Novel: A periplus of desires mapped out along a coast of covetous coves, amorous atolls, and reefs of wrecked unrequited loves, aboard a vessel ever guided by a pharos in the guise of a titanic radiant idol of false expectations and unattainable bliss.
Oscar Fingal O'Flahertie Wills Wilde (16 October 1854 - 30 November 1900) was an Irish writer and poet. After writing in different forms throughout the 1880s, he became one of London's most popular playwrights in the early 1890s. Today he is remembered for his epigrams, his novel The Picture of Dorian Gray, his plays, and the circumstances of his imprisonment and early death. Wilde's parents were successful Anglo-Irish Dublin intellectuals. Their son became fluent in French and German early in life. At university, Wilde read Greats; he proved himself to be an outstanding classicist, first at Dublin, then at Oxford. He became known for his involvement in the rising philosophy of aestheticism, led by two of his tutors, Walter Pater and John Ruskin. After university, Wilde moved to London into fashionable cultural and social circles. As a spokesman for aestheticism, he tried his hand at various literary activities: he published a book of poems, lectured in the United States and Canada on the new "English Renaissance in Art," and then returned to London where he worked prolifically as a journalist. Known for his biting wit, flamboyant dress and glittering conversation, Wilde became one of the best-known personalities of his day. At the turn of the 1890s, he refined his ideas about the supremacy of art in a series of dialogues and essays, and incorporated themes of decadence, duplicity, and beauty into his only novel, The Picture of Dorian Gray (1890). The opportunity to construct aesthetic details precisely, and combine them with larger social themes, drew Wilde to write drama. He wrote Salome (1891) in French in Paris but it was refused a licence for England due to the absolute prohibition of Biblical subjects on the English stage. Unperturbed, Wilde produced four society comedies in the early 1890s, which made him one of the most successful playwrights of late Victorian London. At the height of his fame and success, while his masterpiece, The Importance of Being Earnest (1895), was still on stage in London, Wilde had the Marquess of Queensberry prosecuted for libel. The Marquess was the father of Wilde's lover, Lord Alfred Douglas. The charge carried a penalty of up to two years in prison. The trial unearthed evidence that caused Wilde to drop his charges and led to his own arrest and trial for gross indecency with other men. After two more trials he was convicted and imprisoned for two years' hard labour. In 1897, in prison, he wrote De Profundis, which was published in 1905, a long letter which discusses his spiritual journey through his trials, forming a dark counterpoint to his earlier philosophy of pleasure. Upon his release he left immediately for France, never to return to Ireland or Britain. There he wrote his last work, The Ballad of Reading Gaol (1898), a long poem commemorating the harsh rhythms of prison life. He died destitute in Paris at the age of 46.
Ptolemy's Almagest is one of the most influential scientific works in history. A masterpiece of technical exposition, it was the basic textbook of astronomy for more than a thousand years, and still is the main source for our knowledge of ancient astronomy. This translation, based on the standard Greek text of Heiberg, makes the work accessible to English readers in an intelligible and reliable form. It contains numerous corrections derived from medieval Arabic translations and extensive footnotes that take account of the great progress in understanding the work made in this century, due to the discovery of Babylonian records and other researches. It is designed to stand by itself as an interpretation of the original, but it will also be useful as an aid to reading the Greek text.
My father possessed a large and flourishing estate on one of the West Indian islands before the emancipation of the slaves. My baptismal name is Charlotte, but from the fancied likeness to a picture of the English queen of the name, my father called me Queenie, which pet name has clung to me ever since. The first event of any importance in connection with my subject which I can remember occurred when I was about ten years old. I had then a black nurse called Dora, in whose charge I was especially placed. It was from her I learned that my mother, who died soon after my birth, had been a favourite and very handsome slave, nearly as white as a European, and that I greatly resembled her. My father was king to me, though I did not see much of him, for he was often away on business; when he was at home, he used to send for me to come to him after dinner, when he would set me on his knee and make me sip sweet rum toddy. He liked tickling my thighs and pinching my bottom, he said, as it made me laugh and look merry; but one evening after his second glass he placed me astride his lap with my back towards him and my dress pulled up, that he might feel the warmth of my bottom there. I laughed and thought it funny and let him settle me as he wished. Then in a short time I felt a hot stiff thing poking up between my thighs and rubbing against my slit in such a way as even then to cause such a strange tingling there that I told my nurse of it when she was putting me to bed. She laughed and said massa wanted to do to me what he had done to my mother before me.
Writing at the time of political and social crisis in Athens, Aristophanes was an eloquent yet bawdy challenger to the demagogue and the sophist. The Achanians is a plea for peace set against the background of the long war with Sparta.