Despite the odds stacked up against them, the Remnants seem to be surviving in the Rock's harsh environment while living peacefully with the inhabitants, but this new world still has its set of problems that Billy cannot handle.
Poems published between 2014 and 2016 on Kansas Poet Laureate Emerita Caryn Mirriam-Goldberg's 150 Kansas Poems Website, this assemblage includes work by 86 authors selected by 28 monthly editors. Poet and one-time Kansan Anita Skeen says of this collection: "Memory is a powerful force in Kansas. In Kansas, there is always another story to tell."
Muscogee (Creek) writer and humorist Alexander Posey (1873 1908) lived most of his short but productive life in the Muscogee Nation, in what is now Oklahoma. He was an influential political spokesperson, an advocate for improving conditions in Indian Territory, and one of the most prominent American Indian literary figures of his era. One of Posey s dearest subjects was the Oktahutche River, which he so loved that he gave it voice in his poem, Song of the Oktahutche. His poetry, drawing from Romantic European and Euro-American influences such as Robert Burns and John Greenleaf Whittier, became a sort of Indian Territory pastoral in which the Greek nymph Echo shares a river with Stechupco, the Tall Man spirit of the Muscogees. Song of the Oktahutche collects for the first time all of Posey s poetry, which has until now been scattered in various rare volumes, either unpublished or replete with textual errors. His highly regarded poems constitute the largest body of Native poetry from the turn of the twentieth century. Matthew Wynn Sivils draws on extensive archival research to produce a complete, accurate, and meticulously annotated edition of Posey s poetry that will further enrich and personalize the legacy of this remarkable Native author.
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
James Ransom presents readers with poems covering an astonishing diversity of subjects. There are iconic echoes in some of them—Auden, Eliot and Shakespeare, as well as John Crowe Ransom and Christian Wiman—but comprehending the poems is never dependent on the reader’s scholarship. These poems are plain-spoken and heartfelt. The subjects include observations of nature—prairie landscapes of Kansas (title poem) as well as the crags and forests of Scotland. You will be taken to an emergency room and surgery; you will also read about the arson of a church, even the demise of a fish. There are lessons from history and ironic observations about poetry itself. A sense of humor is found in unexpected places. Ransom reflects on childhood and maturity, and on his love and admiration for family members with challenges to meet. He is not afraid to confront questions of religion and faith in unorthodox ways. Political themes are not taboo here, but neither do they dominate. For a clash of cultures, read “Interview From Kotzebue.” Or try “Darfur.” Unlike the tradition of most books of poetry, Ransom includes photos and paintings. He believes that we live immersed in a culture of image and motion, which can be used to add another dimension to some poems. In that sense, this book is an experiment. If you have been confused, bored or disappointed by modern poetry, this book may help you re-engage.