"Lurie takes particular interest in the influence of cinema on Faulkner's fiction and the visual strategies he both deployed and critiqued. These include the suggestion of cinematic viewing on the part of readers and of characters in each of the novels; the collective and individual acts of voyeurism in Sanctuary and Light in August; the exposing in Absalom! Absalom! and Light in August of stereotypical and cinematic patterns of thought about history and race; and the evocation of popular forms like melodrama and the movie screen in If I forget thee, Jerusalem. Offering innovative readings of these canonical works, this study sheds new light on Faulkner's uniquely American modernism."--BOOK JACKET.
Justine and the Noble Viscount by Diane Gaston Guardian to the unconventional and newly orphaned Fitzmannings is not a role that brooding Gerald Brenner relishes. But Justine, the illegitimate daughter who strives to hide her shame, calls powerfully to something deep within him…. Annalise and the Scandalous Rake by Deb Marlowe House party guest Ned Milford can see the inner passion and beauty that Annalise Fitzmanning hides. But how close should they become when his reason for being at Welbourne Manor would prompt a society scandal, not a society marriage! Charlotte and the Wicked Lord by Amanda McCabe Charlotte may be the youngest Fitzmanning girl, but she knows her own mind—and she wants Lord Andrew Bassington! Drew requires an eminently proper bride, something free-spirited Charlotte has never been. So how can she make him see the beautiful woman she has become…?
This is a guide to the main developments in the history of British and Irish literature, charting some of the main features of literary language development and highlighting key language topics.
Imperial Leather chronicles the dangerous liaisons between gender, race and class that shaped British imperialism and its bloody dismantling. Spanning the century between Victorian Britain and the current struggle for power in South Africa, the book takes up the complex relationships between race and sexuality, fetishism and money, gender and violence, domesticity and the imperial market, and the gendering of nationalism within the zones of imperial and anti-imperial power.
Trapped under the reign of a cruel keeper, Ellen Harding longs to be free. Under his oppression, her soul and conscience have died while her body lives on, fulfilling his dissolute desires. She is empty-a vessel-deaf to the voice of morality and blind to shame. When her eyes are drawn to a beautiful man for no other reason than his looks, she imagines what it would be like to escape her chains for a night by giving her body to him. Edward is restless, lonely, and a little angry with his lot in life-it is his only excuse for being drawn to another man's mistress. The woman's dark hair and pale eyes are striking, and he cannot take his gaze off her while she watches him over the top of a fan with an illicit intent in her eyes. Once he's known her, he cannot forget her, and once he's seen the evidence of her supposed benefactor's brutality, he wants to help her. But how can he when she will not run any more than she will speak of her past? When a desperate Ellen finally relents and shocks Edward from his sleep, he doesn't hesitate, he helps her flee. He just doesn't know he's running headlong into the secrets of her past.