The Voice of America is the nation's largest publicly funded broadcasting network, reaching more than 90 million people worldwide in over forty languages. Since it first went on the air as a regional wartime enterprise in February 1942, VOA has undergo
An electrifying debut from a winner of the Caine Prize for African Writing E. C. Osondu is a fearless and passionate new writer, whose stories echo the joys and struggles of a cruel, beautiful world. His characters burst from the page—they fight, beg, love, grieve, but ultimately they are dreamers. Set in Nigeria and the United States, Voice of America moves from the fears and dreams of boys and girls in villages and refugee camps to the disillusionment and confusion of young married couples living in America, and then back to bustling Lagos. In "Waiting," two young refugees make their way through another day, fighting for meals and hoping for a miracle that will carry them out of the camp; in "A Simple Case," the boyfriend of a prostitute is rounded up by the local police and must charm his fellow prisoners for protection and survival; and in "Miracle Baby," the trials of pregnancy and mothers-in-law are laid bare in a woman’s return to her homeland. Each of the eighteen stories here possesses a voice at once striking and elegant, capturing the dramatic lives of an unforgettable cast of characters. Written with exhilarating energy and warmth, the stories of Voice of America are full of humor, pathos, and wisdom, marking the debut of an extraordinary new talent.
Examines the troubled existence of the Voice of America (VOA), the US government's international shortwave radio agency, following WWII. Explains that the VOA's troubles, including slashed budgets, canceled projects, and neglect by its operating agency, were the results of rivalries that shaped American politics during these years, especially the Republican drive to roll back the New Deal, the ongoing contest between conservative members of Congress and the Truman administration, and disputes over the VOA's proper purposes. Krugler teaches history at the University of Wisconsin-Platteville. Annotation copyrighted by Book News Inc., Portland, OR
**WINNER, Sperber Prize 2018, for the best biography of a journalist** The first and definitive biography of an audacious adventurer—the most famous journalist of his time—who more than anyone invented contemporary journalism. Tom Brokaw says: "Lowell Thomas so deserves this lively account of his legendary life. He was a man for all seasons." “Mitchell Stephens’s The Voice of America is a first-rate and much-needed biography of the great Lowell Thomas. Nobody can properly understand broadcast journalism without reading Stephens’s riveting account of this larger-than-life globetrotting radio legend.” —Douglas Brinkley, Professor of History at Rice University and author of Cronkite Few Americans today recognize his name, but Lowell Thomas was as well known in his time as any American journalist ever has been. Raised in a Colorado gold-rush town, Thomas covered crimes and scandals for local then Chicago newspapers. He began lecturing on Alaska, after spending eight days in Alaska. Then he assigned himself to report on World War I and returned with an exclusive: the story of “Lawrence of Arabia.” In 1930, Lowell Thomas began delivering America’s initial radio newscast. His was the trusted voice that kept Americans abreast of world events in turbulent decades – his face familiar, too, as the narrator of the most popular newsreels. His contemporaries were also dazzled by his life. In a prime-time special after Thomas died in 1981, Walter Cronkite said that Thomas had “crammed a couple of centuries worth of living” into his eighty-nine years. Thomas delighted in entering “forbidden” countries—Tibet, for example, where he met the teenaged Dalai Lama. The Explorers Club has named its building, its awards, and its annual dinner after him. Journalists in the last decades of the twentieth century—including Cronkite and Tom Brokaw—acknowledged a profound debt to Thomas. Though they may not know it, journalists today too are following a path he blazed. In The Voice of America, Mitchell Stephens offers a hugely entertaining, sometimes critical portrait of this larger than life figure.
Here in their own words are Frederick Douglass, George Jackson, Chief Joseph, Martin Luther King Jr., Plough Jogger, Sacco and Vanzetti, Patti Smith, Bruce Springsteen, Mark Twain, and Malcolm X, to name just a few of the hundreds of voices that appear in Voices of a People's History of the United States, edited by Howard Zinn and Anthony Arnove. Paralleling the twenty-four chapters of Zinn's A People's History of the United States, Voices of a People’s History is the long-awaited companion volume to the national bestseller. For Voices, Zinn and Arnove have selected testimonies to living history—speeches, letters, poems, songs—left by the people who make history happen but who usually are left out of history books—women, workers, nonwhites. Zinn has written short introductions to the texts, which range in length from letters or poems of less than a page to entire speeches and essays that run several pages. Voices of a People’s History is a symphony of our nation’s original voices, rich in ideas and actions, the embodiment of the power of civil disobedience and dissent wherein lies our nation’s true spirit of defiance and resilience.
In August of 1920, women's suffrage in America came down to the vote in Tennessee. If the Tennessee legislature approved the 19th amendment it would be ratified, giving all American women the right to vote. The historic moment came down to a single vote and the voter who tipped the scale toward equality did so because of a powerful letter his mother, Febb Burn, had written him urging him to "Vote for suffrage and don't forget to be a good boy." The Voice That Won the Vote is the story of Febb, her son Harry, and the letter than gave all American women a voice.
A “fascinating, well-researched account” of Mildred Gillars, the failed actress who turned on her country and became a Nazi propagandist during WWII (Publishers Weekly). One of the most notorious Americans of the twentieth century was a failed Broadway actress turned radio announcer named Mildred Gillars (1900–1988), better known to American GIs as “Axis Sally.” Despite the richness of her life story, there has never been a full-length biography of the ambitious, star-struck Ohio girl who evolved into a reviled disseminator of Nazi propaganda. At the outbreak of war in September 1939, Gillars had been living in Germany for five years. Hoping to marry, she chose to remain in the Nazi-run state even as the last Americans departed for home. In 1940, she was hired by the German overseas radio, where she evolved from a simple disc jockey and announcer to a master propagandist. Under the tutelage of her married lover, Max Otto Koischwitz, Gillars became the personification of Nazi propaganda to the American GI. Spicing her broadcasts with music, Gillars’s used her soothing voice to taunt Allied troops about the supposed infidelities of their wives and girlfriends back home, as well as the horrible deaths they were likely to meet on the battlefield. Supported by German military intelligence, she was able to convey personal greetings to individual US units, creating an eerie foreboding among troops who realized the Germans knew who and where they were. After broadcasting for Berlin up to the very end of the war, Gillars tried but failed to pose as a refugee, and was captured by US authorities. Her 1949 trial for treason captured the attention and raw emotion of a nation fresh from the horrors of the Second World War. Gillars’s twelve-year imprisonment and life on parole, including a stay in a convent, is a remarkable story of a woman who attempts to rebuild her life in the country she betrayed.
National Bestseller National Book Critics Circle Award Nominee From the Pulitzer Prize–winning author of The Overstory and the forthcoming Bewilderment, a magnificent double love story of two young couples separated by a distance of twenty-five years. “The most lavishly ambitious American novel since Gravity’s Rainbow . . . An outright marvel.” —Washington Post Stuart Ressler, a brilliant young molecular biologist, sets out in 1957 to crack the genetic code. His efforts are sidetracked by other, more intractable codes—social, moral, musical, spiritual—and he falls in love with a member of his research team. Years later, another young man and woman team up to investigate a different scientific mystery: Why did the eminently promising Ressler suddenly disappear from the world of science? Strand by strand, these two love stories twist about each other in a double helix of desire. The critically acclaimed third novel from Pulitzer Prize–winning author Richard Powers, The Gold Bug Variations is an intellectual tour-de-force that probes the meaning of love, science, music, and art.