This work displays and defines the fruits of thousands of years of black African creative endeavour. All the objects included were made by Africans for their own use, spanning a period from the beginning of the first millennium to the early 20th century, before the commercial production of art aimed at the tourist trade.
Talk About Tribal Art presents the broad range of art from diverse cultures around the world via illustrations and concise texts. Bérénice Schneiter takes us through the history, geography, and techniques of tribal art, from prehistoric cave paintings to aboriginal body art via the Klein-blue-before-Klein statues of the Solomon Islands and the abstract feather art-work of pre-Colombian pre-abstract communities. What is tribal art, what does it look like, when did it start? The author refutes common preconceptions and outdated myths, demonstrating that tribal art comprises far more than masks, erotic figures, and sacred totems. The text is richly illustrated, providing a deeper understanding of art forms such as animal art, portraits, design, and graphics. Moving beyond the purely historical, the book also demonstrates the innovation, lasting impact, and current trends of this art form in a section devoted to artists and artistic movements that have been inspired by tribal art. A chapter of key dates allows the reader to situate the historic moments that have contributed to our understanding of tribal art: from travel writing to great expeditions via ethnological quests and important exhibitions. One chapter is devoted to the artists, writers, poets, dealers, and collectors who informed our modern perception of tribal art. A glossary of terms clarifies the jargon that charts the evolution in the discovery of these artifacts, as well as changes in styles and tastes. The volume is completed by a list of the thirty most important works of tribal art from around the world and a directory of international addresses where tribal art can be viewed.
From the Publisher: The only guide that features art from tribes and cultural groups from all around the world, not just one region, Tribal Art features historical, cultural, and price guide information on the art of Africa, Oceania, and the Americas and is the definitive collector's guide for tribal art enthusiasts.
This account of the vanishing art of wmen's tribal tattooing is the record of anthropologist Lars Krutak's ten year research with indigenous peoples around the globe.
The 50th anniversary edition of this classic work on the art of Northwest Coast Indians now offers color illustrations for a new generation of readers along with reflections from contemporary Northwest Coast artists about the impact of this book. The masterworks of Northwest Coast Native artists are admired today as among the great achievements of the world’s artists. The painted and carved wooden screens, chests and boxes, rattles, crest hats, and other artworks display the complex and sophisticated northern Northwest Coast style of art that is the visual language used to illustrate inherited crests and tell family stories. In the 1950s Bill Holm, a graduate student of Dr. Erna Gunther, former Director of the Burke Museum, began a systematic study of northern Northwest Coast art. In 1965, after studying hundreds of bentwood boxes and chests, he published Northwest Coast Indian Art: An Analysis of Form. This book is a foundational reference on northern Northwest Coast Native art. Through his careful studies, Bill Holm described this visual language using new terminology that has become part of the established vocabulary that allows us to talk about works like these and understand changes in style both through time and between individual artists’ styles. Holm examines how these pieces, although varied in origin, material, size, and purpose, are related to a surprising degree in the organization and form of their two-dimensional surface decoration. The author presents an incisive analysis of the use of color, line, and texture; the organization of space; and such typical forms as ovoids, eyelids, U forms, and hands and feet. The evidence upon which he bases his conclusions constitutes a repository of valuable information for all succeeding researchers in the field. Replaces ISBN 9780295951027
As India consolidates an aggressive model of economic development, indigenous tribal people known as adivasis continue to be overrepresented among the country’s poor. Adivasis make up more than eight hundred communities in India, with a total population of more than 100 million people who speak more than three hundred different languages. Although their historical presence is acknowledged by the state and they are lauded as a part of India’s ethnic identity today, their poverty has been compounded by the suppression of their cultural heritage and lifestyle. In Adivasi Art and Activism, Alice Tilche draws on anthropological fieldwork conducted in rural western India to chart changes in adivasi aesthetics, home life, attire, food, and ideas of religiosity that have emerged from negotiation with the homogenizing forces of Hinduization, development, and globalization in the twenty-first century. She documents curatorial projects located not only in museums and art institutions, but in the realms of the home, the body, and the landscape. Adivasi Art and Activism raises vital questions about preservation and curation of indigenous material and provides an astute critique of the aesthetics and politics of Hindu nationalism.
"In the middle of India lies a vast land peopled with one of the country's largest tribal populations. Considered as the original inhabitants of this land, with a culture that traces back to pre-Aryan days, the tribals of Madhya Pradesh are as varied as they are vital. Living side by side with their Hindu and Muslim neighbours they have simultaneously managed to enrich and keep separate their cultural identity from theirs." "This book brings to you, for the first time, the exciting world of Madhya Pradesh's many tribes. Interwoven with their myths and legends, and illustrated with stunning colour visuals and with line drawings, here are the textiles and the tattoos, the stonework and the carvings, the totems and the ritual terracottas of the many tribes explained by scholars whose work has led them to spend half a life time with these people."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved