Three sisters seek to run away from misfortunes and ask an old witch, Miss Fort, to help them. Their quest takes them on a long journey, and on that journey of love and loss, they discover that there are bigger problems in life than the problems the world has set upon themproblems that come from within themselves rather than from the world outside.
Desperate times call for drastic measures... With Mr. Bennet dead and Lydia having fled, leaving the Bennet sisters in disgrace, the widowed Mr. Collins believes he will easily persuade Lizzy to be his new bride. When she refuses, they are forced to flee the small home they've lived in at Longbourn for the last two years. Lizzy and her sisters come to unwelcoming London, unable to seek refuge with the Gardiners because of their reputations, ruined by Lydia's actions. With dwindling prospects, Lizzy accepts an offer of assistance from an unlikely source. Much has changed for Mrs. Louisa Hurst, and she regrets the snob she used to be. She introduces Lizzy to the idea of being a courtesan and takes her to Tigerlily, where a young lady might get the proper sort of education. When Mr. Darcy learns of this, he offers marriage. Lizzy can't risk tarnishing his reputation by allowing him to make such a gesture out of honor and obligation, and he has no doubt cured himself of his reluctant love in the ensuing years, so she declines. When he accepts her decision to stay the course, he offers a bold plan. Instead of leaving her instruction to the professionals, he will train her in all the ways of pleasure himself. It is a deal Lizzy can't refuse, for it solves some of her problems and gives her a taste of what she could have had. Though she feels strongly for him, and he is a master instructor, she must remember not to love Mr. Darcy, for she can never be more than his courtesan. Can she? This is part one of a completed three-part serial. The subsequent titles (?Avidity? and ?Amity?) will be releasing shortly, followed by a compilation of the serial. While Abbey sometimes writes sweet JAFF, this is extra SENSUAL, and the door is wide open. It includes love scenes that are scorching. This is only for adult readers who don't object to explicit intimacies between ODC.
In the Sex and Race series, first published in the 1940s, historian Joel Augustus Rogers questioned the concept of race, the origins of racial differentiation, and the root of the "color problem." Rogers surmised that a large percentage of ethnic differences are the result of sociological factors and in these volumes he gathered what he called "the bran of history"—the uncollected, unexamined history of black people—in the hope that these neglected parts of history would become part of the mainstream body of Western history. Drawing on a vast amount of research, Rogers was attempting to point out the absurdity of racial divisions. Indeed his belief in one race—humanity—precluded the idea of several different ethnic races. The series marshals the data he had collected as evidence to prove his underlying humanistic thesis: that people were one large family without racial boundaries. Self-trained and self-published, Rogers and his work were immensely popular and influential during his day, even cited by Malcolm X. The books are presented here in their original editions.
When the Sisters of Misery, a secret clique of the most popular, powerful girls in school, unleash their wrath on her beautiful cousin Cordelia, Maddie Crane must choose between Cordelia and the allure of this elite club.
Ginx's Baby is the story of hardworking Mr. and Mrs. Ginx, who had the misfortune of supporting 12 children with their meager incomes. Excerpt: "Ginx has been waiting through three chapters to explain his truculence upon the birth of his twelfth child. Much explanation is not necessary. When he looked round his nest and saw the many open mouths about him, he might well be appalled to have another added to them. His children were not chameleons, yet they were already forced to be content with a proportion of air for their food. And even the air was bad. They were pallid and pinched."
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
