Life hasn't been easy since the accident. It's the only way I can describe things because I was there. I saw what happened. I've had so many nightmares about it. And now I find myself starting over in a new place where no one should have known about it. Instead, I'm branded an outcast by the people that heard whispers of what she did. Rumors instead of truths. The very things that have a way of breaking someone, and I'm so goddamn close to being broken. Especially now that she's found me again. I think the Devil is here. Inside of her-squatting like an infestation. I can't run anymore. I have to help her. No one else will.
William Carlos Williams was an inventive writer never confined by any static genre or aesthetic postulate. In this authoritative study, Bernard Duffey recognizes that literary dynamism as he approaches the full breadth of Williams's work--including his poetry, prose, fiction, and drama--as an interrelated and interdependent web of writing. The result, the first truly comprehensive examination of a major American author and his kinetic art, will interest students and scholars of Williams, American literature, and modern poetry and criticism. Central to Duffey's study is a critical framework based on Kenneth Burke's A Grammar of Motives and the perception of the poet as an agent working in relation to a "scene" and its content--in this case, the geographical and cultural locale that Williams clung to. Williams's work, Duffey argues, was informed by the dramatic sense of himself as a literary actor seeking embodiment of a dynamic, altering whole and his present condition of being. Ultimately, he stresses, the writer was more engaged in expressing literary action than in forging literary objects. Duffey amplifies this critical view through a close reading of specific works. Examining Williams's principal writings in the lights that seem most immediate to them, he tackles a variety of themes: the pervasiveness of scene in In the American Grain and the fiction; the role of agent or poetic person in Kora in Hell, A Voyage to Pagany, Paterson, and Pictures from Brueghel; the function of poetic agency in the short poems, and of poetic action in Williams's drama.
A translation and transliteration of ‘Hadaa’iq e Bakhshish’, which is the world-renowned bouquet Of Na’ats and Manqabats composed by Sayyidi Aala Hazrat Imam Ahle Sunnat Ash Shah Imam Ahmed Raza Khan Qaadiri Barkaati (Radi Allahu Anhu).
An inside account of the Chinese invasion of Tibet told through the voices of three persecuted monks • Shares the true story of three monks’ heroic escape from occupied Tibet and the subsequent rebirth of the Bön religion in exile • Introduces Bön, Tibet’s oldest religion, and a traditional way of life extinguished by foreign occupation • Reveals details of the 1950 Chinese invasion of Tibet and the exodus of thousands of Tibetans to neighboring countries Providing an inside view into the Chinese occupation of Tibet and the tenets of Bön, one of the world’s oldest but least known religions, this book chronicles the true story of three Bön monks who heroically escaped occupied Tibet and went on to rebuild their culture through incredible resilience, determination, and passion. After taking his vows to become a Bön monk and completing a pilgrimage around 22,000-foot Mt. Kailash, the holiest mountain in Tibet, Tenzin Namdak envisions a life of quiet contemplation at Menri, Bön’s mother monastery. Instead, he finds himself fleeing for his life across the highest and most difficult terrain on the planet. After being joined by a CIA-backed warlord, Tenzin’s escape party is ambushed and he is severely wounded. Narrowly escaping execution by Chinese soldiers, the dying Tenzin is taken to a concentration camp, where he is afforded special consideration because of his status as a monk. He overcomes his nearly fatal wound and makes an arduous escape from Tibet over the daunting Himalayas. The other monks, life-long friends Samten Karmay and Sangye Tenzin, witness Tibet’s capital explode in a violent insurrection against Chinese rule. Escaping to Nepal, they worry about the survival of the Bön religion and begin collecting scattered works of Bön scripture. A chance meeting with British scholar David Snellgrove brings the three monks together again and dramatically changes their lives. Snellgrove invites Sangye, Samten, and Tenzin to spend three years in London on a Rockefeller Foundation grant. There, they hone their English and forge influential relationships, enabling Tenzin to answer the pleas for help from the Bön community by founding a settlement in exile in India. Sangye is chosen as the 33rd Menri Trizen, Bön’s highest office, and together the three monks help rebuild the nearly extinct Bön religion. Aside from the escape of the Dalai Lama, no other Tibetan escape has been so consequential for so many.
Technologies of Feminist Speculative Fiction: Gender, Artificial Life, and the Politics of Reproduction explores how much technology has reshaped feminist conversations in the decades since Donna Haraway’s influential “Cyborg Manifesto” was published. With sections exploring reproductive technologies, new ways of imagining femininity and motherhood via artificial means, queer readings of gender as a social technology, and posthuman visions of a world beyond gender, this book demonstrates how feminist speculative fiction offers an urgently needed response to the intersections of women’s bodies and technology. This collection brings together authors from Europe, Japan, the US and the UK to consider speculative films and texts, reproductive technologies and food futures, and opportunities to rethink family, aging, gender and sexuality, and community through feminist speculative fiction, a social technology for building better futures.
