Rococo
Rococo

Author: Sarah Coffin

Publisher: Cooper Hewitt

Published: 2008

Total Pages: 274

ISBN-13:

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Flamboyant. Ornamental. Unconventional. An unprecedented exploration into Rococo style. Rococo: The Continuing Curve, which accompanies a major exhibition opening March 2008 at the Smithsonian's Cooper-Hewitt National Design Museum in New York, is a groundbreaking work exploring the sensuous and organic rococo style and its many revivals (such as art nouveau) from the early eighteenth century up to the present day in multiple fields, including furniture, decorative arts, prints, drawings, and textiles. More than 300 lavish full-colour illustrations and more than a dozen original essays chart the progress of the styles as it radiated from master craftsmen in Paris throughout France, England, Germany, the Netherlands, and other European countries, and later crossed the Atlantic to the United States. AUTHOR: Rococo: The Continuing Curve is organized by Sarah Coffin, head of the product design and decorative arts department. Gail Daidson, head of drawings, prints, and graphic design department. Guest curator Penelope Hunter-Stiebel. Ellen Lupton, is curator of contemporary design. 300 illustrations

Art History For Dummies
Art History For Dummies

Author: Jesse Bryant Wilder

Publisher: John Wiley & Sons

Published: 2011-02-14

Total Pages: 483

ISBN-13: 1118051165

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Art history is more than just a collection of dates and foreign-sounding names, obscure movements and arcane isms. Every age, for the last 50,000 years has left its unique imprint on the world, and from the first cave paintings to the ceiling of the Sistine Chapel, from the Byzantine mosaics of the Hagia Sophia, to the graffiti-inspired paintings of Jean-Michel Basquiat, art history tells the story of our evolving notions of who and what we are and our place in the universe. Whether you’re an art enthusiast who’d like to know more about the history behind your favorite works and artists, or somebody who couldn’t tell a Titian and a De Kooning—but would like to—Art History For Dummies is for you. It takes you on a tour of thirty millennia of artistic expression, covering the artistic movements, major artists, and indispensable masterworks, and the world events and cultural trends that helped spawn them. With the help of stunning black-and-white photos throughout, and a sixteen-page gallery of color images, it covers: The rise and fall of classical art in Greece and Rome The differences between Renaissance art and Mannerism How the industrial revolution spawned Romanticism How and why Post-Impression branched off from Impressionism Constructivism, Dadaism, Surrealism and other 20th century isms What’s up with today’s eclectic art scene Art History For Dummies is an unbeatable reference for anyone who wants to understand art in its historical context.

Rococo
Rococo

Author: Michael Snodin

Publisher:

Published: 1984

Total Pages: 0

ISBN-13: 9780862940461

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French Rococo Ébénisterie in the J. Paul Getty Museum
French Rococo Ébénisterie in the J. Paul Getty Museum

Author: Gillian Wilson

Publisher: J. Paul Getty Museum

Published: 2021-03-30

Total Pages: 0

ISBN-13: 9781606066300

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The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture. This catalogue focuses on French ébénisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976. The Museum’s collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben (1721–1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste. The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection’s acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer. The free online edition of this open-access publication is available at www.getty.edu/publications/rococo/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, and JPG downloads of the main catalogue images.

Appearance and Power
Appearance and Power

Author: Kim K. P. Johnson

Publisher:

Published: 1999-11

Total Pages: 224

ISBN-13:

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This book tackles the charged and frequently painful subject of how appearance affects social interaction and the role of larger social structures in perpetuating and institutionalizing it as an evaluative criterion.

The Concise Oxford Dictionary of Art Terms
The Concise Oxford Dictionary of Art Terms

Author: Michael Clarke

Publisher: Oxford University Press, USA

Published: 2010-07-08

Total Pages: 282

ISBN-13: 0199569924

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Searchable database of over 1,900 terms used in the wide variety of visual media that makes up the art world.

The British Country House in the Eighteenth Century
The British Country House in the Eighteenth Century

Author: Christopher Christie

Publisher: Manchester University Press

Published: 2000

Total Pages: 374

ISBN-13: 9780719047251

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This work explores the British country house between 1700-1830 and looks at the lives of the noblemen and the servants who inhabited them. Reference is made to the whole of the British Isles and there is a discussion of their political significance.

Rule Britannia? Britain and Britishness 1707–1901
Rule Britannia? Britain and Britishness 1707–1901

Author: Peter Lindfield

Publisher: Cambridge Scholars Publishing

Published: 2015-09-04

Total Pages: 185

ISBN-13: 1443882003

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The concept of Britishness – and its constituent facets – has, over the past decade, come increasingly to the fore. In particular, this can be seen in the politically and socially engaging debates surrounding the Scottish Referendum in 2014. It is an idea – manifested both physically and cognitively – that every Briton is aware of and engages with to a greater or lesser extent. Thus, the concept of Britishness is extremely current and crosses cultural, political and socio-economic boundaries. Nevertheless, Britishness is a challenging term to define and explore, given its tremendously wide-ranging nature and dynamic, personally shaped characteristics. Considering historical ideas of Britishness, however, can enhance the understanding of national identity in the modern world. This volume does just that by gathering together original academic essays that explore the expression and understanding of Britishness in literature, philosophy, music, historical documents, art and design. Each contribution offers a detailed investigation of primary material, including architecture, furniture, historical literature, plays and sermons, and marketing. As a collection, ideas are marshalled to reveal a rich tapestry of Britishness and its forging.

Classical Architecture in Britain
Classical Architecture in Britain

Author: Giles Worsley

Publisher: Paul Mellon Ctr for Studies

Published: 1995

Total Pages: 349

ISBN-13: 9780300058963

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Giles Worsley notes that architectural styles do not always supersede one another but can co-exist, although one style may be dominant. Focusing on the Palladian classical tradition, introduced by Inigo Jones in the 1610s, he shows that this tradition did not die out with Jones's death and revive only during the first half of the eighteenth century, as is commonly assumed, but remained viable until the end of the eighteenth century, rivalling the baroque and rococo styles. Worsley argues that neo-classicism, generally seen as a generic description of architecture in the late eighteenth century, was actually prevalent in British architecture in varying degrees of strength as early as 1615. He examines the architecture of Scotland, Ireland and North America in the seventeenth and eighteenth centuries and shows how styles were influenced by English Palladianism. He also places Palladianism in a European context, pointing out that it was not an isolated phenomenon but was an important feature of Italian, French, Dutch and German architecture during this time. The book thus not only sheds fresh light on British architecture but also provides a new outlook on European and American architecture as a whole.