The Treasury of San Marco, Venice

The Treasury of San Marco, Venice

Author: David Buckton

Publisher: Metropolitan Museum of Art

Published: 1984

Total Pages: 366

ISBN-13:

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Presents 47 art objects from Classical and Early Medieval, Byzantine, Islamic, and Western origins, with essays.


Sacred Plunder

Sacred Plunder

Author: David M. Perry

Publisher: Penn State Press

Published: 2015-06-18

Total Pages: 341

ISBN-13: 0271066830

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In Sacred Plunder, David Perry argues that plundered relics, and narratives about them, played a central role in shaping the memorial legacy of the Fourth Crusade and the development of Venice’s civic identity in the thirteenth century. After the Fourth Crusade ended in 1204, the disputes over the memory and meaning of the conquest began. Many crusaders faced accusations of impiety, sacrilege, violence, and theft. In their own defense, they produced hagiographical narratives about the movement of relics—a medieval genre called translatio—that restated their own versions of events and shaped the memory of the crusade. The recipients of relics commissioned these unique texts in order to exempt both the objects and the people involved with their theft from broader scrutiny or criticism. Perry further demonstrates how these narratives became a focal point for cultural transformation and an argument for the creation of the new Venetian empire as the city moved from an era of mercantile expansion to one of imperial conquest in the thirteenth century.


Venice & Antiquity

Venice & Antiquity

Author: Patricia Fortini Brown

Publisher: Yale University Press

Published: 1996-01-01

Total Pages: 388

ISBN-13: 0300067003

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Inscriptions, medals, and travelers' accounts, on more learned humanist and antiquarian writings, and, most importantly, on the art of the period, Brown explores Venice's evolving sense of the past. She begins with the late middle ages, when Venice sought to invent a dignified civic past by means of object, image, and text. Moving on to the fourteenth and fifteenth centuries, she discusses the collecting and recording of antiquities and the incorporation of Roman forms.


Made in God's Image?

Made in God's Image?

Author: Penny Howell Jolly

Publisher: Univ of California Press

Published: 2023-12-22

Total Pages: 224

ISBN-13: 0520318226

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This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1997. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived


The Venice Variations

The Venice Variations

Author: Sophia Psarra

Publisher: UCL Press

Published: 2018-04-30

Total Pages: 335

ISBN-13: 1787352390

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From the myth of Arcadia through to the twenty-first century, ideas about sustainability – how we imagine better urban environments – remain persistently relevant, and raise recurring questions. How do cities evolve as complex spaces nurturing both urban creativity and the fortuitous art of discovery, and by which mechanisms do they foster imagination and innovation? While past utopias were conceived in terms of an ideal geometry, contemporary exemplary models of urban design seek technological solutions of optimal organisation. The Venice Variations explores Venice as a prototypical city that may hold unique answers to the ancient narrative of utopia. Venice was not the result of a preconceived ideal but the pragmatic outcome of social and economic networks of communication. Its urban creativity, though, came to represent the quintessential combination of place and institutions of its time. Through a discussion of Venice and two other works owing their inspiration to this city – Italo Calvino’s Invisible Cities and Le Corbusier’s Venice Hospital – Sophia Psarra describes Venice as a system that starts to resemble a highly probabilistic ‘algorithm’, that is, a structure with a small number of rules capable of producing a large number of variations. The rapidly escalating processes of urban development around our big cities share many of the motivations for survival, shelter and trade that brought Venice into existence. Rather than seeing these places as problems to be solved, we need to understand how urban complexity can evolve, as happened from its unprepossessing origins in the marshes of the Venetian lagoon to the ‘model city’ that endured a thousand years. This book frees Venice from stereotypical representations, revealing its generative capacity to inform potential other ‘Venices’ for the future.


Luxury Arts of the Renaissance

Luxury Arts of the Renaissance

Author: Marina Belozerskaya

Publisher: Getty Publications

Published: 2005-10-01

Total Pages: 292

ISBN-13: 0892367857

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Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.


Venetian Inscriptions

Venetian Inscriptions

Author: Ronnie Ferguson

Publisher: Legenda

Published: 2021-07-19

Total Pages: 434

ISBN-13: 9781781886380

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Carved on stone, painted on canvas, wood or porcelain, stitched on fabric, written on parchment or printed on paper, the 109 inscriptions in this unique collection preserve the surviving public writing of Venice's individuals and collectivities in the Middle Ages and Renaissance. They celebrate the completion, authorship or sponsorship of buildings, sculptures, paintings, reliquaries and shrines. They caption the splendid mappa mundi of Fra Mauro and Jacopo de' Barbari's iconic view of Venice. They declare the ownership of a processional banner, of the recipient of a maiolica plate, and of neighbourhood association properties. They record wills, indulgences and appeals. They mark the graves of confraternities, a barber-surgeon and a master mason. They can be found from Piazza San Marco to the corners of Cannaregio and Castello as well as on the lagoon islands. Written in the vernacular, their weight of presence, unmatched by any other Italian centre, attests to the city's exceptional literacy in our period and provides a wealth of privileged historical information. The corpus, with accompanying photographic record, is the first of its kind. It is thoroughly contextualized and analysed in terms of historical and artistic background, script and language.


Romanesque Renaissance

Romanesque Renaissance

Author: Konrad Adriaan Ottenheym

Publisher: BRILL

Published: 2021-01-11

Total Pages: 456

ISBN-13: 9004446621

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In the renaissance also architecture from c. 800–1200 was regarded as a useful source of inspiration for contemporary building, sometimes by misinterpreting these medieval architecture as roman structures, sometimes because that era was also regarded as a glorious ‘ancient’ past.