Religion Around Emily Dickinson

Religion Around Emily Dickinson

Author: W. Clark Gilpin

Publisher: Penn State Press

Published: 2015-06-10

Total Pages: 253

ISBN-13: 027106613X

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Religion Around Emily Dickinson begins with a seeming paradox posed by Dickinson’s posthumously published works: while her poems and letters contain many explicitly religious themes and concepts, throughout her life she resisted joining her local church and rarely attended services. Prompted by this paradox, W. Clark Gilpin proposes, first, that understanding the religious aspect of the surrounding culture enhances our appreciation of Emily Dickinson’s poetry and, second, that her poetry casts light on features of religion in nineteenth-century America that might otherwise escape our attention. Religion, especially Protestant Christianity, was “around” Emily Dickinson not only in explicitly religious practices, literature, architecture, and ideas but also as an embedded influence on normative patterns of social organization in the era, including gender roles, education, and ideals of personal intimacy and fulfillment. Through her poetry, Dickinson imaginatively reshaped this richly textured religious inheritance to create her own personal perspective on what it might mean to be religious in the nineteenth century. The artistry of her poetry and the profundity of her thought have meant that this personal perspective proved to be far more than “merely” personal. Instead, Dickinson’s creative engagement with the religion around her has stimulated and challenged successive generations of readers in the United States and around the world.


Changing Rapture

Changing Rapture

Author: Aliki Barnstone

Publisher: UPNE

Published: 2006

Total Pages: 220

ISBN-13: 9781584655343

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A new appreciation of the development of Emily Dickinson's poetics.


Emily Dickinson and the Religious Imagination

Emily Dickinson and the Religious Imagination

Author: Linda Freedman

Publisher: Cambridge University Press

Published: 2011-09-01

Total Pages:

ISBN-13: 1139501399

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Dickinson knew the Bible well. She was profoundly aware of Christian theology and she was writing at a time when comparative religion was extremely popular. This book is the first to consider Dickinson's religious imagery outside the dynamic of her personal faith and doubt. It argues that religious myths and symbols, from the sun-god to the open tomb, are essential to understanding the similetic movement of Dickinson's poetry - the reach for a comparable, though not identical, experience in the struggles and wrongs of Abraham, Jacob and Moses, and the life, death and resurrection of Christ. Linda Freedman situates the poet within the context of American typology, interprets her alongside contemporary and modern theology and makes important connections to Shakespeare and the British Romantics. Dickinson emerges as a deeply troubled thinker who needs to be understood within both religious and Romantic traditions.


The Language of Emily Dickinson

The Language of Emily Dickinson

Author: Nicole Panizza

Publisher: Vernon Press

Published: 2021-01-05

Total Pages: 162

ISBN-13: 164889092X

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"The Language of Emily Dickinson" provides valuable insight into the cryptic, complex, and unique language of America’s premier poet. The essays make each subject of exploration accessible to general readers, providing sufficient background and contextual information to situate anyone interested in a better understanding of Dickinson’s language. The collection also makes a substantial contribution to Dickinson studies with new scholarship in philology, musicality, and manuscript study. Cynthia L. Hallen, creator of the invaluable Emily Dickinson Lexicon, offers a detailed examination of Dickinson’s words and phrases that are lexically alive and semantically vital. Nicole Panizza, an accomplished pianist, explores Dickinson’s poetic relationship with music as bilingual practice. Holly L. Norton outlines the surprising connections between Dickinson’s poetry and rap music, and Trisha Kannan contributes to recent discussions regarding Dickinson’s fascicles, the manuscript “books” that contain just over 800 of Dickinson’s 1,789 poems, by reading Fascicle 30 in relation to the work and life of John Keats. This book will be of interest to scholars of Emily Dickinson and advanced readers of poetry—such as those in upper-level undergraduate English courses and graduate students in departments of English—as well as to general readers with an interest in Emily Dickinson.


Emily Dickinson and the Art of Belief

Emily Dickinson and the Art of Belief

Author: Roger Lundin

Publisher: Wm. B. Eerdmans Publishing

Published: 2004-02-03

Total Pages: 340

ISBN-13: 1467422223

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Garnering awards from Choice, Christianity Today, Books & Culture, and the Conference on Christianity and Literature when first published in 1998, Roger Lundin's Emily Dickinson and the Art of Belief has been widely recognized as one of the finest biographies of the great American poet Emily Dickinson. Paying special attention to her experience of faith, Lundin skillfully relates Dickinson's life -- as it can be charted through her poems and letters -- to nineteenth-century American political, social, religious, and intellectual history. This second edition of Lundin's superb work includes a standard bibliography, expanded notes, and a more extensive discussion of Dickinson's poetry than the first edition contained. Besides examining Dickinson's singular life and work in greater depth, Lundin has also keyed all poem citations to the recently updated standard edition of Dickinson's poetry. Already outstanding, Lundin's biography of Emily Dickinson is now even better than before.


Religion Around Emily Dickinson

Religion Around Emily Dickinson

Author: W. Clark Gilpin

Publisher: Penn State Press

Published: 2015-06-10

Total Pages: 214

ISBN-13: 0271065710

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Religion Around Emily Dickinson begins with a seeming paradox posed by Dickinson’s posthumously published works: while her poems and letters contain many explicitly religious themes and concepts, throughout her life she resisted joining her local church and rarely attended services. Prompted by this paradox, W. Clark Gilpin proposes, first, that understanding the religious aspect of the surrounding culture enhances our appreciation of Emily Dickinson’s poetry and, second, that her poetry casts light on features of religion in nineteenth-century America that might otherwise escape our attention. Religion, especially Protestant Christianity, was “around” Emily Dickinson not only in explicitly religious practices, literature, architecture, and ideas but also as an embedded influence on normative patterns of social organization in the era, including gender roles, education, and ideals of personal intimacy and fulfillment. Through her poetry, Dickinson imaginatively reshaped this richly textured religious inheritance to create her own personal perspective on what it might mean to be religious in the nineteenth century. The artistry of her poetry and the profundity of her thought have meant that this personal perspective proved to be far more than “merely” personal. Instead, Dickinson’s creative engagement with the religion around her has stimulated and challenged successive generations of readers in the United States and around the world.


Emily Dickinson and the Art of Belief

Emily Dickinson and the Art of Belief

Author: Roger Lundin

Publisher: Wm. B. Eerdmans Publishing

Published: 2004-02-03

Total Pages: 340

ISBN-13: 9780802821270

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Paying special attention to her experience of faith, Lundin relates Dickinson's life -- as it can be charted through her poems and letters -- to nineteenth-century American political, social, religious, and intellectual history. --From publisher description.


Refractions

Refractions

Author: Makoto Fujimura

Publisher: NavPress

Published: 2024-08-06

Total Pages: 225

ISBN-13: 1641587113

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Embark on a profound journey through the depths of human emotion and spirituality in the updated anniversary edition of Refractions by renowned artist Makoto Fujimura. This timeless collection of reflective essays invites you to explore themes of grief, loss, tragedy, and disruption through the eyes of an artist’s soul. Originally conceived in the shadow of the fallen twin towers of the World Trade Center, near where Fujimura’s New York art studio stood, this anniversary edition includes new essays unpacking the author’s further insights into his concepts of culture care and a theology of making. Refractions carries the weight of history and the urgency of the moment, illuminating beauty, healing, and hope. A gift for any artist or supporter of the arts, Refractions connects faith, art, and life, offering insight into healing with the wisdom and perspective of a leading contemporary artist and follower of Jesus, making beauty from ashes, and the gospel as a message as breathtaking and intricate as the lives it touches. In a world marred by violence and despair, Fujimura guides you toward a deep understanding of life’s intricate tapestry, where beauty emerges from unexpected places, and healing finds its roots in the goodness of God and human resilience.


Art and Faith

Art and Faith

Author: Makoto Fujimura

Publisher: Yale University Press

Published: 2021-01-05

Total Pages: 184

ISBN-13: 0300255934

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From a world-renowned painter, an exploration of creativity’s quintessential—and often overlooked—role in the spiritual life “Makoto Fujimura’s art and writings have been a true inspiration to me. In this luminous book, he addresses the question of art and faith and their reconciliation with a quiet and moving eloquence.”—Martin Scorsese “[An] elegant treatise . . . Fujimura’s sensitive, evocative theology will appeal to believers interested in the role religion can play in the creation of art.”—Publishers Weekly Conceived over thirty years of painting and creating in his studio, this book is Makoto Fujimura’s broad and deep exploration of creativity and the spiritual aspects of “making.” What he does in the studio is theological work as much as it is aesthetic work. In between pouring precious, pulverized minerals onto handmade paper to create the prismatic, refractive surfaces of his art, he comes into the quiet space in the studio, in a discipline of awareness, waiting, prayer, and praise. Ranging from the Bible to T. S. Eliot, and from Mark Rothko to Japanese Kintsugi technique, he shows how unless we are making something, we cannot know the depth of God’s being and God’s grace permeating our lives. This poignant and beautiful book offers the perspective of, in Christian Wiman’s words, “an accidental theologian,” one who comes to spiritual questions always through the prism of art.