Oriental Scenery. Twenty-Four Views in Hindoostan, Taken in the Years 1789 and 1790; Drawn and Engraved by Thomas Daniell,

Oriental Scenery. Twenty-Four Views in Hindoostan, Taken in the Years 1789 and 1790; Drawn and Engraved by Thomas Daniell,

Author: Thomas Daniell

Publisher: Gale Ecco, Print Editions

Published: 2018-04-18

Total Pages: 30

ISBN-13: 9781379536765

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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Rich in titles on English life and social history, this collection spans the world as it was known to eighteenth-century historians and explorers. Titles include a wealth of travel accounts and diaries, histories of nations from throughout the world, and maps and charts of a world that was still being discovered. Students of the War of American Independence will find fascinating accounts from the British side of conflict. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T147411 The plates were issued separately and are dated 1795, 1796, and 1797. Printer's name from the plates. With a half-title. London: March 1 [printed by Robert Bowyer], 1795 [1797] 28p., XXIV plates; 8°


The Artificial Empire

The Artificial Empire

Author: Giles Henry Rupert Tillotson

Publisher: Psychology Press

Published: 2000

Total Pages: 176

ISBN-13: 0700712828

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This book discusses the role of the visual arts in the assertion of European colonial power, examining the representation of Indian scenery and architecture by British artists in the late eighteenth and early nineteenth centuries.