Following a painful divorce, budding memoirist, Brielle Finlay Hunter, devoted herself to rebuilding her young children’s lives. Knowing the kids are in good hands, she embarks on a surprise birthday adventure to Scotland. When she slams into sexy Scotsman, Bryce Fraser, sparks fire—yet she’s unaware he’s a famous television star. Fans have fallen for Bryce’s kilt-clad highland warrior, while violating his real-life privacy. Yet, like the raw, untamed realism Scotland offers, he’s keen to find something real. Brie is a breath of spring air, and they launch into a whirlwind romance that neither expected. But fame is never far behind, nor baggage from previous betrayals, and they both must return to their real lives. Will they have the courage to trust in love again…or will they say goodbye forever?
Third edition of autobiography, dealing primarily with his Air Force experiences in Australia and with the RAF in England during WWII. Tells of his childhood during the Depression years in WA, his discharge from the Air Force and subsequent marriage, and his reflections on the purpose of life.
The dramatic story of Scotland - by charismatic television historian, Neil Oliver. Scotland is one of the oldest countries in the world with a vivid and diverse past. Yet the stories and figures that dominate Scottish history - tales of failure, submission, thwarted ambition and tragedy - often badly serve this great nation, overshadowing the rich tapestry of her intricate past. Historian Neil Oliver presents a compelling new portrait of Scottish history, peppered with action, high drama and centuries of turbulence that have helped to shape modern Scotland. Along the way, he takes in iconic landmarks and historic architecture; debunks myths surrounding Scotland's famous sons; recalls forgotten battles; charts the growth of patriotism; and explores recent political developments, capturing Scotland's sense of identity and celebrating her place in the wider world.
The first in a scintillating series by the New York Times bestselling author Karen Hawkins follows a desperate beauty on an urgent quest, a dark earl scarred by his beastly past—and the ancient treasure that binds their fates. Someone is holding her brother prisoner in exchange for a gold-and-onyx box covered in mysterious runes, so Mary Hurst boldly sets out from the family vicarage to find the priceless artifact. But the man who possesses it, Angus Hay, the Earl of Erroll, is less than sympathetic to her plight. Himself a prisoner of his dark past, Angus refuses to yield the box—or allow Mary to leave. Suspicious of the alluring lass’s mission, he vows to wrest a confession from her, but unearths a fiery temper and a will as strong as his own. Passion flares between them, but now there is more at stake: an unknown enemy is hunting down the precious box and will stop at nothing. Risking all for love, Angus must solve the mystery behind the runes…and trust the only woman who can awaken his forgotten heart.
During the first millennium AD the most northerly part of Britain evolved into the country known today as Scotland. The transition was a long process of social and political change driven by the ambitions of powerful warlords. At first these men were tribal chiefs, Roman generals or rulers of small kingdoms. Later, after the Romans departed, the initiative was seized by dynamic warrior-kings who campaigned far beyond their own borders. Armies of Picts, Scots, Vikings, Britons and Anglo-Saxons fought each other for supremacy. From Lothian to Orkney, from Fife to the Isle of Skye, fierce battles were won and lost. By AD 1000 the political situation had changed for ever. Led by a dynasty of Gaelic-speaking kings the Picts and Scots began to forge a single, unified nation which transcended past enmities. In this book the remarkable story of how ancient North Britain became the medieval kingdom of Scotland is told.
THE SUNDAY TIMES BESTSELLER With a foreword by Diana Gabaldon. Two men. One country. And a lot of whisky. As stars of Outlander, Sam and Graham eat, sleep and breathe the Highlands on this epic road trip around their homeland. They discover that the real thing is even greater than fiction. Clanlands is the story of their journey. Armed with their trusty campervan and a sturdy friendship, these two Scotsmen are on the adventure of a lifetime to explore the majesty of Scotland. A wild ride by boat, kayak, bicycle and motorbike, they travel from coast to loch and peak to valley and delve into Scotland's history and culture, from timeless poetry to bloody warfare. With near-death experiences, many weeks in a confined space together, and a cast of unforgettable characters, Graham and Sam's friendship matures like a fine Scotch. They reflect on their acting careers in film and theatre, find a new awestruck respect for their native country and, as with any good road trip, they even find themselves. Hold onto your kilts... this is Scotland as you've never seen it before.
Breathtaking photography captures the soul and passion of this spectacular land of bagpipes, heather, thistle, and tartans. This enchanting collection of images celebrates Scotland’s world-famous vistas—the lofty highlands, placid lochs, and misty glens, the picturesque villages, the vibrant cities of Edinburgh and Glasgow, the ancient castles, the breathtaking pastoral scenes, as well as the people who take pride in it all. An outstanding gift or souvenir, Spectacular Scotland brings the best of this wonderful country into sharp focus. This is a magnificent collection of 150 color photographs by some of Scotland’s best landscape photographers.
Inhaltsangabe:Abstract: At Glasgow s University Library I discovered a book about Scotland on film, Scotch Reels. Originally, Scotch Reels is the title of a research carried out in 1982 about the depiction of Scotland on screen. It was revealed then that the predominant image of Scotland was very much engaged with stereotypes (defined as the heather and haggis image by one of the book s critics) and had obviously nothing to do with the contemporary reality of Scotland. Not surprisingly, that radical view has found a lot of stern critics. On superficial examination, when I think of all the recent films set in Scotland (ranging from the historical epos Braveheart to the contemporary fast-paced drug story Trainspotting, to mention two of the more popular examples), it seems to me that contemporary films set in Scotland show a wider spectrum of Scottish life than they apparently did before the 1980s, when the stories were mostly (with a few exceptions only) set in the Highlands or on an island, in a community far away from contemporary (modern and industrial) life. As a classic example of those films one can mention the musical Brigadoon by Vicente Minnelli from the year 1954. However, in my thesis I want to concentrate on films set in the City of Glasgow, since there would be far too much material concerned if I considered every single available recent film set in Scotland. I would like to find out whether the image of Glasgow has improved (or widened in its conception) through the release of recent films, compared to its depiction in older movies. As I could not analyse all recent feature films set in Glasgow in this context, I decided to concentrate on a few examples. By taking a closer look at these films I hope to be able to demonstrate how varied (or one-sided as will be determined) the contemporary portrayal of the city is. I do not want to omit mentioning my awareness of the fact that my selection is very subjective. Had I selected other movies, the result would naturally have been a different one. Also, I have not taken into account television films or series set in the Glasgow area. Especially in recent years a whole range of series has been produced and broadcasted, for instance the surreal hospital-drama Psychos, starring Douglas Henshall, the controversial Tinsel Town, set in Glasgow s lively clubbing scene, or Glasgow Kiss, which portrays the city as a modern, airy place, inhabited by sympathetic, educated middle-class people [...]
This book reflects the range and nature of Scottish dress from shirts, mantles, plaids and the Scottish bonnet to trews, the kilt, the tartan and Scottish tweed. Final chapters look at the medieval highland warriors, military uniform and the arms without which the dress itself was often incomplete.
