Cheryl Nixon's book is the first to connect the eighteenth-century fictional orphan and factual orphan, emphasizing the legal concepts of estate, blood, and body. Examining novels by authors such as Eliza Haywood, Tobias Smollett, and Elizabeth Inchbald, and referencing never-before analyzed case records, Nixon reconstructs the narratives of real orphans in the British parliamentary, equity, and common law courts and compares them to the narratives of fictional orphans. The orphan's uncertain economic, familial, and bodily status creates opportunities to "plot" his or her future according to new ideologies of the social individual. Nixon demonstrates that the orphan encourages both fact and fiction to re-imagine structures of estate (property and inheritance), blood (familial origins and marriage), and body (gender and class mobility). Whereas studies of the orphan typically emphasize the poor urban foundling, Nixon focuses on the orphaned heir or heiress and his or her need to be situated in a domestic space. Arguing that the eighteenth century constructs the "valued" orphan, Nixon shows how the wealthy orphan became associated with new understandings of the individual. New archival research encompassing print and manuscript records from Parliament, Chancery, Exchequer, and King's Bench demonstrate the law's interest in the propertied orphan. The novel uses this figure to question the formulaic structures of narrative sub-genres such as the picaresque and romance and ultimately encourage the hybridization of such plots. As Nixon traces the orphan's contribution to the developing novel and developing ideology of the individual, she shows how the orphan creates factual and fictional understandings of class, family, and gender.
The astonishing story that inspired Robert Louis Stevenson’s classic novel Kidnapped. In 1728, in the wake of his father’s death, the twelve-year-old heir to five aristocratic titles and the scion of Ireland’s mighty house of Annesley was kidnapped by his uncle and shipped to America as an indentured servant. Only after twelve more years did “Jemmy” Annesley at last escape, returning to Ireland to bring his blood rival, the Earl of Anglesea, to justice in one of the most captivating trials of the century. Hundreds of years later, historian A. Roger Ekirch delves into the court transcripts and rarely seen legal depositions that chronicle Jemmy’s attempt to reclaim his birthright, in the process vividly evoking the volatile world of Georgian Ireland—complete with its violence, debauchery, ancient rituals, and tenacious loyalties.