"The Washington Post" march by John Philip Sousa arranged for Flute quartet by Francesco Leone. Score and Parts (5): Flutes in C 1-4, optional part for G Alto (instead Flute 4) included. Audio demo available on www.glissato.it. ________________ "The Washington Post" arrangiamento per Quartetto di Flauti. Partitura e Parti (5).
"The Washington Post" march by J.P.Sousa. Arrangement for Woodwind Quintet (intermediate level). Score and Parts (7): Flute, Oboe, Bb Clarinet, French Horn in F and Bassoon. Optional parts included: Eb Horn and Bass Clarinet (instead bassoon). Audio demo available on www.glissato.it - ________________________ "The Washington Post" arrangiamento per Quintetto di Fiati comprensivo di partitura e parti (7).
"The Washington Post" march by J.P.Sousa. Arrangement for Brass Quintet (intermediate level). Score and Parts (10): Bb Trumpets 1&2 - Horn In F - Trombone - Tuba. Optional parts included: Eb Horn , Bb Tenor Horn (III T.C.) , Bb Trombone (T.C.), Eb Tuba (T.C.), Bb Tuba (T.C.). Audio demo available on www.glissato.it - ________________________ "The Washington Post" arrangiamento per Quintetto di Ottoni comprensivo di partitura e parti (10).
Take a Ride in a One Horse Open Sleigh The classic Christmas carol comes to life in this beautifully illustrated edition of Jingle Bells. Originally written in 1857 for the Thanksgiving season, Jingle Bells has become a beloved Christmas song sung by young and old alike. In this edition, delicate watercolor images are paired with the text to bring the delight of the holiday season to young readers.
Choral-Orchestral Repertoire: A Conductor’s Guide, Omnibus Edition offers an expansive compilation of choral-orchestral works from 1600 to the present. Synthesizing Jonathan D. Green’s earlier six volumes on this repertoire, this edition updates and adds to the over 750 oratorios, cantatas, choral symphonies, masses, secular works for large and small ensembles, and numerous settings of liturgical and biblical texts for a wide variety of vocal and instrumental combinations. Each entry includes a brief biographical sketch of the composer, approximate duration, text sources, performing forces, available editions, and locations of manuscript materials, as well as descriptive commentary, a discography, and a bibliography. Unique to this edition are practitioner’s evaluations of the performance issues presented in each score. These include the range, tessitura, and nature of each solo role and a determination of the difficulty of the choral and orchestral portions of each composition. There is also a description of the specific challenges, staffing, and rehearsal expectations related to the performance of each work. Choral-Orchestral Repertoire is an essential resource for conductors and students of conducting as they search for repertoire appropriate to their needs and the abilities of their ensembles.
