It is a night racked with violence in an unnamed Latin American country. Three men brave the war-ravaged streets to meet at the opulent home of a friend, the famed surgeon Daniel Pacheco, for their semiannual gathering. As a lavish meal is served by the sullen housekeeper, interest centers on the photograph of an intriguingly beautiful young woman. Spellbinding revelations of erotic obsession and betrayal unfold, interrupted by the increasing bloodshed that presses closer to Pacheco’s door. Stephen Dobyns has written a provocative novel of desire, lust, depravity, and danger—a classic thriller that holds you tightly in its grasp until its shattering conclusion.
***One of Publishers Weekly's ""Most Anticipated Books of Fall 2018""*** A group of mountain climbers, caught in the dark, fight to survive their descent; in the British countryside, hundreds of magpies ascend into the sky, higher and higher, until they seem to vanish into the heavens; a professor and his student track a zombie horde in order to research zombie behavior; an all-girl riding school has sinister secrets; a town rails in vain against a curse inflicted upon it by its founders. For more than three decades, editor and anthologist Ellen Datlow, winner of multiple Hugo, Bram Stoker, and World Fantasy awards, has had her finger on the pulse of the horror genre, introducing readers to writers whose tales can unnerve, frighten, and terrify. This anniversary volume, which collects the best stories from the first ten years of her annual The Best Horror of the Year anthology series, includes fiction from award-winning and critically acclaimed authors Neil Gaiman, Livia Llewellyn, Laird Barron, Gemma Files, Stephen Graham Jones, and many more. TABLE OF CONTENTS: Introduction―Ellen Datlow Lowland Sea―Suzy McKee Charnas Wingless Beasts―Lucy Taylor The Nimble Men―Glen Hirshberg Little America―Dan Chaon Black and White Sky―Tanith Lee The Monster Makers―Steve Rasnic Tem Chapter Six―Stephen Graham Jones In a Cavern, in a Canyon―Laird Barron Allochthon―Livia Llewellyn Shepherds’ Business―Stephen Gallagher Down to a Sunless Sea―Neil Gaiman The Man from the Peak―Adam Golaski In Paris, In the Mouth of Kronos―John Langan The Moraine―Simon Bestwick At the Riding School―Cody Goodfellow Cargo―E.Michael Lewis Tender as Teeth―Stephanie Crawford & Duane Swierczynski Wild Acre―Nathan Ballingrud The Callers―Ramsey Campbell This Stagnant Breath of Change―Brian Hodge Grave Goods―Gemma Files The Ballad of Ballard and Sandrine―Peter Straub Majorlena―Jane Jakeman The Days of Our Lives―Adam L. G. Nevill You Can Stay All Day―Mira Grant No Matter Which Way We Turned―Brian Evenson Nesters―Siobhan Carroll Better You Believe―Carole Johnstone About the Authors Acknowledgment of Copyright About the Editor
This statement was true when H. P. Lovecraft first wrote it at the beginning of the twentieth century, and it remains true at the beginning of the twenty-first century. The only thing that has changed is what is unknown. With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this “light” creates its own shadows. The Best Horror of the Year, edited by Ellen Datlow, chronicles these shifting shadows. It is a catalog of terror, fear, and unpleasantness, as articulated by today’s most challenging and exciting writers. The best horror writers of today do the same thing that horror writers of a hundred years ago did. They tell good stories—stories that scare us. And when these writers tell really good stories that really scare us, Ellen Datlow notices. She’s been noticing for more than a quarter century. For twenty-one years, she coedited The Year’s Best Fantasy and Horror, and for the last six years, she’s edited this series. In addition to this monumental cataloging of the best, she has edited hundreds of other horror anthologies and won numerous awards, including the Hugo, Bram Stoker, and World Fantasy awards. More than any other editor or critic, Ellen Datlow has charted the shadowy abyss of horror fiction. Join
This title was first published in 2003. The sixth edition of this compendium of film and television adaptations of books and plays includes several thousand new listings that cover the period from 1992 to December 2001. There are 8000 main entries, covering 70 years of film history, including some foreign language material.
Deciding what to read next when you've just finished an unputdownable novel can be a daunting task. The Bloomsbury Good Reading Guide features hundreds of authors and thousands of titles, with navigation features to lead you on a rich journey through some the best literature to grace our shelves. This greatly expanded edition includes the latest contemporary authors and landmark novels, an expanded non-fiction section, a timeline setting historical events against literary milestones, prize-winner and book club lists. An accessible and easy-to-read guide that no serious book lover should be without. "The essential guide to the wild uncharted world of contemporary and 20th century writing." Robert McCrum, The Observer
One by one, three young girls vanish in a small town in upstate New York. With the first disappearance, the townspeople begin to mistrust outsiders. When the second girl goes missing, neighbors and childhood friends start to eye each other warily. And with the third disappearance, the sleepy little town awakens to a full-blown nightmare. The Church of Dead Girls is a novel that displays Stephen Dobyns’ remarkable gifts for exploring human nature, probing the ruinous effects of suspicion. As panic mounts and citizens take the law into their own hands, no one is immune, and old rumors, old angers, and old hungers come to the surface to reveal the secret history of a seemingly genteel town and the dark impulses of its inhabitants.
Stephen Dobyns—whom Stephen King has described as "the best of the best"—is back with a comic suspense novel about a small-time con operation, a pair of combative detectives, and the pride, revenge, and deception that guide us all. Richard Russo meets Elmore Leonard. In the seaport town of New London, Connecticut, newcomer Connor Raposo has just witnessed a gruesome motorcycle accident on Bank Street. At least he thinks it was an accident. A man sliced in half by a reversing dump truck could only be an accident, right? But these days, Connor can’t be sure of anything—his entire line of work is based on games of artful deception. His days at Bounty, Inc., are spent soliciting funds for improbable, bogus charities; its last venture was Free Beagles from Nicotine Addiction, Inc. The new scam is Prom Queens Anonymous, Inc., dedicated to helping former high school celebs transition to humdrum daily grown-up lives; Connor’s target is Angelina Rossi—Pumpkin Queen of 1985, proud beagle owner, and ex-wife of a man named Fat Bob. Meanwhile, Manny Streeter and Benny Vikström are the local detectives assigned to the Bank Street motorcycle wreck, and despite their shared interest of proving each other wrong, the two eventually reach the same conclusion: This death by Harley was Murder One, pure and simple. As the detectives begin asking their questions around town, Connor is looking for similar answers that will determine whether he lives or dies. Among them: Who is Fat Bob, and is he actually dead? Sharply written and entertainingly absurd, Is Fat Bob Dead Yet? is packed with Stephen Dobyns’s trademark characters—whimsical, neurotic, puzzling yet familiar, and impossible to pin down. Dobyns again proves why he is an American master of the suspenseful, all-too-human land of the absurd.
