The Peasants Struggle In The Midnapore District Of West Bengal Is Just One Small Instance Of Revolutionary Failure Where Armed Struggle Had Been Adopted As The Means Of Liberation From The Capital Landholding System. With This As The Background, Professor Gunomoy Manna Has Portrayed A New Birth Of Hope For The Oppressed Amidst The Destruction Wrought By The State. His Characters Are Villagers, Peripheral Forest-Dwellers And Tribals. They Appear In His Other Works Too, Amongst Them Lakhinder Digaar, Katavanaari (The Blond Women Inspired By Mary Taylor), Junapur Steel, Buddha Bihanga (The Stricken Bird) And Others. Shaalbani Or The Story Of A People Dependent On The Forest Of Shorea Robusta Is Once Again Contemporary History That Has Become Folklore.
This Is Probably For The First Time That A Serious Study Of Deities Of Rig Veda Has Been Made With The Help Of Modern Research Methodology And Science To Find Out What The Rishis Had Said, A Few Thousand Years Back, About The Deities. Efforts Were Also Made To Identify These Gods. It Is A Finding Of Great Importance That What Rishis Had Said About These Gods Is Being Corroborated By The Western Science Today. Dr. Gupta Has Grouped These 33 Gods Of Rig Veda In Three Categories: (I) Natural Phenomena Gods Sky, Earth, Fire, Air And Water. All The Material Things Are Produced By Their Permutations And Combinations. These Five Natural Phenomena Gods Have Their Sub-Gods Also. For Example, Agni Has Surya Agni (Nuclear Energy), Apan Napat Agni (Agni In The Sky Like Lightning), Davanal (Agni On Earth), Badvanal (Agni In The Oceans Or Water) And Jathragni (Agni In The Body); (Ii) Gods Connected With Soul Energy Such As Vishnu (Can Be Compared With A Modern Generating Station), Brahama, Who Induces The Tiny, Invisible, Weightless Particles Of Soul Energy In All The Living Beings To Give Them Life, Shiva, Who, At An Interval Of Time, Takes Out This Particle Of Soul Energy From All The Living Beings And They All Become Dead, And Yama, Who And Whose Assistants Take These Tiny Particles Of Soul To A Place Called Yama Loka; (Iii) Craftsmen Gods Such As Vishvakarma, Tvastha And Ribhugan Who Assemble And Mix The Five Basic Elements In Different Proportions To Create Structures Or Forms So That Soul-Particles Can Be Introduced In Them; And (Iv) Miscellaneous Gods Such As Rishis And Other Men, Animals (Cow, Frog, Etc.) Raised To Godhood, And Other Important Things Like Meaning Of Prayer, Does Rig Veda Give History Etc.
During the hours of daylight, young Shurjomukhi's family is like any other in Dhaka, going through the motions of school, work, and domesticity in a nation still in the flush of youth. But every night, once darkness falls over their asymmetrical house, they switch over to the Unknown world. Death does not exist in the Unknown side and the family is joined for dinner by Shurjo's freedom fighter uncles, who were martyred in the tea gardens of Sylhet at the start of the 1971 Bangladesh liberation war, and her grandmother who killed herself by jumping into a well in the aftermath of 1947. These dinners are festive affairs, replete with the joy of reunion, music and stories, but underneath the celebration, Shurjo's family is riddled with the traumas of their past: death, war, migration, separation, the inability to belong to a land, dwelling in an in-between space, an eternal limbo. And when the miasmic shadow of the past inevitably falls on young Shurjo, the pitfalls of their dual reality is laid bare. The only way forward is an upheaval that splits the family apart, flinging Shurjo and her parents to the other end of the world. Imaginative and compelling, Shurjo's Clan merges magical realism with a vivid historicity to paint an entirely contemporary portrait of how grief is inherited, how the traumas and memories of our ancestors continue to shape those who come long after. Spanning decades, from the forced migration of Bengalis to East Pakistan in 1947, through the 1971 liberation war, the wave of immigrants to the West in the 1980s, and a final return, Iffat Nawaz's lyrical and evocative prose marks the arrival of a distinctive voice, one that unravels questions of grief, belonging, identity, and family with delightful imaginativeness and devastating insight. With its mesmerising balance between inexplicable otherworldliness and undeniable reality, this debut novel asks, above all, how we can honour the past without letting its wounds destroy us.
A Feeling For Feminism Is A Collection Of Stories Written By V. K. Subramanian, Which Reflects His Empathy For Women, Especially The Women Of India.In These Stories, Various Feminine Facets Are Dealt With Understanding And Insight: Women As Affectionate Sisters, Tender, Loving Mothers, Devoted Wives, And Women Facing The Brutal Realities Of Life: Betrayal, Disappointment And Ingratitude.A Feeling For Feminism Will Provide Entertaining Reading For All. For Feminists It Will Be Soothing Nectar. For Those Who Live Outside India, The Book Will Be A Revealing Guide To The Social Mores Of India. To Movie Makers And Television Producers, It Will Be A Veritable Treasurehouse Of Ideas.
Derived from the renowned multi-volume International Encyclopaedia of Laws, this book provides ready access to legislation and practice concerning the environment in Bangladesh. A general introduction covers geographic considerations, political, social and cultural aspects of environmental study, the sources and principles of environmental law, environmental legislation, and the role of public authorities. The main body of the book deals first with laws aimed directly at protecting the environment from pollution in specific areas such as air, water, waste, soil, noise, and radiation. Then, a section on nature and conservation management covers protection of natural and cultural resources such as monuments, landscapes, parks and reserves, wildlife, agriculture, forests, fish, subsoil, and minerals. Further treatment includes the application of zoning and land-use planning, rules on liability, and administrative and judicial remedies to environmental issues. There is also an analysis of the impact of international and regional legislation and treaties on environmental regulation. Its succinct yet scholarly nature, as well as the practical quality of the information it provides, make this book a valuable resource for environmental lawyers handling cases affecting Bangladesh. Academics and researchers, as well as business investors and the various international organizations in the field, will welcome this very useful guide, and will appreciate its value in the study of comparative environmental law and policy.
Though it's primarily Punjabi food that's become known as Indian food in the United States, India is as much an immigrant nation as America, and it has the vast range of cuisines to prove it. In Eating India, award-winning food writer and Bengali food expert Chitrita Banerji takes readers on a marvelous odyssey through a national cuisine formed by generations of arrivals, assimilations, and conquests. With each wave of newcomers-ancient Aryan tribes, Persians, Middle Eastern Jews, Mongols, Arabs, Europeans-have come new innovations in cooking, and new ways to apply India's rich native spices, poppy seeds, saffron, and mustard to the vegetables, milks, grains, legumes, and fishes that are staples of the Indian kitchen. In this book, Calcutta native and longtime U.S. resident Banerji describes, in lush and mouthwatering prose, her travels through a land blessed with marvelous culinary variety and particularity.
