Topkapi Palace Museum Library is an exceedingly rich and valuable source of information. In the course of her in-depth analysis of this scroll dating from the late fifteenth or early sixteenth century, Gülru Necipoğlu throws new light on the conceptualization, recording, and transmission of architectural design in the Islamic world between the tenth and sixteenth centuries. Her text has particularly far-reaching implications for recent discussions on vision, subjectivity, and the semiotics of abstract representation. She also compares the Islamic understanding of geometry with that found in medieval Western art, making this book particularly valuable for all historians and critics of architecture. The scroll, with its 114 individual geometric patterns for wall surfaces and vaulting, is reproduced entirely in color in this elegant, large-format volume. An extensive catalogue includes illustrations showing the underlying geometries (in the form of incised “dead” drawings) from which the individual patterns are generated. An essay by Mohammad al-Asad discusses the geometry of the muqarnas and demonstrates by means of CAD drawings how one of the scroll’s patterns could be used co design a three-dimensional vault.
"Readership: All those interested in the history and theory of art, and histories of Persian literature and culture in the premodern Islamic world."--BOOK JACKET.
