Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Visually arresting, irresistibly sexy, and ferociously funny, this faux 1980s pulp love magazine is the perfect beach read, coffee table accessory, or gift from the brain that brought you @theyellowhairedgirl. Dedicated to broken-hearted girls who will always love again . . . Have you ever hooked up with a homeless hottie who stole your heart, but then also your potato chips? Flaked out on friends and changed the course of your entire life after meeting the “perfect” guy before discovering his multiple undiagnosed anti-social personality disorders? Planned a What-Would-Dolly-Parton-Do day but then realized you have no hair spray and just ate raw cookie dough by yourself instead? If it’s happened to Leah Rachel, it can happen to you. Instagram’s insanely popular Yellow Haired Girl, unloads in this brutally funny and vibrantly illustrated book about love, fluids, resilience, pain, and owning the whole marvelous mess we call womanhood. Filled with quizzes, recipes for the lost, mad libs, puzzles, horoscopes, and raw personal essays, Love Street is packed with screw-it-all advice on sex, drugs, diets, dating, self-esteem, body image, friends, romance, masturbation, fashion, and crashing into love so fast and hard you’re as sure as your lost dignity it’s the real thing. This unique, eye-popping work of pulp art is both aspirational and cringingly relatable. This is for any woman who isn’t afraid to wear her heart on her sleeve, no matter how many times it’s been through the washer. Paper dolls included.
London has never been the safest place to live or work, but lately, the violence has reached an all-time high.And that's where the trouble started...When it comes to ink, Layla is the hottest name around. She owns her own tattoo studio where customers wait months for an appointment. She's been fed up with the fighting and crime around the studio for months now, but her brother ran a crew so she knows all too well what that kind of life is like.It's late when Layla locks up her studio that night... She heads to the car park but walks straight into an altercation between two rival gangs. Shots fire and she runs... Only to be pulled to the ground by a shadowy figure.When it comes to the road, no one's name is more feared than Jackson's. After years of running the streets, he's determined to leave that life behind. He's making moves onto more legit things and although he carries a certain type of name on the road, Layla soon realises that you can't believe everything you hear.The trouble in Layla's life quickly intensifies, but now it's not just around her studio, it's up close and personal. She knows that she should stay as far away from it as possible but her heart just won't let her.Can two people from completely different walks of life make it? Or will the streets find a way to come between them for good?
This volume makes available three of Capon's sought-after early works: An Offering of Uncles, The Third Peacock, and Hunting the Divine Fox. Each book offers a refreshingly different take on key theological issues--the priesthood of humankind, the problem of God and evil, and the language of theology.
Like Magic in the Streets tells the curious stories behind the making of the much-loved indie LPs: You Can't Hide Your Love Forever, High Land, Hard Rain, Before Hollywood, The Smiths and A Walk Across the Rooftops. Music that couldn't have been made at any other time, shaped by the radical upheaval of the early Eighties. The book captures the mood of what it felt like to live under the rule of Queen Elizabeth II and Mrs Thatcher in the new-build landscape of flyovers and underpasses, concrete shopping centres and civic parks, to be night-walking under the sodium glare of streetlights to empty bus stations, reeking pubs and spangled discos. It's not the story of the rise of indie or how a great musical lineage changed the world. It's about a short-lived and failed romance, a defeat, and why that might be more important and interesting than any Eighties' success story.