The Ancient Greeks didn't just excel in math and philosophy. They also soared when it came to art. Art history is a refreshing way of knowing the local culture, customs and traditions. It details the truths of the world and myths, too. Without art, history will be boring and handing it down from one generation to the next will prove to be a challenge.
The Ancient Greeks didn't just excel in math and philosophy. They also soared when it came to art. Art history is a refreshing way of knowing the local culture, customs and traditions. It details the truths of the world and myths, too. Without art, history will be boring and handing it down from one generation to the next will prove to be a chall
The Ancient Greece was the hub of advancements not just in the academics but also in government. This history book will breeze through the historic changes of ancient Greece in terms of its art, war, culture and society. The wonderful images added to the mix will capture the attention for visual learning. Grab a copy today!
The reason why scholars can effectively differentiate one ancient society from the other is because of outstanding features. One of these would be the identifiable art styles that are reflective of cultural, religious and political elements at the time. In this ebook, you’re going to try and identify the art styles of ancient Rome, Egypt and Greece. Let’s get started.
Pindar's Eyes is a ground-breaking interdisciplinary exploration of the interactions between Greek lyric poetry and visual and material culture in the early fifth century BCE. Its aim is to open up analysis of lyric to the wider theme of aesthetic experience in early classical Greece, with particular focus on the poetic mechanisms through which Pindar's victory odes use visual and material culture to engage their audiences. Complete readings of Nemean 5, Nemean 8, and Pythian 1 reveal the poet's deep interest in the relations between lyric poetry and commemorative and religious sculpture, as well as other significant visual phenomena, while literary studies of his evocation of cultural attitudes through elaborate use of the lyric first person are combined with art-historical treatments of ecphrasis, of image and text, and of art's framing of ritual experience in ancient Greece. This specific aesthetic approach is expanded through fresh treatments of Simonides' and Bacchylides' own engagements with material culture, as well as an account of Pindaric themes in the Aeginetan logoi of Herodotus' Histories. These come together to offer not just a novel perspective on the relationship between art and text in Pindaric poetry, but to give rise to new claims about the nature of classical Greek visuality and ritual subjectivity, and to foster a richer understanding of the ways in which classical poetry and art shaped the lives and experiences of their consumers.
Offering a unique blend of thematic and chronological investigation, this highly illustrated, engaging text explores the rich historical, cultural, and social contexts of 3,000 years of Greek art, from the Bronze Age through the Hellenistic period. Uniquely intersperses chapters devoted to major periods of Greek art from the Bronze Age through the Hellenistic period, with chapters containing discussions of important contextual themes across all of the periods Contextual chapters illustrate how a range of factors, such as the urban environment, gender, markets, and cross-cultural contact, influenced the development of art Chronological chapters survey the appearance and development of key artistic genres and explore how artifacts and architecture of the time reflect these styles Offers a variety of engaging and informative pedagogical features to help students navigate the subject, such as timelines, theme-based textboxes, key terms defined in margins, and further readings. Information is presented clearly and contextualized so that it is accessible to students regardless of their prior level of knowledge A book companion website is available at www.wiley.gom/go/greekart with the following resources: PowerPoint slides, glossary, and timeline
"The Palace and Park: Its Natural History, and Its Portrait Gallery, Together with a Description of the Pompeian Court" by Richard Owen, Edward Forbes, George Scharf, Robert Gordon Latham, and Samuel Phillips The Crystal Palace was a cast iron and plate glass structure, originally built in Hyde Park, London, to house the Great Exhibition of 1851. This book explains the palace's history and design so readers learn about the interior and exterior of this structure. The book was a useful manual for people who wished to visit the palace, but also for those who would never get the opportunity to do so.
Intended for courses in Western Humanities, this best-selling text chronologically explores the major styles as they appear in painting, sculpture, architecture, literature, music, and philosophy from antiquity to present. Using lively anecdotes, Fleming shows how the styles are linked together by common purposes, themes, and ideas.
