It is a commonplace belief that history is written by the victorious. However, less recognised but equally common is the idea that the defeated also write history, even if their particular account is rather different. This collection looks at these matters from a novel and distinct perspective. It essentially presents the idea that victors often perceive themselves as defeated, by examining the ways in which the idea of defeat comes to dominate the victors’ own sense of superiority and achievement, thereby undermining the certainties that victory is conventionally thought to create. The contributions here discuss fiction (mostly UK and US) published since the First World War. Through the frameworks of experience, memory and post-memory, they examine this subliminal defeat, basically as seen in conflict itself, in the societies that it affects, and in the individual lives of those who it destroys. The result is an innovative literary account of the victorious-yet-somehow-defeated.
It is a commonplace belief that history is written by the victorious. However, less recognised but equally common is the idea that the defeated also write history, even if their particular account is rather different. This collection looks at these matters from a novel and distinct perspective. It essentially presents the idea that victors often perceive themselves as defeated, by examining the ways in which the idea of defeat comes to dominate the victors' own sense of superiority and achievement, thereby undermining the certainties that victory is conventionally thought to create. The contributions here discuss fiction (mostly UK and US) published since the First World War. Through the frameworks of experience, memory and post-memory, they examine this subliminal defeat, basically as seen in conflict itself, in the societies that it affects, and in the individual lives of those who it destroys. The result is an innovative literary account of the victorious-yet-somehow-defeated.
Annotation. No historical event has exerted more influence on Americas postWorld War II use of military force than the Anglo-French appeasement of Nazi Germany in the 1930s. Informed by the supposed grand lesson of Munichnamely, that capitulating to the demands of aggressive dictatorships invites further aggression and makes inevitable a larger warAmerican presidents from Harry Truman through George W. Bush have relied on the Munich analogy not only to interpret perceived security threats but also to mobilize public opinion for military action. In The Specter of Munich, noted defense analyst Jeffrey Record takes an unconventional look at a disastrous chapter in Western diplomatic history. After identifying the complex considerations behind the Anglo-French appeasement of Hitler and the reasons for the policys failure, Record disputes the stock thesis that unchecked aggression always invites further aggression. He proceeds to identify other lessons of the 1930s more relevant to meeting todays U.S. foreign policy and security challenges. Among those lessons are the severe penalties that foreign policy miscalculation can incur, the constraints of public opinion in a modern democracy, and the virtue of consistency in threatening and using force. The Specter of Munichconcludes that though todays global political, military, and economic environment differs considerably from that of the 1930s, the United States is making some of the same strategic mistakes in its war on terrorism that the British and French made in their attempts to protect themselves against Nazi Germany. Not the least of these mistakes is the continued reliance on the specter of Adolf Hitler to interpret today's foreign security threats.
A series of limiting definitions have tended to delineate the Franco-British cinematic relationship. As this collection of essays reveals, there is much more to it than simple oppositions between British critical esteem for the films of France and French dismissal of ‘le cinéma British’, or the success of Ken Loach et al. at the French box office and the relative dearth of French movies on British screens. In fact, there has long been a rich and productive dialogue between these two cultures in which both their clear differences and their shared concerns have played a vital role. This book provides an overview of the history of these relations from the early days of sound cinema to the present day. The chapters, written by leading experts in the history of French, British and European cinema, provide insights into relations between French and British cinematic cultures at the level of production, exhibition and distribution, reception, representation and personnel. The book features a diverse range of studies, including: the exhibition of French cinema in Britain in the 1930s, contemporary ‘extreme’ French cinema, stars such as Annabella, David Niven and Jane Birkin and the French Resistance on British screens.
This timely book offers a world history of insurgencies and of counterinsurgency warfare. Jeremy Black moves beyond the conventional Western-centric narrative, arguing that it is crucial to ground contemporary experiences in Afghanistan and Iraq in a global framework. Unlike other studies that begin with the American and French revolutions, this book reaches back to antiquity to trace the pre-modern origins of war within states. Interweaving thematic and chronological narratives, Black probes the enduring linkages between beliefs, events, and people on the one hand and changes over time on the other hand. He shows the extent to which power politics, technologies, and ideologies have evolved, creating new parameters and paradigms that have framed both governmental and public views. Tracing insurgencies ranging from China to Africa to Latin America, Black highlights the widely differing military and political dimensions of each conflict. He weighs how, and why, lessons were “learned” or, rather, asserted, in both insurgency and counterinsurgency warfare. At every stage, he considers lessons learned by contemporaries, the ways in which norms developed within militaries and societies, and their impact on doctrine and policy. His sweeping study of insurrectionary warfare and its counterinsurgency counterpart will be essential reading for all students of military history.
Epic in scope, ambitious and astonishingly good, The Tolstoy Estate proclaims Steven Conte as one of Australia's finest writers. From the winner of the inaugural Prime Minister's Literary Award, Steven Conte, comes a powerful, densely rich and deeply affecting novel of love, war and literature 'Grave, moving, engaging ... full of the flash and fire of dramatic incident, but also full of real feeling, humour and poignancy, and equipped with plenty of panache ... It deserves the widest possible readership.' The Saturday Paper In the first year of the doomed German invasion of Russia in WWII, a German military doctor, Paul Bauer, is assigned to establish a field hospital at Yasnaya Polyana - the former grand estate of Count Leo Tolstoy, the author of the classic War and Peace. There he encounters a hostile aristocratic Russian woman, Katerina Trubetzkaya, a writer who has been left in charge of the estate. But even as a tentative friendship develops between them, Bauer's hostile and arrogant commanding officer, Julius Metz, becomes erratic and unhinged as the war turns against the Germans. Over the course of six weeks, in the terrible winter of 1941, everything starts to unravel... From the critically acclaimed and award-winning author, Steven Conte, The Tolstoy Estate is ambitious, accomplished and astonishingly good: an engrossing, intense and compelling exploration of the horror and brutality of conflict, and the moral, emotional, physical and intellectual limits that people reach in war time. It is also a poignant, bittersweet love story - and, most movingly, a novel that explores the notion that literature can still be a potent force for good in our world. Shortlisted for the 2021 Walter Scott Prize Shortlisted for the Age Book of the Year Award 2021 Longlisted for the 2021 ARA Historical Novel Prize Longlisted for the 2021 Colin Roderick Award Longlist Longlisted for the 2021 Indie Book Awards 'Breathtaking ... an intelligent cinematic blockbuster. celebrating the power of literature to dissolve barriers and forge connections.' The West Australian 'Reading a book that is such a complete world, evoked in such fine detail, is almost wickedly satisfying ... Elegant, intelligent, utterly engrossing and immersive ... He reminds us that travel is always possible in the imagination even when reality goes dark and that literature always leads us towards the light.' Caroline Baum 'Steven Conte has written a sweeping historical saga spanning the second world WAR and the frigid decades of PEACE that followed; an essential novel about essential things - love's triumphs and failures, the redoubtable human spirit, and the power of literary art itself. Tolstoy, of course, is at the novel's heart, and in its very soul.' Luke Slattery, author, journalist, Books Editor of Australian Financial Review 'A riveting story of war, love and literature - Conte's prose does not miss a beat.' Jane Gleeson-White, award-winning author of Classics and Double Entry
A bold new history showing that the fear of Communism was a major factor in the outbreak of World War II The Spectre of War looks at a subject we thought we knew—the roots of the Second World War—and upends our assumptions with a masterful new interpretation. Looking beyond traditional explanations based on diplomatic failures or military might, Jonathan Haslam explores the neglected thread connecting them all: the fear of Communism prevalent across continents during the interwar period. Marshalling an array of archival sources, including records from the Communist International, Haslam transforms our understanding of the deep-seated origins of World War II, its conflicts, and its legacy. Haslam offers a panoramic view of Europe and northeast Asia during the 1920s and 1930s, connecting fascism’s emergence with the impact of the 1917 Bolshevik Revolution. World War I had economically destabilized many nations, and the threat of Communist revolt loomed large in the ensuing social unrest. As Moscow supported Communist efforts in France, Spain, China, and beyond, opponents such as the British feared for the stability of their global empire, and viewed fascism as the only force standing between them and the Communist overthrow of the existing order. The appeasement and political misreading of Nazi Germany and fascist Italy that followed held back the spectre of rebellion—only to usher in the later advent of war. Illuminating ideological differences in the decades before World War II, and the continuous role of pre- and postwar Communism, The Spectre of War provides unprecedented context for one of the most momentous calamities of the twentieth century.
From 9/11 to the Arab uprisings and beyond—encompassing the economic crisis, war on terror, rise of China and tide of change in Latin America—The Revenge of History turns the orthodoxies of the past generation on their head. In this coruscating account of the first decade of the twenty-first century, Seumas Milne presents a powerful indictment of a US global and corporate empire in—and its British and European camp followers. Milne traces the breakdown of a failed ‘free market’ system, exposes the power and resource grab driving western military interventions, explains the dynamo behind a roaring Chinese economy and highlights the social alternatives being developed in Latin America. Brilliant, bold and always incisive, The Revenge of History is essential reading for anyone wanting to understand what has gone wrong—and grasp the possibilities of an emerging future.
