Just in time for Halloween: Scarier than Stephen King's novel, more horrifying that Stanley Kubrick's movie, is "The Shining Code." A scene-by-scene accounting of the real truth hidden in an American horror classic. From the formula to lunar soil, to the murderous Willy Otto Oskar Ley...all the secrets of "Gemini 11" and "Apollo 11" are clearly presented chapter by chapter/scene-by-scene. A horror story as BIG as the MOON, which will stay with you forever, and ever, and ever and ever. MADE IN THE USA THE ART OF OWEN HARRIS: GONZO SEMI-FICTION...From the most basic level to the deepest of all truths comes a family of intertwined books by Owen Harris that take the reader through a coded historical scene-by-scene through some of our most beloved movies, stories, art and truths. Read: "The Making Of..." a historical hallucinogenic reality trip.
In this book, author and independent researcher Isaac Weishaupt presents hundreds of images and analysis from Stanley Kubrick's most popular films- 2001: A Space Odyssey, A Clockwork Orange, The Shining, and Eyes Wide Shut. Learn all about the conspiracy theory of the secret message Kubrick tried to convey about the occult and the Illuminati before his untimely passing. This book lays out examples of scenes and covertly placed messages and themes within Kubrick's films that supports the idea he was privy to the Illuminati secret agenda. The full-color images taken directly from the films are explained with analysis that suggests Kubrick knew much more than many people believe. This book contains some adult themes, but some images (specifically the Eyes Wide Shut scenes) have been edited to ensure no full nudity.
What if Stanley Kubrick left behind more than just his classic films? What if he also left behind an elaborate puzzle cleverly buried within his films, which would lead the player toward a treasure that could change the course of human history? An often comedic, sometimes tragic, always entertaining look at an extraordinary "What If?" adventure.
From the founder of the #1 Stephen King news website Lilja’s Library comes a terrifying and deliciously creepy anthology of horror stories, including a rare story from Stephen King himself, classics by Clive Barker and Edgar Allan Poe, and a novella by John Ajvide Lindqvist (Let the Right One In). Celebrating twenty years of the expansive Stephen King fan site Lilja’s Library, this creepy collection of stories is perfect for horror fans of all backgrounds. With a terrifying story that has never been previously included in any of Stephen King’s collections, Shining in the Dark is an unforgettable anthology, featuring short stories by some of the genre’s best-known and most talented authors. Stories include: “The Blue Air Compressor” by Stephen King “The Net” by Jack Ketchum and P. D. Cacek “The Novel of the Holocaust” by Stewart O’Nan “Aeliana” by Bev Vincent “Pidgin and Theresa” by Clive Barker “An End To All Things “ by Brian Keene “Cemetery Dance” by Richard Chizmar “Drawn to the Flame” by Kevin Quigley “The Companion” by Ramsey Campbell “The Tell-Tale Heart” by Edgar Allan Poe “A Mother’s Love” by Brian James Freeman “The Keeper’s Companion” by John Ajvide Lindqvist
The country needs a strong king in this thrilling historical adventure of The Crusader Knights As Richard Coeur de Lion’s empire crumbles and castle after castle falls to the French, there is one man who can save England – but King John will not send for him. England is in disarray: William Marshal, the King’s battle-scarred champion is left to dally at home with his new wife. King John himself is newly wed to Isabell of Angoulême, who will vie to outdo her husband with cruelty and spite. Called Lackland by some, as a measure of his wealth, Soft-sword by others, as the measure of his military prowess, King John is reckoned a poor choice to succeed his heroic brother, Richard the Lionhearted. But his terrible cunning can strike fear into the heart of the most courageous of men... The fifth fascinating instalment of The Crusader Knights Cycle is perfect for fans of David Gilman and Bernard Cornwell. ‘Vivid visual moments and all the technology of medieval warfare’ Observer
A stunning collection from international bestseller Stephen King that displays his phenomenally broad readership (stories published in The New Yorker, Playboy, and McSweeney’s and including the 25,000 word story “Gingerbread Girl” published in Esquire). Stephen King—who has written more than fifty books, dozens of number one New York Times bestsellers, and many unforgettable movies—delivers an astonishing collection of short stories, his first since Everything’s Eventual six years ago. As guest editor of the bestselling Best American Short Stories 2007, King spent over a year reading hundreds of stories. His renewed passion for the form is evident on every page of Just After Sunset. The stories in this collection have appeared in The New Yorker, Playboy, McSweeney’s, The Paris Review, Esquire, and other publications. Who but Stephen King would turn a Port-O-San into a slimy birth canal, or a roadside honky-tonk into a place for endless love? A book salesman with a grievance might pick up a mute hitchhiker, not knowing the silent man in the passenger seat listens altogether too well. Or an exercise routine on a stationary bicycle, begun to reduce bad cholesterol, might take its rider on a captivating—and then terrifying—journey. Set on a remote key in Florida, “The Gingerbread Girl” is a riveting tale featuring a young woman as vulnerable—and resourceful—as Audrey Hepburn’s character in Wait Until Dark. In “Ayana,” a blind girl works a miracle with a kiss and the touch of her hand. For King, the line between the living and the dead is often blurry, and the seams that hold our reality intact might tear apart at any moment. In one of the longer stories here, “N.,” which recently broke new ground when it was adapted as a graphic digital entertainment, a psychiatric patient’s irrational thinking might create an apocalyptic threat in the Maine countryside...or keep the world from falling victim to it. Just After Sunset—call it dusk, call it twilight, it’s a time when human intercourse takes on an unnatural cast, when nothing is quite as it appears, when the imagination begins to reach for shadows as they dissipate to darkness and living daylight can be scared right out of you. It’s the perfect time for Stephen King.
Soon to be a major motion picture starring Ewan McGregor! From master storyteller Stephen King, his unforgettable and terrifying sequel to The Shining—an instant #1 New York Times bestseller that is “[a] vivid frightscape” (The New York Times). Years ago, the haunting of the Overlook Hotel nearly broke young Dan Torrance’s sanity, as his paranormal gift known as “the shining” opened a door straight into hell. And even though Dan is all grown up, the ghosts of the Overlook—and his father’s legacy of alcoholism and violence—kept him drifting aimlessly for most of his life. Now, Dan has finally found some order in the chaos by working in a local hospice, earning the nickname “Doctor Sleep” by secretly using his special abilities to comfort the dying and prepare them for the afterlife. But when he unexpectedly meets twelve-year-old Abra Stone—who possesses an even more powerful manifestation of the shining—the two find their lives in sudden jeopardy at the hands of the ageless and murderous nomadic tribe known as the True Knot, reigniting Dan’s own demons and summoning him to battle for this young girl’s soul and survival...
Stanley Kubrick's The Shining (1980) is both a successful mainstream horror film and an esoteric object for cult audiences who are convinced that the film means something totally different. This book investigates what has made The Shining a key cult film while also addressing the range of meanings and interpretations assigned to it.
Twenty years since its release, Stanley Kubrick's Eyes Wide Shut remains a complex, visually arresting film about domesticity, sexual disturbance, and dreams. It was on the director's mind for some 50 years before he finally put it into production. Using the Stanley Kubrick Archive at the University of the Arts, London, and interviews with participants in the production, the authors create an archeology of the film that traces the progress of the film from its origins to its completion, reception, and afterlife. The book is also an appreciation of this enigmatic work and its equally enigmatic creator.
In the course of fifty years, director Stanley Kubrick produced some of the most haunting and indelible images on film. His films touch on a wide range of topics rife with questions about human life, behavior, and emotions: love and sex, war, crime, madness, social conditioning, and technology. Within this great variety of subject matter, Kubrick examines different sides of reality and unifies them into a rich philosophical vision that is similar to existentialism. Perhaps more than any other philosophical concept, existentialism—the belief that philosophical truth has meaning only if it is chosen by the individual—has come down from the ivory tower to influence popular culture at large. In virtually all of Kubrick’s films, the protagonist finds himself or herself in opposition to a hard and uncaring world, whether the conflict arises in the natural world or in human institutions. Kubrick’s war films (Fear and Desire, Paths of Glory, Dr. Strangelove, and Full Metal Jacket) examine how humans deal with their worst fears—especially the fear of death—when facing the absurdity of war. Full Metal Jacket portrays a world of physical and moral change, with an environment in continual flux in which attempting to impose order can be dangerous. The film explores the tragic consequences of an unbending moral code in a constantly changing universe. Essays in the volume examine Kubrick’s interest in morality and fate, revealing a Stoic philosophy at the center of many of his films. Several of the contributors find his oeuvre to be characterized by skepticism, irony, and unfettered hedonism. In such films as A Clockwork Orange and 2001: A Space Odyssey, Kubrick confronts the notion that we will struggle against our own scientific and technological innovations. Kubrick’s films about the future posit that an active form of nihilism will allow humans to accept the emptiness of the world and push beyond it to form a free and creative view of humanity. Taken together, the essays in The Philosophy of Stanley Kubrick are an engaging look at the director’s stark vision of a constantly changing moral and physical universe. They promise to add depth and complexity to the interpretation of Kubrick’s signature films.
