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Author: Michael Barron
Publisher: Taylor & Francis
Published: 1993
Total Pages: 466
ISBN-13: 9780419177104
DOWNLOAD EBOOKModern concert halls and opera houses are now very specialized buildings with special acoustical characteristics. This book is an important resource for architects, engineers and auditorium technicians.
Author: Wallace Clement Sabine
Publisher:
Published: 1913
Total Pages: 122
ISBN-13:
DOWNLOAD EBOOKAuthor: Deena Kaye
Publisher: Taylor & Francis
Published: 2015-09-25
Total Pages: 420
ISBN-13: 1317690575
DOWNLOAD EBOOKCovering every phase of a theatrical production, this fourth edition of Sound and Music for the Theatre traces the process of sound design from initial concept through implementation in actual performances. The book discusses the early evolution of sound design and how it supports the play, from researching sources for music and effects, to negotiating a contract. It shows you how to organize the construction of the sound design elements, how the designer functions in a rehearsal, and how to set up and train an operator to run sound equipment. This instructive information is interspersed with ‘war stores’ describing real-life problems with solutions that you can apply in your own work, whether you’re a sound designer, composer, or sound operator.
Author: David Collison
Publisher:
Published: 2008
Total Pages: 280
ISBN-13: 9780955703515
DOWNLOAD EBOOKAuthor: Michael Barron
Publisher: Routledge
Published: 2009-09-28
Total Pages: 863
ISBN-13: 1135219257
DOWNLOAD EBOOKModern concert halls and opera houses are now very specialized buildings with special acoustical characteristics. With new contemporary case-studies, this updated book explores these characteristics as an important resource for architects, engineers and auditorium technicians. Supported by over 40 detailed case studies and architectural drawings of 75 auditoria at a scale of 1:500, the survey of each auditorium type is completed with a discussion of current best practice to achieve optimum acoustics.
Author: Floyd E. Toole
Publisher: Routledge
Published: 2017-07-28
Total Pages: 956
ISBN-13: 1317415094
DOWNLOAD EBOOKSound Reproduction: The Acoustics and Psychoacoustics of Loudspeakers and Rooms, Third Edition explains the physical and perceptual processes that are involved in sound reproduction and demonstrates how to use the processes to create high-quality listening experiences in stereo and multichannel formats. Understanding the principles of sound production is necessary to achieve the goals of sound reproduction in spaces ranging from recording control rooms and home listening rooms to large cinemas. This revision brings new science-based perspectives on the performance of loudspeakers, room acoustics, measurements and equalization, all of which need to be appropriately used to ensure the accurate delivery of music and movie sound tracks from creators to listeners. The robust website (www.routledge.com/cw/toole) is the perfect companion to this necessary resource.
Author: Francesco Aletta
Publisher: MDPI
Published: 2020-04-15
Total Pages: 234
ISBN-13: 3039285262
DOWNLOAD EBOOKThis book is a collection of contributions to the Special Issue “Historical Acoustics: Relationships between People and Sound over Time”. The research presented here aims to explore the origins of acoustics and examine the relationships that have evolved over the centuries between people and auditory phenomena. Sounds have indeed accompanied human civilizations since the beginning of time, helping them to make sense of the world and to shape their cultures. Several key topics emerged, such as the acoustics of historical worship buildings, the acoustics of sites of archaeological interest, the acoustics of historical opera houses, and the topic of soundscapes as cultural intangible heritage. The book, as a whole, reflects the vibrant research activity around the “acoustics of the past”, which will hopefully be serve as a foundation for inspiring the future path of this discipline.
Author: Christopher N. Brooks
Publisher: McFarland
Published: 2015-09-16
Total Pages: 156
ISBN-13: 1476614628
DOWNLOAD EBOOKAcoustics as a branch of physics involves heavy mathematics, and the practice of architectural acoustics involves knowledge of a broad range of subjects. For these reasons, many people believe that good acoustics are almost impossible to obtain and exist only in concert halls. With a solid understanding of the basics, however, rooms with good acoustics are not as hard to design and build as people might think. This work describes acoustics and the factors to be considered in constructing a room or building with good sound quality. Among the topics covered are intonation, tuning and temperaments of classical music, environmental noise, noise and vibration control, sound measurement, sound systems, acoustic models, and acoustical design for various settings and purposes, including acoustics for chamber music, synagogues, churches, and classrooms. The work looks at places like Clemens Theatre, Congress Hall, Binns Rehearsal Room, and Philharmonic Hall, to name just a few, as models of small and large buildings with excellent acoustics. Many diagrams and other illustrations enhance the text.
Author: Ross Brown
Publisher: Bloomsbury Publishing
Published: 2009-11-27
Total Pages: 264
ISBN-13: 1137217650
DOWNLOAD EBOOKBrown explores relationships between sound and theatre, focusing on sound's interdependence and interaction with human performance and drama. Suggesting different ways in which sound may be interpreted to create meaning, it includes key writings on sound design, as well as perspectives from beyond the discipline.
Author: David Roesner
Publisher: Taylor & Francis
Published: 2024-11-29
Total Pages: 365
ISBN-13: 1040225373
DOWNLOAD EBOOKThe need for a research volume on European theatre music and sound is almost self-evident. Musical and sonic practices have been an integral part of theatre ever since the artform was first established 2,500 years ago: not just in subsequent genres that are explicitly driven by music, such as opera, operetta, ballet, or musical theatre, but in all kinds of theatrical forms and conventions. Conversely, academic recognition of the role of theatre music, its aesthetics, creative processes, authorships, traditions, and innovations is still insufficient. This volume unites experts from different disciplines and backgrounds to make a significant contribution to the much-needed discourse on theatre music. The term itself is a shapeshifter that signifies different phenomena at different times: the book thus deliberately casts a wide net to explore both the highly contextual terminologies and the many ways in which different times and cultures understand ‘theatre music’. By treating theatre music as a practice, focusing on its role in creating and watching performances, the book appeals to a wide range of readerships: researchers and students of all levels, journalists, audiences, and practitioners. It will be useful to universities and conservatoires alike and relevant for many disciplines in the humanities.
