Following on from his acclaimed study of punctuation, Pause and Effect, this new book by Malcolm Parkes makes an equally fundamental contribution to the history of handwriting. Its purpose is to focus on the writing of scribes from late antiquity to the beginning of the sixteenth century, and to identify those features which are a scribe's personal contribution to the techniques and art of handwriting. The text is illustrated with 69 plates, and accompanied by a glossary of technical terms, which in itself makes a significant contribution to the subject.
This new book by Malcolm Parkes makes a fundamental contribution to the history of handwriting. Handwriting is a versatile medium that has always allowed individual scribes the opportunity for self-expression, despite the limitations of the pen and the finite number of possible movements.The purpose of this study is to focus on the writing of scribes from late antiquity to the beginning of the sixteenth century, and to identify those features which are a scribe's personal contribution to the techniques and art of handwriting. The book opens with three chapters surveying the various environments in which scribes worked in the medieval West. The following five, based on the author's Lyell Lectures at the University of Oxford, then examine different aspects of the subject, starting with the basic processes of handwriting and copying. Next come discussions of developments in rapid handwriting, with its consequent influence on new alphabets; on more formal 'set hands'; and on the adaptation of movements of the pen to produce elements of style corresponding to changes in the prevailing sense of decorum. The final chapter looks at the significance of some customized images produced by handwriting on the page. The text is illustrated with 69 plates, and accompanied by a glossary of the technical terms applied to handwriting, which in itself makes a significant contribution to the subject.
This review of the critical reception of Old English literature from 1900 to the present moves beyond a focus on individual literary texts so as to survey the different schools, methods, and assumptions that have shaped the discipline. Examines the notable works and authors from the period, including Beowulf, the Venerable Bede, heroic poems, and devotional literature Reinforces key perspectives with excerpts from ten critical studies Addresses questions of medieval literacy, textuality, and orality, as well as style, gender, genre, and theme Embraces the interdisciplinary nature of the field with reference to historical studies, religious studies, anthropology, art history, and more
The 2004 announcement that Chaucer's scribe had been discovered resulted in a paradigm shift in medieval studies. Adam Pynkhurst dominated the classroom, became a fictional character, and led to suggestions that this identification should prompt the abandonment of our understanding of the development of London English and acceptance that the clerks of the Guildhall were promoting vernacular literature as part of a concerted political program. In this meticulously researched study, Lawrence Warner challenges the narratives and conclusions of recent scholarship. In place of the accepted story, Warner provides a fresh, more nuanced one in which many more scribes, anonymous ones, worked in conditions we are only beginning to understand. Bringing to light new information, not least, hundreds of documents in the hand of one of the most important fifteenth-century scribes of Chaucer and Langland, this book represents an important intervention in the field of Middle English studies.
Reassess medieval literature and the relationship between writers and power in England by arguing that major works commissioned by or written for a succession of Lancastrians--Henry IV, Henry V, Henry VI, and Prince Edward--reveal that John Gower, Thomas Hoccleve, John Lydgate, and John Fortescue were not propagandists.
Since ancient works were preserved by means of handwritten copies, critical enquiry into their texts necessitates the study of such copies. In P.Beatty III (P47): The Codex, Its Scribe, and Its Text, Peter Malik focuses on the earliest extensive copy of the Book of Revelation. Integrating matters of palaeography, codicology, and scribal practice with textual analysis, Malik sheds new light on this largely neglected, yet crucially important, early Christian papyrus. Notable contributions include a new proposed date for P47, identification of several previously unreported scribal corrections, as well as the discovery of the manuscript’s close affinity with the Sahidic version. Significantly, Malik’s detailed, data-rich analyses are accompanied by a fresh transcription and, for the first time, high-resolution colour photographs of the manuscript.
Much of what is known about the past often rests upon the chance survival of objects and texts. Nowhere is this better illustrated than in the fragments of medieval manuscripts re-used as bookbindings in the sixteenth and seventeenth centuries. Such fragments provide a tantalizing, yet often problematic glimpse into the manuscript culture of the Middle Ages. Exploring the opportunities and difficulties such documents provide, this volume concentrates on the c. 50,000 fragments of medieval Latin manuscripts stored in archives across the five Nordic countries of Denmark, Finland, Iceland, Norway and Sweden. This large collection of fragments (mostly from liturgical works) provides rich evidence about European Latin book culture, both in general and in specific relation to the far north of Europe, one of the last areas of Europe to be converted to Christianity. As the essays in this volume reveal, individual and groups of fragments can play a key role in increasing and advancing knowledge about the acquisition and production of medieval books, and in helping to distinguish locally made books from imported ones. Taking an imaginative approach to the source material, the volume goes beyond a strictly medieval context to integrate early modern perspectives that help illuminate the pattern of survival and loss of Latin manuscripts through post-Reformation practices concerning reuse of parchment. In so doing it demonstrates how the use of what might at first appear to be unpromising source material can offer unexpected and rewarding insights into diverse areas of European history and the history of the medieval book.
"A series which is a model of its kind" Edmund King This year's volume is made up of articles that were presented at the conference in Bonn, held under the auspices of the University. In this volume, Alheydis Plassmann, the Allen Brown Memorial lecturer, analyses how two contemporary commentators reported the events of their day, the contest between two grandchildren of William the Conqueror as they struggled for supremacy in England and Normandy during the 1140s. The Marjorie Chibnall Essay prize winner, Laura Bailey, examines the geographical spaces occupied by the exile in The Gesta Herewardi and Fouke le Fitz Waryn. Andrea Stieldorf compares the seals and the coins of Germany/Lotharingia in the tenth, eleventh, and twelfth centuries with those made in England, exploring the ideas embedded in the iconography of the two connected visual sources. Domesday Book forms the focus of two important new studies, one by Rory Naismith looking at the moneyers to be found in Domesday, adding substantially to the information gained on this important group of artisans, and one by Chelsea Shields-Más on the sheriffs of Edward the Confessor, giving us new insights into the key officials in the royal administration. Elisabeth van Houts examines the life of Empress Matilda before she returned to her father's court in 1125 throwing new light on Matilda's "German" years, while Laura Wangerin looks at how tenth-century Ottonian women used communication to further their political goals. Steven Vanderputten takes the challenge of thinking about religious change at the turn of the Millennium through the lens of the Life of John, Abbot of Gorze Abbey, by John of Saint-Arnoul. Benjamin Pohl looks at the role of the abbot in prompting monk-historians to embark on their historiographical tasks through the work of one individual chronicler, Andreas of Marchiennes, responsible for writing, at his abbot's behest, the Chronicon Marchianense. And Megan Welton explores the implications of honorific titles through an examination of the title dux as it was attached to two tenth-century women rulers. The volume offers a wide range of insightful essays which add considerably to our understanding of the central middle ages.
