There's nothing quite like stepping foot in a new country and declaring yourself home. There's Some Place Like Home is a front row seat to the sometimes crazy, sometimes lonely, but never boring life of an expat. If you've ever lived abroad, Honour's heartfelt and humorous observations and stories will be instantly recognizable. And if you've ever wondered what it's like to pack up and move across oceans or time zones, these stories, spanning a decade of life abroad, are a revealing window into a life lived outside the familiar.
Celebrate life's journeys with the beloved author whose stories of life and love touched the world. A Place Like Home is a spellbinding collection of short stories by internationally bestselling author Rosamunde Pilcher, never before published in book form. The collection contains fifteen stories, which range from "Our Holiday", in which a wife surprises her husband of twenty-five years with a holiday full of Mediterranean sunshine, red rocks and blue seas in an effort to rekindle the romance they had before children; "Through the Eyes of Love", which takes the reader to a village by the sea where old flames meet again; and "A Place Like Home", where a lonely young woman goes to recuperate in the Scottish countryside after a brief illness. The fruit orchards and fresh sea air offer much needed respite—but not as much as the handsome, mysterious farmer she meets. Each unforgettable story is the perfect slice of romance written with warmth and passion featuring wonderfully memorable, smart, and feisty female characters that will transport the reader to another time and place.
William loves taking walks with his parents and when they read him bedtime stories, but after he gets a little brother his parents are busy all the time.
April is different, and not just in the quirky-girl-in-converse kinda way. She doesn't stress about college applications or prom dates like the other seniors in her class. Instead, she cycles obsessions and fear ranging from vomiting to being a bad person. For the most part, April can hide behind her glasses and distract herself with the murder mysteries she's always reading. But ever so often, her obsessive-compulsive disorder becomes so debilitating that she can't help but give into her compulsions. So when a classmate goes missing, April feels it's her responsibility to find him-and won't rest until she does.
Liza Barclay, aged 10, shot her mother while trying to protect her from her violent stepfather, ex-FBI agent Charley Foster. Despite her stepfather's claim that it was a deliberate act, the Juvenile Court ruled the death an accident. Many people, however, agreed with Foster and tabloids compared Liza to the infamous murderess, Lizzie Borden, pointing even to the similarity in name. Growing up with adoptive parents who tried to erase every trace of her past, her name is changed to Celia. Always, though, the fear hung over her and the family - that someday, her vengeful stepfather would reappear to harm her. Aged 25, a successful interior designer, she marries a childless sixty-year old widower and they have a son. Before their marriage, she had confided her earlier life to her husband. Two years on, on his deathbed, he tells her that he would want her to re-marry, but makes her swear never to reveal her past to anyone, so that their son would not carry the burden of this family tragedy - a promise that plunges her into a new cycle of violence. Three years later, happily re-married, Celia is shocked when her second husband presents her with a gift -- the house where she killed her mother. When the real estate agent who has made the sale recognises her and, soon after, is murdrered, Celia is accused of the crime. Once again, she is home -- the place where she is stamped as a murderess.
Humorous, poignant, and honest, No Place Like Home is the story of one woman’s journey to feel settled without settling, and her realization that home is much more than an address. Brooke Berman moved to New York as a wide-eyed eighteen-year-old eager to call the big city home. Candid, funny, and thoughtful, in No Place Like Home, we follow Brooke’s adventures as she crisscrosses town trying to make ends meet and make her dreams of a life in the theater come true. With each apartment, from the heavenly to the horrible, she learns more about how to heal the past, let go of excess, and keep a sense of humor while trying to stay flexible in the search for stability. No Place Like Home reminds everyone of the age-old struggle not just to find a house, but to build a true home.
From its recording of family events to its influence on filmmaking, home video defies easy categorization and demands serious consideration. In There's No Place Like Home Video, James Moran takes on this neglected aspect of popular culture. He offers a history of amateur home video, exploring its technological and ideological predecessors, the development of event videography, and its symbiotic relationship with television and film. He also investigates the broader field of video, taking on the question of medium specificity: the attempt to define its unique identity, to capture what constitutes its pure practice. Rather than look for a grand narrative to define its specificity, Moran places video and home video at the intersections of multiple forms of communication. Book jacket.
Four powerful steps begun in one's middle years will allow readers to avoid a future nursing home placement. This plan preserves assets and removes the burden of caregiving from loved ones. All will be able to receive the highest level of care in dignity at home.
Far from the coastal centers of culture and politics, Kansas stands at the very center of American stereotypes about red states. In the American imagination, it is a place LGBT people leave. No Place Like Home is about why they stay. The book tells the epic story of how a few disorganized and politically naïve Kansans, realizing they were unfairly under attack, rolled up their sleeves, went looking for fights, and ended up making friends in one of the country’s most hostile states. The LGBT civil rights movement’s history in California and in big cities such as New York and Washington, DC, has been well documented. But what is it like for LGBT activists in a place like Kansas, where they face much stiffer headwinds? How do they win hearts and minds in the shadow of the Westboro Baptist Church (“Christian” motto: “God Hates Fags”)? Traveling the state in search of answers—from city to suburb to farm—journalist C. J. Janovy encounters LGBT activists who have fought, in ways big and small, for the acceptance and respect of their neighbors, their communities, and their government. Her book tells the story of these twenty-first-century citizen activists—the issues that unite them, the actions they take, and the personal and larger consequences of their efforts, however successful they might be. With its close-up view of the lives and work behind LGBT activism in Kansas, No Place Like Home fills a prairie-sized gap in the narrative of civil rights in America. The book also looks forward, as an inspiring guide for progressives concerned about the future of any vilified minority in an increasingly polarized nation.
