Ballet arranged for piano. Titles: * Introduction * No. 1, March * No. 2, Scene Dansante * No. 3, Pas de six * No. 4, Final * No. 5, Scene * No. 6, Waltz * No. 7, Scene * No. 8, Pas d'action * No. 9, Finale. (Miniature score not in Russian edition)
Stravinsky's score for the ballet "Petrushka, " commissioned by Diaghilev for the Ballets Russes, was first performed in Paris in 1911 and was an immediate sensation with the public and the critics. It followed by a year the great success of his score for "The Firebird, " also produced by the Ballets Russes, and it confirmed Stravinsky's reputation as the most gifted of the younger generation of Russian composers. The ballet had begun in Stravinsky's mind as a "picture of a puppet suddenly endowed with life, exasperating the patience of the orchestra with diabolical cascades of arpeggios." Soon Diaghilev had convinced the young composer to turn the work into a ballet score. Benois was chosen to be his collaborator in the libretto, Fokine and Nijinsky became involved, and the bizarre tale of three dancing puppets Petrushka (a folk character in Russian lore), the Ballerina, and the Moor, brought to life in a tragic tale of love would soon become one of the most acclaimed and performed of ballet masterpieces. Brilliantly orchestrated, filled with Russian folksong as well as new and striking harmonies, alternately poignant and splendidly imposing, the score of "Petrushka" continues to be a popular subject for the study of tonal language and orchestration. This edition is an unabridged republication of the original edition published in 1912 by Edition Russe de Musique in Berlin. Printed on fine paper, sturdily bound, yet remarkably inexpensive, it offers musical scholars, musical performers, and music lovers a lifetime of pleasurable study and enjoyment of one of the most popular and acclaimed musical works of the twentieth century."
Step beyond the wall of your own imagination to the place where erotic enchantment lies... When Sleeping Beauty awakes at the Prince's kiss it is the beginning of our story, not the end. Once the prisoner of a spell, locked in the sleep of innocence - now she is the prisoner of sensual love, held fast by the magic of desire. Claimed by the Prince as the slave of his passions, Sleeping Beauty learns that tenderness and cruelty, pleasure and pain, longing and fulfilment are all one in the awesome kingdom of love. Beauty she is - but she is sleeping no more...
This Rachmaninoff urtext edition can be ordered through any Alfred retailer using the item number 27003. Although this Belwin edition is permanently out of print, it has been re-issued by Alfred with a new cover, yet the interior is identical to the original Belwin publication. Baracarolle, Op. 11, No. 1 and Scherzo, Op. 11, No. 2 are Federation Festivals 2014-2016 selections.
Intermediate and advanced pianists will savor these 42 carefully chosen works. Features include Beethoven's 8 Variations on a Theme by Count Waldstein, and the Sonata in D, Op. 6; Debussy's Prelude to The Afternoon of a Faun; Rachmaninoff's Barcarolle, Op. 11; Tchaikovsky's Waltz from "The Sleeping Beauty," Op. 66; Ravel's Rapsodie Espagnole; and many others.
One of the leading composers of instrumental music of the early Romantic period, Louis Spohr was a violinist, composer, and conductor. In addition to symphonic works, string quartets, and other solo and chamber music, he composed operas, operettas, and songs. Of the fifteen violin concerti he composed, his Violin Concerto no. 7 in c minor was written in 1814. There has been a trend, starting in the late 20th century, to revive his instrumental works and songs.
Well-researched compilation of music information, analyzes nearly 1,000 of the world's most familiar melodies -- composers, lyricists, copyright date, first lines of music, lyrics, and other data. Includes 30 black-and-white illustrations.