Aimed at students, scholars, collectors and dealers, this guide to Winston Churchill's books is designed as a reference when hunting for, or reading, Winston Churchill's books. Its purpose is to inform people of what they are holding in their hands and how to tell a first edition from a reprint.
A complete look at the paintings of Sir Winston Churchill throughout his life. Written and compiled by Minnie Churchill (granddaughter) and David Coombs.
Although Churchill is a 1953 Nobel laureate in literature, his famous speeches have overshadowed his other writing. Winston Churchill's Imagination concentrates on key works in modes other than political rhetoric to show how Churchill engages readers with those words and ideas that are hallmarks of his imagination. Chapters take up his literary relationship with Lawrence of Arabia; Churchill's intense but little-known involvement with cinema in an essay on Charlie Chaplin and as a script writer and consultant in the 1930s for Alexander Korda's film studio; Churchill's evocation of paintings as templates for narrative in his first history and in his only novel; his imaginative engagement with science and science fiction; the depiction of time, duration, and alternative history in his biography of Marlborough; and Churchill's last testament in the realm of imagination, The Dream.
I was born under the Blue Ridge, and under that side which is blue in the evening light, in a wild land of game and forest and rushing waters. There, on the borders of a creek that runs into the Yadkin River, in a cabin that was chinked with red mud, I came into the world a subject of King George the Third, in that part of his realm known as the province of North Carolina. The cabin reeked of corn-pone and bacon, and the odor of pelts. It had two shakedowns, on one of which I slept under a bearskin. A rough stone chimney was reared outside, and the fireplace was as long as my father was tall. There was a crane in it, and a bake kettle; and over it great buckhorns held my father's rifle when it was not in use. On other horns hung jerked bear's meat and venison hams, and gourds for drinking cups, and bags of seed, and my father's best hunting shirt; also, in a neglected corner, several articles of woman's attire from pegs. These once belonged to my mother. Among them was a gown of silk, of a fine, faded pattern, over which I was wont to speculate. The women at the Cross-Roads, twelve miles away, were dressed in coarse butternut wool and huge sunbonnets. But when I questioned my father on these matters he would give me no answers. My father was—how shall I say what he was? To this day I can only surmise many things of him. He was a Scotchman born, and I know now that he had a slight Scotch accent. At the time of which I write, my early childhood, he was a frontiersman and hunter. I can see him now, with his hunting shirt and leggings and moccasins; his powder horn, engraved with wondrous scenes; his bullet pouch and tomahawk and hunting knife. He was a tall, lean man with a strange, sad face. And he talked little save when he drank too many "horns," as they were called in that country. These lapses of my father's were a perpetual source of wonder to me,—and, I must say, of delight. They occurred only when a passing traveller who hit his fancy chanced that way, or, what was almost as rare, a neighbor. Many a winter night I have lain awake under the skins, listening to a flow of language that held me spellbound, though I understood scarce a word of it.
Penetrating . . . beautifully rounds out and humanizes the character of the greatest statesman of the twentieth century. —San Francisco Chronicle "A multifaceted gem, sparkling with anecdotes and insights about the nature of biography, the challenges and rewards of historical research, and of course Winston Churchill." —Richmond Times-Dispatch "Everything about Winston Churchill is extraordinary. During his excavation of his subject, Martin Gilbert has discovered many gems. In this book he holds some of the most gorgeous jewels up to the light for us to admire." —The Spectator "Gilbert here gives us Churchill's vast humanity with the politics largely left out. Readers daunted by the 8,000-odd pages of the official life should start here. They will love it." —The Times (London) "The portrait of Winston Churchill is . . . vivid and painted with an affection and humour that rarely appear in the official biography." —London Daily Telegraph. "The work [Gilbert] has done puts all historians of the twentieth century, and all students of Churchill, incalculably in his debt." —London Sunday Telegraph