There is a gala opening for a new exhibition at the Tate Modern - "The Tomorrow Windows." The concept behind the exhibition is simple - anyone can look through a Tomorrow Window and see into the future. Of course, the future is malleable, and so the future you see will change as you formulate your plans. You can the see the outcome of every potential decision, and then decide on the optimum course of action. According to the press pack, the Tomorrow Windows will bring about world peace and save humanity from every possible disaster. So, of course, someone decides to blow it up. There's always one, isn't there? As the Doctor investigates and unravels the conspiracy, he begins a Gulliver's Travels-esque quest, visiting bizarre worlds and encountering many peculiar and surreal life forms...
Do the Windows Open? is a series of hilarious linked tales documenting the mania of the modern day in devastating detail-tales that have had readers of The New Yorker laughing out loud for years. The beguiling and alienated narrator-who finds nearly everything interesting and almost nothing clear-has set herself the never-ending goal of photographing a world-renowned reproductive surgeon, Walden Pond, the ponds of Nantucket, and all the houses Anne Sexton ever lived in. On the way, she searches for organically grown vegetables, windows that open, and an endodontist who acts like a normal person. She sometimes compares herself unfavorably to Jacqueline Kennedy, Hillary Clinton, and Princess Diana. What emerges is a unique sensibility under siege. This is a remarkably original literary performance, one that speaks to anyone looking for the refuge laughter offers from life in an absurd world.
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A young girl named Eepersip lives with her parents in a cottage, but she feels trapped within its confines, so she leaves home to live a freer life in the wild. After leaving her parents’ home, she establishes a life for herself outdoors, rejecting both the society of adults and the comforts of civilization. Initially, she is happy to live in a meadow near her family’s home, but over time she is tempted to seek out new natural environments to live in. Meanwhile, her parents attempt to locate their daughter and to bring her back home. Follett started writing the novel in 1923 at the age of 8, but the first draft was lost in a house fire, which led her to rewrite the entire work. It was eventually published to critical success in 1927, when she was just 12 years old. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
PCMag.com is a leading authority on technology, delivering Labs-based, independent reviews of the latest products and services. Our expert industry analysis and practical solutions help you make better buying decisions and get more from technology.
InfoWorld is targeted to Senior IT professionals. Content is segmented into Channels and Topic Centers. InfoWorld also celebrates people, companies, and projects.
InfoWorld is targeted to Senior IT professionals. Content is segmented into Channels and Topic Centers. InfoWorld also celebrates people, companies, and projects.
Fifty of the world’s greatest writers share their views in collaboration with the artist Matteo Pericoli, expanding our own views on place, creativity, and the meaning of home All of us, at some point in our daily lives, have found ourselves looking out the window. We pause in our work, tune out of a conversation, and turn toward the outside. Our eyes simply gaze, without seeing, at a landscape whose familiarity becomes the customary ground for distraction: the usual rooftops, the familiar trees, a distant crane. The way of life for most of us in the twenty-first century means that we spend most of our time indoors, in an urban environment, and our awareness of the outside world comes via, and thanks to, a framed glass hole in the wall. In Windows on the World: Fifty Writers, Fifty Views, architect and artist Matteo Pericoli brilliantly explores this concept alongside fifty of our most beloved writers from across the globe. By pairing drawings of window views with texts that reveal—either physically or metaphorically—what the drawings cannot, Windows on the World offers a perceptual journey through the world as seen through the windows of prominent writers: Orhan Pamuk in Istanbul, Daniel Kehlmann in Berlin, Chimamanda Ngozi Adichie in Lagos, John Jeremiah Sullivan in Wilmington, North Carolina, Nadine Gordimer in Johannesburg, Xi Chuan in Beijing. Taken together, the views—geography and perspective, location and voice—resonate with and play off each other. Working from a series of meticulous photographs and other notes from authors’ homes and offices, Pericoli creates a pen-and-ink illustration of each window and the view it frames. Many readers know Pericoli’s work from his acclaimed series for The New York Times and later for The Paris Review Daily, which have a devoted following. Now, Windows on the World collects from Pericoli’s body of work and features fifteen never-before-seen windows in one gorgeously designed volume, as well as a preface from the Paris Review’s editor Lorin Stein. As we delve into what each writer’s view may or may not share with the others’, as we look at the map and explore unfamiliar views of cities from around the world, a new kind of map begins to take shape. Windows on the World is a profound and eye-opening look inside the worlds of writers, reminding us that the things we see every day are woven into our selves and our imaginations, making us keener and more inquisitive observers of our own worlds.
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